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The Virgin Spring is a suédois film of genre Drama directed by Ingmar Bergman released in USA on 8 february 1960 with Max von Sydow
The Virgin Spring (1960)
Jungfrukällan
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Add to a movie listReleased in USA 8 february 1960
Length 1h29
Directed by Ingmar Bergman
OriginSuede
Themes Seafaring films, Films based on mythology, Films about sexuality, Transport films, Rape in fiction, Erotic films, Films set in the Viking Age, Rape and revenge films, Films based on Norse mythology, Auto-justice
Rating79%
The Virgin Spring (Swedish: Jungfrukällan) is a 1960 Swedish film directed by Ingmar Bergman. Set in medieval Sweden, it is a revenge tale about a father's merciless response to the rape and murder of his young daughter. The story was adapted by screenwriter Ulla Isaksson from a 13th-century Swedish ballad, "Töres döttrar i Wänge" ("Töre's daughters in Vänge"). The film contains a number of themes that question morals, justice and religious beliefs; it was considered controversial when first released due to its infamous rape scene. It won for Best Foreign Language Film at the 1961 Academy Awards and was also the basis for the 1972 exploitation horror film The Last House on the Left.
Synopsis
The Virgin Spring tells the story, set in the late medieval Sweden, of a prosperous Christian whose daughter, Karin (Birgitta Pettersson), is appointed to take candles to the church. Karin is accompanied by her pregnant servant Ingeri (Gunnel Lindblom), who secretly worships the Norse deity Odin. Along their way through the forest on horseback, Ingeri becomes frightened when they come to a stream-side mill and the two part and Karin sets out on her own.Actors
Max von Sydow
(Töre)
Birgitta Valberg
(Märeta)
Gunnel Lindblom
(Ingeri)
Birgitta Pettersson
(Karin)
Axel Düberg
(Thin Herdsman)
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Suggestions of similar film to The Virgin Spring
There are 128 films with the same actors, 55 films with the same director, 79806 with the same cinematographic genres (including 1 with exactly the same 6 genres than The Virgin Spring), 13973 films with the same themes (including 0 films with the same 10 themes than The Virgin Spring), to have finally 70 suggestions of similar films.If you liked The Virgin Spring, you will probably like those similar films :
Shame (1968)
, 1h43Directed by Ingmar Bergman
Genres Drama, War
Themes Seafaring films, Transport films
Actors Liv Ullmann, Max von Sydow, Gunnar Björnstrand, Sigge Fürst, Ulf Johanson, Birgitta Valberg
Rating79%
The story follows a husband and wife (Jan and Eva) who, as a result of civil war, have moved away from society to a farm on a rural island. Their response to war has been escapist and they are mostly living in isolation (their radio and telephone do not work).
Hour of the Wolf (1968)
, 1h30Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Horror
Themes Films about sexuality, LGBT-related films, LGBT-related film
Actors Max von Sydow, Liv Ullmann, Georg Rydeberg, Gertrud Fridh, Erland Josephson, Ingrid Thulin
Rating74%
During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot.
The Seventh Seal (1957)
, 1h36Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Jeu, Medical-themed films, Films about religion, Films about sexuality, Sports films, Films about chess, Films about viral outbreaks, Films based on plays
Actors Gunnar Björnstrand, Bengt Ekerot, Nils Poppe, Max von Sydow, Bibi Andersson, Inga Gill
Rating81%
Disillusioned knight Antonius Block (Max von Sydow) and his nihilistic squire Jöns (Gunnar Björnstrand) return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, the knight encounters Death (Bengt Ekerot), personified as a pale, black-cowled figure resembling a monk. The knight, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game.
The Touch (1971)
, 1h55Directed by Ingmar Bergman
Genres Drama, Action, Romance
Themes Seafaring films, Transport films
Actors Elliott Gould, Bibi Andersson, Max von Sydow, Sheila Reid, Barbro Hiort af Ornäs, Åke Lindström
Rating62%
Andreas and Karin Vergerus (von Sydow and Andersson) live in fine rapport, their personalities matching well. Both are quiet, contemplative, and very rational persons, not liable to act spontaneously. The intruder, "David Kovac", played by Elliott Gould, is in contrast an impetuous man, uncompromising, overbearing, and tormented by inner contradictions and compulsions. Karin and David become clandestine lovers, but aren't appropriate for each other. Before they meet David attempted suicide and Karin was unhappy to be reduced to a wife. They flower in their new love and it destroys their lives.
