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Snowball Fight is a french film of genre Comedy directed by Auguste et Louis Lumière

Snowball Fight

Snowball Fight
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OriginFrance
Genres Comedy,    Documentary,    Action
Rating66% 3.345463.345463.345463.345463.34546

Bataille de boules de neige (also known as Snowball Fight) is an 1896 French short black-and-white silent documentary film directed and produced by Louis Lumière.

Synopsis

The camera is centred on a pathway made through a snow-covered city street. On both side of the pathway, several men and women are engaged in a snowball fight. A cyclist comes forward upon the path towards the fight, and is hit by a couple snowballs as he approaches. He continues riding towards the snowball-armed melee and is struck successively by several nearby participants as he comes between them, losing control of his bicycle and falling to the ground. His cap is flung onto the pathway. One male participant in the engagement grabs a hold of the cyclist's bicycle and lifts it off the ground, and the fallen cyclist scrambles to his feet and yanks his bicycle away from the participant. After retrieving possession of his bicycle, the cyclist gets atop and rides away from the fight in the same direction he came from. He leaves his cap behind at the scene of his fall.

Trailer of Snowball Fight

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Source : Wikidata

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Suggestions of similar film to Snowball Fight

There are 30 films with the same director, 58242 with the same cinematographic genres (including 29 with exactly the same 3 genres than Snowball Fight), to have finally 70 suggestions of similar films.

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Snowball Fight, 1h52
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Un grand nombre de personnes se battent à coups de boules de neige. Au milieu de cette mêlée, survient un cycliste sur lequel tout le monde lance des boules et finit par tomber de son vélo. Il se relève, s’esquive vivement avec sa bicyclette et la bataille reprend de plus belle.
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Une femme nettoie le jardin lorsqu'une autre femme arrive et traverse là en la regardant. Quand elle vient là, cette femme de ménage la bat à coups de balai. Elles se battent en corps à corps. Un homme arrive là et arbitre leur querelle, mais il est battu et s'enfuit.
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Three older men, wearing hats and smoking cigars, are sitting at a patio. Two of the men are playing cards (Écarté) at a table while the third man sits watching. As the game continues a (younger) waiter walks across carrying a tray with a bottle of wine and glasses on it. The man sitting at the table then proceeds to pour the drinks while the waiter observes the card game.
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Four men stand holding what appears to be a blanket, while one wearing a hat stands watching. A sixth man then runs towards them and attempts to jump into the blanket. He attempts this unsuccessfully twice in a row failing to jump high enough. On the third attempt he is able to jump and spin in the air, nearly clearing in the blanket. The man who are holding it then flip it a little in the air causing him to fall to the ground. His fourth attempt is more successful and he is able to roll on the blanket and land on his feet at the other side. He runs around for a fifth and final attempt but this is less successful and he gets stuck in the blanket and has difficulty getting out despite the attempts by the four men to throw him free.
The Arrival of a Train at La Ciotat
Directed by Auguste et Louis Lumière, Auguste Lumière
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Le film montre un train arrivant en gare de La Ciotat, ville proche de Marseille. La famille Lumière possédait une résidence à La Ciotat, ce qui explique le choix de cette gare plutôt que d'une autre.
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Un cochon est introduit dans un appareil mécanique et il suffit de tourner une manivelle pour faire sortir de l’autre côté : jambons, saucisses, boudins, etc.
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La caméra est installée sur un trottoir à Lyon, près d'un pont. Les voitures hippomobiles arrivent au grand galop dans la profondeur de champ, sur la diagonale du cadrage. D'abord, trois voitures équipées de grandes échelles déployables. En dernier, environnée d'une épaisse fumée, une pompe à feu, c'est-à-dire une pompe, entraînée par la vapeur, pour mettre l'eau sous pression dans les lances d'incendie. Pour finir son bobineau de pellicule, la caméra s'attarde sur le mouvement des piétons et des charrettes, qui reprend après le passage des véhicules lancés à toute vitesse.
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Il y a une marmite. C'est alors qu'un homme vient. Il met un garçon dans la marmite. Le diable paraît. Le diable met un homme dans une marmite dans la colère. Le diable disparaît dans une marmite, aussi.
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