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Suggestions of similar film to The Merchant of Venice
There are 110 films with the same actors, 39 films with the same director, 61573 with the same cinematographic genres, 7508 films with the same themes (including 7 films with the same 4 themes than
The Merchant of Venice), to have finally
70 suggestions of similar films.
If you liked
The Merchant of Venice, you will probably like those similar films :
, 1h35
Directed by Orson WellesOrigin USAGenres Drama,
Thriller,
Noir,
CrimeThemes Films about religion,
Political films,
Films about Jews and JudaismActors Loretta Young,
Edward G. Robinson,
Orson Welles,
Philip Merivale,
Richard Long,
Konstantin ShayneRating72%
In 1946, Mr. Wilson (Edward G. Robinson) of the United Nations War Crimes Commission is hunting for Nazi fugitive Franz Kindler (Orson Welles), a war criminal who has erased all evidence which might identify him, with no clue left to his identity except "a hobby that almost amounts to a mania—clocks.", 1h47
Directed by Orson WellesOrigin USAGenres DramaThemes Théâtre,
Political films,
Films based on plays,
Films based on works by William Shakespeare,
Films about royaltyActors Jeanette Nolan,
Dan O'Herlihy,
Roddy McDowall,
Edgar Barrier,
Orson Welles,
Alan NapierRating73%
La prise du pouvoir par Macbeth, roi d'Écosse, et son destin fatal..., 1h53
Directed by Orson Welles,
Richard PottierOrigin ItalieGenres Drama,
Action,
Historical,
PeplumThemes Films about religion,
Films based on the Bible,
Films about Jews and JudaismActors Orson Welles,
Massimo Serato,
Giulia Rubini,
Eleonora Rossi Drago,
Pierre Cressoy,
Dante MaggioRating47%
The Prophet Samuel foretells a new king will rule Israel to the dismay of King Saul and his cousin and commander in chief Abner. King Saul has been having a streak of bad luck since the Philistine captivity of the Ark and fears the newcomer but doesn't know who the new king will be., 1h55
Directed by Orson WellesOrigin EspagneGenres Drama,
War,
Comedy,
Comedy-drama,
HistoricalThemes Political films,
Films based on plays,
Films based on works by William Shakespeare,
Films about royaltyActors Orson Welles,
Keith Baxter,
John Gielgud,
Jeanne Moreau,
Margaret Rutherford,
Marina VladyRating75%
The film opens with Sir John Falstaff and Justice Shallow walking through the snow, then to a warm fire inside the Boar's Head Tavern as the two reminisce. After a main credit sequence, the narrator explains that King Henry IV of England has succeeded Richard II, whom he had killed. Richard II's true heir, Edmund Mortimer, is a prisoner in Wales, and Mortimer's cousins Northumberland, Worcester and Northumberland's son Hotspur demand that Henry rescue Mortimer. Henry refuses and Northumberland, Worcester and Hotspur begin to plot his overthrow., 1h30
Directed by Orson WellesOrigin USAGenres Drama,
RomanceThemes Seafaring films,
Théâtre,
Transport films,
Films based on plays,
Films based on works by William ShakespeareActors Orson Welles,
Suzanne Cloutier,
Doris Dowling,
Joseph Cotten,
Robert Coote,
Joan FontaineRating74%
À Venise, les succès militaires du général Othello, dit le maure, et son mariage avec la belle Desdémona, fille du sénateur Barbantio, suscitent à la fois l'admiration et la jalousie. Iago, lieutenant d'Othello, va semer le doute dans l'esprit de son général quant à la fidélité de son épouse. Cupide, Iago ne cherche qu'à assouvir son ambition, et tente de parvenir à ses fins en manipulant adroitement chaque personnage., 1h24
Directed by Orson WellesOrigin GermanGenres DocumentaryThemes Films about films,
Documentary films about business,
Documentary films about the film industry,
Films based on plays,
Films based on works by William Shakespeare,
Documentary films about filmsActors Orson Welles,
Robert CooteRating73%
Filming Othello begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is Othello, Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of Othello and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film’s co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of Othello. Welles then resumes his monologue from his position behind the moviola. He then runs footage on the moviola of a question and answer session he conducted during a 1977 screening of Othello in Boston. Welles concludes the film in his position as a monologuist, proclaiming: "There are too many regrets, there are too many things I wish I could have done over again. If it wasn't a memory, if it was a project for the future, talking about Othello would have been nothing but delight. After all, promises are more fun than explanations. In all my heart, I wish that I wasn't looking back on Othello, but looking forward to it. That Othello would be one hell of a picture. Goodnight., 1h25
Directed by Orson Welles,
Tad DanielewskiOrigin USAGenres DramaThemes Films based on playsActors Viveca Lindfors,
Rita Gam,
Ben Piazza,
Mirta MillerRating66%
The Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realizing that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories; they slowly realize that such probing is the form of torture they are meant to receive., 1h8
Directed by Norman Foster,
Orson WellesOrigin USAGenres Drama,
War,
Thriller,
Spy,
Historical,
NoirThemes Spy films,
Political filmsActors Joseph Cotten,
Dolores del Río,
Ruth Warrick,
Orson Welles,
Agnes Moorehead,
Everett SloaneRating64%
In an opening scene before the credits an assassin, Banat, is seen preparing a gun while a gramophone skips as it plays. The story that follows is the narrative of a letter from Howard Graham, an American armaments engineer, to his wife Stephanie. While journeying to the Soviet port of Batumi to return to the United States to complete his business with the Turkish Navy, Graham and his wife stop in Istanbul and are met by Kopeikin, a Turkish employee of Graham's company, who under the pretense of discussing business, takes Graham to a nightclub to introduce him to dancer Josette Maretl and her partner Gogo. When Banat tries to kill Graham during a magic act, he shoots the magician instead, and Graham is brought to the headquarters of the Turkish secret police for questioning. Colonel Haki of the secret police warns Graham that German agents are trying to kill him to delay the re-arming of Turkish ships. He shows Graham a photograph of Banat, whom he says was hired by a Nazi agent named Muller, and orders Graham to travel secretly to Batumi aboard a tramp steamer instead of by train. Haki assures him that he will personally see that Stephanie gets to their hotel in Batumi ahead of him.