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No Exit is a american film of genre Drama directed by Orson Welles released in USA on 5 december 1962 with Viveca Lindfors
No Exit (1962)
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Add to a movie listNo Exit, also known as Sinners Go to Hell, is a 1962 American-Argentine dramatic film adaptation of Jean-Paul Sartre's play No Exit directed by Tad Danielewski. The film stars Morgan Sterne (1926-2011), Viveca Lindfors, and Rita Gam.
Synopsis
The Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realizing that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories; they slowly realize that such probing is the form of torture they are meant to receive.Actors
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Suggestions of similar film to No Exit
There are 56 films with the same actors, 40 films with the same director, 61698 with the same cinematographic genres, 4292 films with the same themes, to have finally 70 suggestions of similar films.If you liked No Exit, you will probably like those similar films :
Macbeth (1948)
, 1h47Directed by Orson Welles
Origin USA
Genres Drama
Themes Théâtre, Political films, Films based on plays, Films based on works by William Shakespeare, Films about royalty
Actors Jeanette Nolan, Dan O'Herlihy, Roddy McDowall, Edgar Barrier, Orson Welles, Alan Napier
Rating73%
La prise du pouvoir par Macbeth, roi d'Écosse, et son destin fatal...
The Merchant of Venice (1969)
, 35minutesDirected by Orson Welles
Origin USA
Genres Drama
Themes Films about religion, Films about Jews and Judaism, Films based on plays, Films based on works by William Shakespeare
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Rating76%
Chimes at Midnight (1965)
, 1h55Directed by Orson Welles
Origin Espagne
Genres Drama, War, Comedy, Comedy-drama, Historical
Themes Political films, Films based on plays, Films based on works by William Shakespeare, Films about royalty
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Rating75%
The film opens with Sir John Falstaff and Justice Shallow walking through the snow, then to a warm fire inside the Boar's Head Tavern as the two reminisce. After a main credit sequence, the narrator explains that King Henry IV of England has succeeded Richard II, whom he had killed. Richard II's true heir, Edmund Mortimer, is a prisoner in Wales, and Mortimer's cousins Northumberland, Worcester and Northumberland's son Hotspur demand that Henry rescue Mortimer. Henry refuses and Northumberland, Worcester and Hotspur begin to plot his overthrow.
Othello (1951)
, 1h30Directed by Orson Welles
Origin USA
Genres Drama, Romance
Themes Seafaring films, Théâtre, Transport films, Films based on plays, Films based on works by William Shakespeare
Actors Orson Welles, Suzanne Cloutier, Doris Dowling, Joseph Cotten, Robert Coote, Joan Fontaine
Rating74%
À Venise, les succès militaires du général Othello, dit le maure, et son mariage avec la belle Desdémona, fille du sénateur Barbantio, suscitent à la fois l'admiration et la jalousie. Iago, lieutenant d'Othello, va semer le doute dans l'esprit de son général quant à la fidélité de son épouse. Cupide, Iago ne cherche qu'à assouvir son ambition, et tente de parvenir à ses fins en manipulant adroitement chaque personnage.
Filming Othello (1978)
, 1h24Directed by Orson Welles
Origin German
Genres Documentary
Themes Films about films, Documentary films about business, Documentary films about the film industry, Films based on plays, Films based on works by William Shakespeare, Documentary films about films
Actors Orson Welles, Robert Coote
Rating73%
Filming Othello begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is Othello, Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of Othello and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film’s co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of Othello. Welles then resumes his monologue from his position behind the moviola. He then runs footage on the moviola of a question and answer session he conducted during a 1977 screening of Othello in Boston. Welles concludes the film in his position as a monologuist, proclaiming: "There are too many regrets, there are too many things I wish I could have done over again. If it wasn't a memory, if it was a project for the future, talking about Othello would have been nothing but delight. After all, promises are more fun than explanations. In all my heart, I wish that I wasn't looking back on Othello, but looking forward to it. That Othello would be one hell of a picture. Goodnight.
Too Much Johnson (1938)
, 1h7Directed by Orson Welles, John Berry
Origin USA
Genres Comedy
Themes Films based on plays
Actors Joseph Cotten, Mary Wickes, Arlene Francis, Edgar Barrier, Ruth Ford, Eustace Wyatt
Rating56%
Un playboy new-yorkais séduit une femme mariée et se fait prendre sur le vif : afin d'échapper à la vengeance du mari, il se fait passer pour un planteur cubain qui dit s'être marié par correspondance et veut s'embarquer sur un bateau, mais le mari le poursuit sur les quais...
Little Aurore's Tragedy (1952)
, 1h42Directed by Jean-Yves Bigras
Origin Canada
Genres Drama, Melodrama
Themes Films about children, Théâtre, Films based on plays, Films about child abuse
Actors Yvonne Laflamme, Lucie Mitchell, Janette Bertrand, Therese McKinnon, Lucie Poitras, Rolland D'Amour
Rating40%
Basé sur un fait vécu, le film raconte les sévices qu'a dû subir la petite Aurore Gagnon (Yvonne Laflamme) de la part de sa belle-mère marâtre (Lucie Mitchell) à la fin des années 1910.
Cry 'Havoc' (1943)
, 1h37Directed by Richard Thorpe
Origin USA
Genres Drama, War
Themes Seafaring films, Théâtre, Transport films, Political films, Films based on plays
Actors Margaret Sullavan, Ann Sothern, Joan Blondell, Fay Bainter, Marsha Hunt, Ella Raines
Rating68%
The film tells the story of a mixed group of Army nurses stationed in Bataan during World War II. At the beginning of the film, the head nurse, Lt. Mary Smith (Margaret Sullavan) begs her superior, Capt. Alice Marsh (Fay Bainter) for more nurses to help deal with the excessive workload, but instead of professional nurses, she is assigned a group of civilians from various backgrounds. They lack experience and require training and find it difficult to settle in. Pat Conlin (Ann Sothern) rebels against Lt. Smith's strict nature, but the group begin to reveal stories from their past and become better acquainted. They also meet a male officer, Lt. Holt (Allan Byron), and Pat becomes infatuated with him, leading to jealousy between her and Lt. Smith who refuses to explain why she is offended by Pat's attention to him. During an air-raid one of the volunteers, Sue West (Dorothy Morris), is separated from the group, and some of the women, including her sister Andra (Heather Angel) search for her. After three days she is found alive, having spent the time trapped in a hut with the corpses of several soldiers who were killed during the attack.
Thru Different Eyes (1929)
, 1h2Directed by John G. Blystone
Genres Drama
Themes Théâtre, Films based on plays
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Rating59%
The Respectful Prostitute (1952)
, 1h35Directed by Charles Brabant, Marcello Pagliero, François Gir
Origin France
Genres Drama
Themes Théâtre, Films based on plays
Actors Louis de Funès, Barbara Laage, Ivan Desny, Marcel Herrand, Yolande Laffon, André Valmy
Rating64%
Une entraineuse, Lizzie, est agressée, dans le train, par deux ivrognes blancs. Elle cherche de l’aide dans le wagon réservé aux Noirs, ses agresseurs provoquent une bagarre et tuent un noir. Lors du procès, citée à témoigner, elle se parjure, subit des pressions, se rétracte puis la foule voulant lyncher le noir elle décide de faire face et refuse de mentir.