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Sinhagad is a film of genre Historical directed by V. Shantaram
Sinhagad (1933)
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Add to a movie listSinhagad is a 1933 Marathi historical drama film directed by V. Shantaram.
The production company was Prabhat Film Company. The story was based on Hari Narayan Apte's literary classic novel "Gad Ala Pan Sinha Gela" (I Won The Fort But Lost A Lion). Apte was a famous Marathi novelist of the early twentieth century. The story's screenplay and dialogue were written by Govindrao Tembe who also provided the music for the film. The cinematographers were V. Avadhoot and Keshavrao Dhaiber. The cast included Master Vinayak, Baburao Pendharkar, Keshavrao Dhaiber, Leela Chandragiri, Shinde, Prabhavati, Budasaheb and Shankarrao Bhosle.
The film though based on the classic, followed the schematic pattern of the earlier silent film version by Baburao Painter Sinhagad (1923), and was based on Maratha Emperor Shivaji's Lieutenant, the folk-hero Tanaji Malusare
Synopsis
Udaybhanu (Baburao Pendharkar) captures Kamlakumari who is planning to commit Sati and brings her to his fort in Kondana. Tanaji Malasure prepares to attack the fort with fifty soldiers. He manages to scale it but is killed in the battle with Udaybhanu. Shivaji arrives and wins the fort but he is despondent on losing his most trusted Lieutenant.Comments
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Suggestions of similar film to Sinhagad
There are 45 films with the same director, 5108 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked Sinhagad, you will probably like those similar films :
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Dr. Kotnis Ki Amar Kahani (1946)
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Eknath (Bal Gandharva) concentrates on giving charitable and caring help to people especially those of the untouchable caste. This goes in variance against the vindictive Mahant (Chandra Mohan) who opposes such practices. Things come to a head when at a prayer meeting, Eknath feeds the untouchables first, before the Brahmins, as would be the normal custom. Eknath does not differentiate between castes and eats at their house too. This enrages the Mahant and he has Eknath ex-communicated. Eknath's son Hari Pandit (Kale) has joined the people and the Mahant who oppose his father's practices. Eknath finally arrives at Kashi and defends his behaviour by reciting verses of his poems to Pradayananda Shastri.
Sita Kalyanam (1934)
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Sita Kalyanam is the story of Sita's (S. Jayalakshmi) swayamvara. Sita's father King Janaka (V. Sundaram Iyer) arranges a swayamvara for his daughter. He announces a contest and declares that whoever can wield Shiva Dhanush (Shiva's bow) will be given Seetha's hand in marriage. After several kings and princes fail to do so, Rama (S. Rajam), the prince of Ayodhya, wields the bow and marries Sita.
Sairandhri (1932)
Directed by V. Shantaram
The story is about the twelfth of the thirteen years of the Pandavas exile. Draupadi in her identity as Sairandhari (female servant) is acting as the maid-in-waiting to Queen Sudeshna. They are in King Virata's palace in Matsya. Kichaka, King Virata's brother-in-law and Sudeshna's brother is an arrogant man who believes that King Virat rules his kingdom because of him. He sees Sairandhari and orders his sister to send Sairandhari to his palace. When she reaches Keechak's palace Bhima who is disguised as the palace cook, arrives to save her and slays Kichaka.
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Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drinks and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.
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, 2h1Directed by V. Shantaram
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Mohini a Hindu Punjabi girl, is living with her family when the Partition riots break out. In the melee while her family escape their home, which now becomes part of Pakistan and go to India, she is kidnapped and raped by some Muslim rioters. After undergoing several harrowing experiences Mohini manages to come to India and locate her family. Her family and society is unwilling to accept her in their midst. Determined to get revenge on the society that has boycotted her she becomes a smuggler and gets into the black-marketing business. She sends ammunition to Pakistan smuggled in crates that have music instruments. Mohini soon becomes involved with another refugee, Satish. When Satish is implicated in the smuggling racket, Mohini admits her role in the business and surrenders to the police.
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, 2h15Directed by V. Shantaram
Genres Drama
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Rating71%
The story is set in a small village in India where the villagers of different communities live in harmony. Pandit (Mazhar Khan) a Hindu, and Mirza (Gajanan Jagirdar) a Muslim, are two old friends who function as the village elders and look out for each other's families. An industrialist, Onkar, arrives to construct a dam in the village. He is opposed by the two friends and the other villagers. Onkar decides to create distrust and disunity between the two communities and friends. When a house is set on fire, Mirza is made to believe it is the work of Pandit and his son. Encouraged by the villagers, he is forced to ex-communicate the two. This causes strife and the dam is constructed. Finally the dam breaks and the two old friends come together again and die in their attempt to save lives.
Shakuntala (1943)
, 2h2Directed by V. Shantaram
Genres Drama, Romance
Actors Chandra Mohan
Shakuntala (Jayshree) is the daughter of sage Vishwamitra and Menaka, but is brought up by the sage Kanva, and stays with him in a forest dwelling. She meets King Dushyanta (Chandra Mohan), when he comes there for a hunt. The two fall in love and get married, with Dushyanta staying with her. Soon he has to leave and he promises to come back for her. Before leaving he gives her a ring as a token of their marriage. Shakuntala passes her days waiting for Dushyanta. She is so lost in his thoughts that she doesn’t hear a sage asking for water. He then leaves her with a curse that the one she is thinking about will forget her. She gives birth to a son, Bharata and several years pass without the return of Dushyanta who has lost his memory and has no recollection of Shakuntala. The ring he has given her is lost in the river and swallowed by a fish. Dushyanta turns her away when Shakuntala goes to the court. Later when Dushyanta recovers his memory Shakuntala refuses to go with him but both are finally united.