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The Hunt is a espagnol film of genre Drama directed by Carlos Saura with Ismael Merlo
The Hunt (1966)
La Caza
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Add to a movie listLa Caza (English: The Hunt) is a 1966 Spanish film directed by Carlos Saura. The film is a psychological thriller about three veterans of the Spanish Civil War who meet to go rabbit hunting. It was Saura's first international success, winning the Silver Bear for Best Director at the 16th Berlin International Film Festival. It is considered a classic of Spanish Cinema.
Synopsis
José, Paco and Luis, three middle-aged men, veteran Falangist, reunite in a provincial village of Castile, spending a hot summer's day drinking, reminiscing and hunting rabbits. José instigates the hunt. He is in debt because of an impending divorce and is living beyond his means with a younger woman. His main objective at the reunion is to secure a loan from Paco, a shrewd businessman, also unhappily in love and looking for younger women. Paco brings with him Luis, now employed at his factory. Luis is a weak, forlorn individual, an alcoholic addicted to wine, women and science fiction rather than social conviviality or male camaraderie. A fourth member of the group, Enrique, a teenage relative of Paco's comes along for the thrill of the rabbit hunt.Actors
Ismael Merlo
(José)
Emilio Gutiérrez Caba
(Enrique)
José María Prada
(Luis)
Alfredo Mayo
(Paco)
Fernando Sánchez Polack
(Juan)
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Suggestions of similar film to The Hunt
There are 56 films with the same actors, 41 films with the same director, 74911 with the same cinematographic genres (including 2745 with exactly the same 3 genres than The Hunt), to have finally 70 suggestions of similar films.If you liked The Hunt, you will probably like those similar films :
Peppermint Frappé (1967)
, 1h32Directed by Carlos Saura
Origin Espagne
Genres Drama, Thriller
Actors José Luis López Vázquez, Geraldine Chaplin, Fernando Sánchez Polack, Alfredo Mayo, Emiliano Redondo, Ana María Custodio
Rating70%
A pair of hands meticulously crops images from a fashion magazine for a personal scrapbook. The hands belong to an unassuming and conservative physician named Julian. He runs a radiology clinic from his personal residence, assisted by a shy, mild mannered nurse named Ana.
Anna and the Wolves (1973)
, 1h42Directed by Carlos Saura
Origin Espagne
Genres Drama
Actors Geraldine Chaplin, Fernando Fernán Gómez, José María Prada, José Vivó, Rafaela Aparicio, Marisa Porcel
Rating72%
Ana, a young foreign governess, arrives to an isolated country estate in arid region of Castile, near Madrid. She has come to take charge of three little girls whose mother, Luchy, greets Ana upon arrival. While Ana is unpacking, José, an uncle of the girls, introduces himself as the voice of order and authority in the family. In case Ana runs into any problem she must go to him, he explains.
Mama Turns 100 (1979)
, 1h35Directed by Carlos Saura
Origin Espagne
Genres Drama, Comedy
Actors Geraldine Chaplin, Fernando Fernán Gómez, José Vivó, Rafaela Aparicio, José María Prada, Rita Maiden
Rating70%
Ana is alive and married with Antonio; they arrive in the manor in the countryside of Spain where she worked as a nanny many years ago, for the centennial birthday of the matriarch. In their reunion, she finds that Jose died three years ago; Juan left his wife Luchy; Fernando is still living with his mother and unsuccessfully trying to fly a hang glider; and the three little girls are grown-up. Further, she discovers that the dysfunctional family is completely broken, and Luchy in embezzling mother's money. When Juan arrives for the celebration, he plots with Fernando and Luchy to kill the mother to get the inheritance. Meanwhile, Antonio has a brief affair with Natalia.
Stress Is Three (1968)
, 1h34Directed by Carlos Saura
Origin Espagne
Genres Drama
Themes Transport films, Road movies
Actors Geraldine Chaplin, Juan Luis Galiardo, Fernando Sánchez Polack
Rating63%
Set in one-day, three people embark together on a car trip from Madrid to Almeria. Fernando (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).