Wild Strawberries (1957)
, 1h31Directed by Ingmar Bergman
Origin Suede
Genres Drama, Comedy-drama
Themes Transport films, Films about automobiles, Road movies
Actors Victor Sjöström, Bibi Andersson, Ingrid Thulin, Gunnar Björnstrand, Max von Sydow, Jullan Kindahl
Rating80%
Grouchy, stubborn and egotistical Professor Isak Borg is a widowed 78-year-old physician who specialized in bacteriology. Before specializing he served as general practitioner in rural Sweden. He sets out on a long car ride from Stockholm to Lund to be awarded the degree of Doctor Jubilaris 50 years after he received his doctorate from Lund University. He is accompanied by his pregnant daughter-in-law Marianne who does not much like her father-in-law and is planning to separate from her husband, Evald, Isak's only son, who does not want her to have the baby, their first.
Winter Light (1963)
, 1h19Directed by Ingmar Bergman
Genres Drama
Themes Films about religion
Actors Ingrid Thulin, Gunnar Björnstrand, Max von Sydow, Gunnel Lindblom, Allan Edwall, Olof Thunberg
Rating79%
The film opens with the final moments of Tomas's noon service. In attendance are only a handful of people, including fisherman Jonas Persson and his wife Karin (von Sydow and Gunnel Lindblom), and Tomas's ex-mistress, the atheistic Märta (Ingrid Thulin). After the service, Tomas, though coming down with a cold, prepares for his 3 o'clock service in another town.
Summer with Monika (1953)
, 1h32Directed by Ingmar Bergman
Origin Suede
Genres Drama, Comedy-drama, Romance
Themes Seafaring films, Transport films, Le thème des vacances
Actors Harriet Andersson, Dagmar Ebbesen, Åke Fridell, Naemi Briese, Åke Grönberg, Sigge Fürst
Rating74%
The film's story begins in the bleak working-class milieu of Stockholm. Harry (Lars Ekborg) and Monika (Harriet Andersson) are both in dead end jobs when they meet. Harry is easygoing, while Monika is adventurous, but they fall in love. When Monika gets in trouble at home, Harry steals his father's boat, and he and Monika spend an idyllic summer in the Stockholm archipelago. When the end of the summer forces them to return home, it is clear that Monika is pregnant. Harry happily accepts responsibility and settles down with Monika and their child; he gets a real job and studies to provide for his family. Monika, however, is unsatisfied with her role as homemaker. She yearns for excitement and adventure, a desire which finally leads her astray. Harry is left behind with the child.
Smiles of a Summer Night (1955)
, 1h48Directed by Ingmar Bergman
Origin Suede
Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films
Actors Ulla Jacobsson, Eva Dahlbeck, Harriet Andersson, Björn Bjelfvenstam, Jarl Kulle, Gunnar Björnstrand
Rating76%
The film takes place in Sweden around the turn of the twentieth century. Fredrik Egerman is a middle-aged lawyer married to a 19-year-old beauty, Anne. Their two-year marriage is still unconsummated, due to Anne's reluctance. Fredrik has a son, Henrik, from his marriage to his late first wife. Henrik is in his early twenties and is studying to be a minister but is currently tormented by his love for his step-mother, who secretly loves him in return. Henrik is distracting himself from his urges by attempting an inconclusive affair with Fredrik's lusty young servant, Petra.
Saraband (2003)
, 2hDirected by Ingmar Bergman
Origin Suede
Genres Drama, Musical
Themes Films about music and musicians, Films about sexuality, Musical films
Actors Liv Ullmann, Erland Josephson, Börje Ahlstedt, Gunnel Fred
Rating74%
The film is structured around ten acts with a prologue and epilogue. It opens with the camera on Marianne standing by a table covered with photographs. It is a well-lit room, and she addresses the viewer. She picks one picture up after another; they are in no particular order, being just heaped all over the table. Some make her smile, or elicit a comment or a sigh. But then she picks up a photograph of her husband, prompting her to reminisce about how they had been more or less happy, and how they'd broken up. She goes on to recall how his second marriage failed, while she was already married to a second husband herself, and then when her second husband died (by flying a glider off somewhere and disappearing), she reflects that it would be nice to see her first husband again.
Persona (1966)
, 1h20Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes L'adolescence, Films about films, Films about children, Pregnancy films, Medical-themed films, Films about sexuality, Bisexuality-related films, LGBT-related films, La sexualité des mineurs, Films about pedophilia, Vampires in film, Films about psychiatry, LGBT-related films, LGBT-related film
Actors Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Margaretha Krook
Rating80%
Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.