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Shararat is a film directed by Kishore Sahu

Shararat (1943)

Shararat
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Shararat (Mischief) is a 1944 Hindi comedy film directed by Kishore Sahu. Produced by Hindustan Chitra Productions, it had music by S. N. Tripathi and Khan Mastana.
Following the commercial success of his earlier comedy film Kunwara Baap (1942), Sahu made another comedy with Shararat, which he not only directed and wrote the story for, but also cast himself in the main role. The actors co-starring with him were Maya Banerji, Protima Dasgupta, Ramesh Gupta, Sushil Sahu and Moni Chatterjee.

The film was about a young woman pretending to be insane in order to avoid an arranged marriage.

Synopsis

Raibahadur Hiralal Mathur is a wealthy man who lives with his wife and a stubborn, spoilt daughter Sudha. Her reckless driving of a new car nearly gets her into trouble when she bangs the car into Dr. Sharma. The Doctor suffers no serious injuries, instead he and Sudha fall in love. However, Sudha's mother has already arranged her marriage into a family of her interest. Sudha pretends to be insane, and the family call for the services of Dr. Sharma to help treat her.

Trailer of Shararat

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Source : Wikidata

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Suggestions of similar film to Shararat

There are 21 films with the same director, to have finally 21 suggestions of similar films.

If you liked Shararat, you will probably like those similar films :
Dil Apna Aur Preet Parai
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Rating65% 3.2792053.2792053.2792053.2792053.279205
Sushil Verma (Raaj Kumar) is a surgeon in the Shimla Hospital. He lives on the hospital grounds in a doctor's house with his ageing mother and younger sister Munni (Kumari Naaz). Sushil's father died and his father's close friend paid for his medical school fees, thus creating a debt that Sushil's mother feels needs to be fulfilled.
Night of the Full Moon
Night of the Full Moon (1965)