Outrage (1993)
, 1h55Directed by Carlos Saura
Origin Espagne
Genres Drama, Thriller, Action
Themes Films about sexuality, Rape in fiction, Rape and revenge films
Actors Francesca Neri, Antonio Banderas, Christopher Atkins, Walter Vidarte, Achero Mañas
Rating59%
Marcos, a young reporter, goes to a circus to write a Sunday supplement piece. As he is leaving, the next act is about to start. It involves a woman riding a horse and performing tricks; the presentation ends in shooting balloons from a horse while it is moving. Marcos is taken by the beauty of Ana, the equestrian sharpshooter, and returns to interview her. She invites him to dinner with the troupe. They dance, and then spend the night together. He falls in love with the beautiful horse-riding circus girl. An affair between them ensues; he considers following her around Europe and promises he would follow her to hell. Soon, Marco has to leave to cover a concert in Barcelona.
Honeycomb (1969)
, 1h42Directed by Carlos Saura
Origin Espagne
Genres Drama, Thriller
Actors Geraldine Chaplin, Per Oscarsson, Emiliano Redondo
Rating63%
Shortly after Teresa (Chaplin) sets fire to her husband's hair, the antagonized and reserved businessman agrees to participate in his pretty young wife's personality games. Teresa soon fills their contemporary home with family heirlooms she retrieved from the basement, and a sense of isolation takes over the house as the couple lock the doors and draw the shades away from the prying eyes of neighbours. However, all too soon these games reach a feverish intensity and fantasy soon blurs into reality.
Ay, Carmela! (1990)
, 1h42Directed by Carlos Saura
Origin Espagne
Genres Drama, War, Comedy, Comedy-drama, Historical
Themes Political films
Actors Carmen Maura, Gabino Diego, José Sancho or Pepe Sancho, Edward Żentara, Víctor Manuel Mendoza
Rating70%
Carmela, Paulino, and Gustavete - who is mute as the result of an explosion - are a trio of travelling vaudeville performers. Amidst the chaos of the Spanish Civil War, they are in the town of Montejo, entertaining republican troops with their variety show. They are survivors who are motivated, not exactly by patriotism, but by a desire for self-preservation. Their show consists of four acts. It begins with Carmela singing and dancing a traditional song. The audience is enthusiastic during her performance, but the mood changes completely when the sound of approaching nationalist planes is heard.
El Dorado (1988)
, 2h29Directed by Carlos Saura
Origin Espagne
Genres Drama, Adventure, Historical
Actors Omero Antonutti, Lambert Wilson, Inés Sastre, Gabriela Roel, José Sancho or Pepe Sancho, Francisco Algora
Rating63%
The film is about an expedition down the Amazon and Orinoco rivers in 1560 by Spanish soldiers searching for the fabled city of gold, El Dorado. Taking some followers and family along on the journey, they descend into madness and battle the environment and each other.
El Amor brujo (1986)
, 1h40Directed by Carlos Saura
Origin Espagne
Genres Drama, Musical, Romance
Themes Dance films, Musical films
Actors Cristina Hoyos, Laura del Sol, Emma Penella, Rocío Jurado
Rating68%
Candela, who is loved by Carmelo, marries José in a pre-arranged marriage decided by their respective fathers. José is in love with the flirtatious Lucía and dies defending her honor. Carmelo is mistakenly arrested for the killing, and spends several years in prison. After being released, he declares his love for Candela.
Sweet Hours (1982)
, 1h46Directed by Carlos Saura
Origin Espagne
Genres Drama
Actors Assumpta Serna, Álvaro de Luna, Jacques Lalande, Isabel Mestres, Julien Thomast, Marion Game
Rating62%
The past is a riddle to Juan (Inaki Aierra), the playwright. He is tormented by it - by memories of the elderly father who went off, and the young mother who committed suicide, and he has written a play, Sweet Hours, which contains the key scenes of his early life. The play is in rehearsal and he attends the sessions, watchful and absorbed. He is searching for something. Juan slips in and out of the actor reconstructions and his own memories. Finally, light dawns on Juan, he dredges up the repressed material, and his Oedipus Complex is resolved.