The One Percent is a 2006 documentary about the growing wealth gap between the wealthy elite compared to the overall citizenry in the United States. It was created by Jamie Johnson, an heir to the Johnson & Johnson fortune, and produced by Jamie Johnson and Nick Kurzon. The film's title refers to the top one percent of Americans in terms of wealth, who controlled 42.2 percent of total financial wealth in 2004.
The film premiered on April 29, 2006, at the Tribeca Film Festival. It was reported to have been purchased by HBO and a revised version of the film, substantially re-edited and incorporating footage shot since the 2006 festival screening, premiered on February 21, 2008 on HBO's Cinemax.
, 1h53 Directed bySusanne Bier OriginDanemark GenresDrama, Documentary, Romance ActorsMads Mikkelsen, Sonja Richter, Nikolaj Lie Kaas, Paprika Steen, Ulf Pilgaard, Ida Dwinger Rating74% Cecilia et Joaquim, jeune couple d'amoureux, sont sur le point de se marier quand Joaquim est renversé par une voiture. Le diagnostic des médecins est sans appel : le jeune homme restera tétraplégique. Cecilia se prépare à affronter l'avenir avec son mari paralysé. Mais ce dernier sombre dans la dépression et préfère couper les ponts. De son côté, Marie, mariée depuis quinze ans et mère de trois enfants, est rongée par un sentiment de culpabilité : elle conduisait la voiture responsable de l’accident. Elle demande alors à Niels, son mari médecin, de se rapprocher de soutenir la fiancée de Joaquim pour la soutenir dans cette épreuve.
The area was originally considered worthless by European-Australian settlers, who fenced it off and abandoned it. The town was established around the start of the 20th century by German immigrant settlers. Its population increased after the first and second World Wars due to the government's policies of subsidies to encourage settlement by veterans. The people of Rainbow have struggled to eke out an existence for more than three generations, with global economics and government policy compounding the difficulties of marginal farming. The film draws from home movies from the 1940s to portray the people in this town.