Directed by Kishore Sahu
Genres Horror
Actors Manoj Kumar, Shiv Kumar, Prem Chopra, Rajendra Nath, Sapru, Kishore Sahu
Rating70% 3.502213.502213.502213.502213.50221
Chandan is rushing to his home-town from Bombay to be beside his long-ailing father, Lala Baijnath, whose illness has relapsed. Chandan's college friend, Prakash (Manoj Kumar) accompanies him. Reaching the outskirts of the town, Prakash is shocked to learn that the mansion he is visiting is haunted and Lala Bahinath, is suspected by the town of having murdered a beautiful young woman on the day of a full moon. It is believed that the spirit of the murdered woman, Rani haunts the mansion to this day. Prakash is curious and intrigued. Prakash meets Chandan's sisters, Jyoti and Nandini but before a love triangle acquires any dimensions, the unexpected happens. Prakash, in the dead of the night, begins to hear a woman's voice singing and soon Prakash is captivated by the charms of an elusive spirit, Rani. With Lalaji's nurse murdered and every relative wanting a stake in the property, things take a dark turn where no one can be trusted and everyone is a suspect. Curious Prakash determined to resolve the mystery of the mansion and start an investigation on its own. He persuades Chandan to show him the closed quarters of Rani, which are forbidden to enter by any one after her death twelve years ago, by orders of Lala Baijnath. After examining the room they returned. Prakash continue to hear mysterious sounds in night from his bedroom. He follows an woman in white clothing to no avail. Meanwhile Chandan and Prakash camp mates visits the mansion on earlier invitation by Chandan. One of girls dares Praksh to bring out her Sandal from nearby well after hearing his swimming skills from others, to add further excitement Nandini dumps her expensive bangles to well and challenges Prakash to bring it out and keep the same as reward. Without wasting any time Prakash jumps into the well, and disappeared from sight to dismay of onlookers. When he reappears after some time he holds the corpse of murdered nurse. Meanwhile mysterious woman in white clothing continue to bother Prakash, he felt like nervous breakdown. As the time passes the day of full moon arrives again, warned by gardener and family doctor all are asked to stay vigilant to face untowardly incident. In midnight, a silhouette with a knife in her hand approaches sleeping Lala Baijnath and stabs his blanket covered body. In meantime alert Prakash catches the murderer red handed, who is non other than Nandini. She tried to put blame the on Prakash but Lala Baijnath, as put on sleep somewhere near unusual to deceit the murderer recovers from his paralysis due to further shock, reveals to all that Nandini was daughter of Rani and suffering from same mental disease as her mother, an illness which attacks occurs on full moon days which costs her life twelve years ago as she fallen from upstairs,. Lala reveals further that on earlier attack on him by her, she accidentally killed nurse later pushing nurse to well from window and causing paralysis to him by shock. As everyone was in state of shock, doctor ensures that she will be treated to his full capacity as Nandini sings the same haunted song and marches ahead towards mansions balcony.
Yaamirukka Bayamey
Yaamirukka Bayamey (2014)
, 2h2
Directed by Kishore Sahu
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Themes Comedy horror films
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Rating68% 3.4435153.4435153.4435153.4435153.443515
Kiran (Kreshna) is a television telemarketer, who gets into trouble after one of his products has an opposite effect than what was intended, on the son of a local thug. That is also precisely the moment when he discovers that his ‘real’ father left him a bungalow on an estate in a small town. He cons the son of the don, escapes with the money along with his girlfriend Smitha (Rupa Manjari), renovates the run down mansion into a hotel with the help of a local caretaker Sharath (Karunakaran) who was under the care of Kiran's father before and his bombshell sister Saranya (Oviya). Customers begin trickling in, but strangely most of them wind up dead. Baffled, Kiran tries to uncover the mystery behind the deaths, which eventually leads him to believe that the house is haunted. His suspicions are confirmed when things start going awry in the house, indicating some supernatural presence and when he discovers that the people who checked in to his hotel were all previous owners of the land and interestingly all dead themselves. They soon go to seek help from brother Adaikalam, who is actually a cheat. They kidnap him and bring him to the house. The foursome catch an old man inside the house assuming he is a thief. However, the old man says that he and the others will die if they leave the hotel. He narrates that the house was haunted by a ghost - Mohini (Anaswara Kumar) who would kill the owner of the house. Soon the ghost starts to possess the people in the house and attacks Kiran. The gang is finally cornered with no chance of escape. It is said that they would die by midnight. Hearing someone banging on the door, Kiran opens the door to find the don, his son and his thugs. The don asks for the house in return for the money he conned from him. Feeling pity for them, Kiran warns them about the spirit. Not listening to Kiran, the don forces him to sign the papers for the house. Kiran and his friends are let go and they see the spirits of the previous owners on their way out. Just as they go out, they find the don and his thugs outside. Knowing that the ghost has killed the don's group since it is midnight, Kiran and his group walk away.
Kunwara Baap
Kunwara Baap (1941)

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Prannath (Kishore Sahu) goes to the jeweller’s to buy a ring for his to-be fiancée. While he is in the store, an unwed mother leaves her infant in the back of Prannath’s car. When he comes out he realises he’s stuck with the baby much to his discomfiture as his betrothed refuses to believe his story. The situation gives rise to several funny sequences till the villainous father of the child admits to being the real father and agrees to marry the mother of the abandoned child.
Veer Kunal
Veer Kunal (1944)

Directed by Kishore Sahu
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Emperor Ashoka's beloved wife, Asandhimitra, mother of Kunal, is dead and Ashoka is grief-stricken. Kunal is much loved by his step-mother, Kuruvaki. He is loved and admired by all in the kingdom and is Ashoka's favourite son. Over a period of time Ashoka overcomes his grief and marries a much younger, Tishyarakshita, daughter of a chieftain. Somdev, Ashoka's Prime Minister has opposed the alliance and is frequently humiliated by Tishya. When Tishya sees Kunal, she falls in love with him in spite of him having a wife, Kanchanmala, and a young son. Tishya is strongly rebuffed by Kunal. An angry Tishya has him accused of murder and put in the dungeon. She tells the guards to blind his eyes. Ashoka, enamoured of Tishya, is unable to see through her plotting. He falls ill and remains largely unaware of most incidents. Kurvaki, unable to see Kunal's plight, helps him escape. Kunal gets the help of the townspeople of Pataliputra and marches to the palace. Ashoka, on being told who is at the gates of the palace, calls for a durbar meeting. When he hears the entire story, his sense of fair play, his impartial justice, and remorse at his son's blinding help him mete out a strict punishment to Tishya, condemning her to be burnt.