The Mind of Mark DeFriest is a documentary film about Mark DeFriest, a man imprisoned by the State of Florida since 1980, who spent 27 of those years in solitary confinement. His original four year sentence, for taking his father's tools after his death, before they had been released to him by the court, and then fleeing the police, has been repeatedly extended due to numerous escape attempts, seven of which were successful, and because of infractions committed while in prison.
“If I was a rapist or a murderer, they’d let me out,” DeFriest says in the film. “But I’m the idiot who made them look like idiots.”
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, 1h29 Directed byNick Broomfield GenresDrama, Documentary, Crime ThemesPrison films, Documentary films about law, Documentaire sur une personnalité, Serial killer films, Films about capital punishment, Documentary films about law enforcement ActorsNick Broomfield Rating70% The film focuses on an evidentiary hearing held in Marion County, Florida in February of 2001 which was the site of some but not all of Wuornos' murders for which she was convicted and sentenced to death. It shows the work of the Office of Capital Collateral Regional counsel, led by attorney Joseph T. Hobson who is both interviewed and featured in the film and who seeks to vacate Wuornos' death sentences. It shows Judge Victor Musleh presiding over these proceedings and assistant state attorney, now judge, James McCune who defended the death sentences for the State of Florida. Hobson is shown vigorously cross-examining Wuornos' trial counsel, Steven Glazer, aka "Dr. Legal". Glazer was the unflattering subject of a prior Broomfield documentary on Aileen Wuornos, somewhat the "prequel" to this work, called Aileen Wuornos: The Selling of a Serial Killer. It was Hobson's line of attack that the efficacy of his client's (Wuornos') trial strategy was compromised by Glazer's pecuniary and self-promotional aims.
The film documents the 1957 San Francisco Actor's Workshop production of the Samuel Beckett's play Waiting For Godot which was performed live before inmates at San Quentin Prison. The film also examines a 1953 performance of Godot by inmates at the Luttringhausen Prison in Germany, providing new scholarship material on those performances.