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Manoos is a film of genre Drama directed by V. Shantaram with Ramchandra Purushottam Marathe
Manoos (1939)
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Add to a movie listManoos also called Life's for Living is a 1939 Indian Marathi social melodrama film directed by V. Shantaram. The movie then remade in Hindi as Aadmi. The film was based on a short story called "The Police Constable". The story was by A. Bhaskarrao with screenplay and dialogue by Anant Kanekar. The cinematographer was V. Avadhoot and the music was composed by Master Krishna Rao with lyrics by Kanekar. The cast included Shahu Modak, Shanta Hublikar, Sundara Bai, Ram Marathe, Narmada, Ganpatrao, Raja Paranjpe.
Manoos, termed as a "reformist social melodrama", involved the subject of an honest policemen's love for a prostitute and his attempts to rehabilitate her, and the rejection by society.
Synopsis
Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drinks and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.Actors
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Suggestions of similar film to Manoos
There are 4 films with the same actors, 45 films with the same director, 67405 with the same cinematographic genres (including 13251 with exactly the same 2 genres than Manoos), to have finally 70 suggestions of similar films.If you liked Manoos, you will probably like those similar films :
Aadmi (1939)
, 2h44Directed by V. Shantaram
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Rating62%
Sehra (1963)
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Genres Drama, Romance
Actors Sandhya Shantaram, Lalita Pawar, Manmohan Krishna Chadha, Mumtaz, Jeetendra
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Shakuntala (1943)
, 2h2Directed by V. Shantaram
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Shakuntala (Jayshree) is the daughter of sage Vishwamitra and Menaka, but is brought up by the sage Kanva, and stays with him in a forest dwelling. She meets King Dushyanta (Chandra Mohan), when he comes there for a hunt. The two fall in love and get married, with Dushyanta staying with her. Soon he has to leave and he promises to come back for her. Before leaving he gives her a ring as a token of their marriage. Shakuntala passes her days waiting for Dushyanta. She is so lost in his thoughts that she doesn’t hear a sage asking for water. He then leaves her with a curse that the one she is thinking about will forget her. She gives birth to a son, Bharata and several years pass without the return of Dushyanta who has lost his memory and has no recollection of Shakuntala. The ring he has given her is lost in the river and swallowed by a fish. Dushyanta turns her away when Shakuntala goes to the court. Later when Dushyanta recovers his memory Shakuntala refuses to go with him but both are finally united.
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Jhanak Jhanak Payal Baaje (1955)
, 2h23Directed by V. Shantaram
Genres Drama, Romance
Themes Dance films
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Classical dance guru Mangal stumbles on a dance performance in a lavish haveli by Neela. He orders his talented son Girdhar to demonstrate to the audience the true method of classical dance. Entranced by Girdhar's skill, Neela begs Mangal to admit her as a pupil. He finally agrees on two conditions: she must devote her life to art and she must partner Girdhar in the Tandav portion of an upcoming dance competition. As the two practice together, she begins to fall in love with Girdhar. Manilal, a wealthy and jealous man who hopes to have Neera for himself, warns Mangal that the two are falling in love, but he ignores him. When Mangal goes away for some time to buy new costumes for the pair, they confess their love to each other and neglect their dancing in favor of idyllic walks and boat rides. Mangal returns and discovers that the two are in love. Enraged that Girdhar's dancing has suffered and believing that he will now never win the title of Bharat Natarajan, he renounces his son and resolves to leave him. Dismayed that she has endangered Girdhar's career, Neela pretends that she has betrayed him with Manilal and he returns to his father and his art. The devastated Neela tries to drown herself in the river, but is rescued by a kindly sadhu. She decides to follow the example of the minstrel Meerabai and devotes her life to Krishna, but is alarmed when Girdhar appears declaring that he can not forget her. She pretends not to know him and he is enraged; his father takes him away. She becomes ill and the sadhu and her servant Bindiya take her to the temple where the dance competition is being held. Hoping to sabotage his chances, Manilal has bribed Girdhar's new partner to drop out of the competition. Neela takes her place in the Tandav dance and Mangal realizes that she spurned Girdhar to help him win the competition. He then convinces his son to give her a second chance. With the help of Neela, Girdhar wins the competition and Mangal gives the couple his blessing to marry.
Boond Jo Ban Gayee Moti (1967)
, 2h31Directed by V. Shantaram
Genres Drama, Crime, Romance
Actors Jeetendra, Mumtaz, Nana Palsikar, Lalita Pawar
Rating69%
The story is told in a flashback with Satyaprakash (Jeetendra) reliving his past life in the village as a teacher. Satyaprakash's parents give him the task of looking after his younger brother, Mahesh (Akashdeep), before they die. Shefali (Mumtaz) is a village girl who falls in love with him. Satya is a teacher who honours truth and uses new teaching methods in school for which he continuously gets into trouble with the school Board and the principal (Nana Palsikar). He sends Mahesh to the city to study further in college. However, Mahesh turns out to be a spoilt brat who enjoys drinking and romancing girls. He fails his exams but fools his brother by giving him a wrong roll number. He has fallen in love with Renuka (Vaishali) and when she gets pregnant, he kills her. Satyaprakash is arrested for her murder. With Shefali's help Satya manages to find the real murderer, his brother, and he hands him over to the police.
Navrang (1959)
Directed by V. Shantaram
Genres Drama, Musical, Romance
Themes Dance films
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Rating67%
Diwakar is a poet and loves his wife Jamuna on everything. But Jamuna does not agree that Diwakar lives out of sheer poetry in a fantasy world and the real world less and less responsible. Diwakar goes so far that he is a fantasy woman in his wife's body creates what he calls Mohini.
Lokshahir Ram Joshi (1947)
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Rating62%
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, 1h52Directed by V. Shantaram
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Rating69%
Lala Gulabchand (Dewan Sharar), is a Punjabi and his wife is from Uttar Pradesh. They live at the corner of a crossroads with three lights and four roads. He is a firm believer in national unity and has had five of his six sons, each married to a girl from a different state; a Marathi, Sindhi, Bengali, Tamil and a Gujarati. His sixth son Ramesh (Karan Dewan), works in the press and is a writer and an artist. He is a bachelor but falls in love with a woman named Kokila whose singing he hears on the radio. He draws a portrait of Kokila from imagination just listening to her sing. Unbeknownst to him, Kokila, called Shyama (Sandhya), is the dark-complexioned maid who works in their home and is proficient in all the different languages that the wives of the brothers' speak and very efficient in her chores. However, he rejects her as she's dark and Shyama leaves the house despondent. The turmoil the household goes through with the absence of Shyama and a repentant Ramesh finally makes for a happy ending by everyone getting together again.
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, 2h30Directed by V. Shantaram
Genres Drama
Actors Sandhya Shantaram, V. Shantaram, Lalita Pawar, Saroj Khan
Rating59%
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