The Order of Myths is a 2008 documentary film directed by Margaret Brown. It focuses on the Mardi Gras celebrations in Mobile, Alabama, the oldest in the United States. It reveals the separate mystic societies established and maintained by black and white groups, and acknowledges the complex racial history of a city with a slaveholding past. While showing the mystic societies' ties to economic, class and racial stratification, the film also showed the beginnings of interaction between the black and white courts. It also tells some of the history of Africatown, a community formed north of Mobile in 1860 by Africans from Ghana, transported illegally as slaves to Mobile decades after the end of the slave trade.
The film competed in the Documentary Competition at the 2008 Sundance Film Festival. It had a limited release in New York on July 25, 2008, and ran on Independent Lens, a PBS series featuring independent films, in 2009. It was distributed by The Cinema Guild.
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The film tells the story of two Rwandan women who come face-to-face with the neighbors who slaughtered their families during the 1994 genocide, and their personal journeys toward forgiveness. Featuring in-depth interviews with both survivors and murderers, As We Forgive provides an intimate, first-hand view of the encounters between genocide perpetrators and their victims’ families.
, 1h45 OriginUSA GenresDocumentary ThemesFilms about racism, Documentary films about racism, Documentary films about law, Documentary films about historical events, Documentaire sur une personnalité, Documentary films about politics, Political films Rating79% In 1961, Mississippi was a virtual South African enclave within the United States. Everything was segregated. There were virtually no black voters. Bob Moses entered the state and the Mississippi Voter Registration Project began. The first black farmer who attempted to register was fatally shot by a Mississippi State Representative. But four years later, the registration was open. By 1990, Mississippi had more elected black officials than any other state in the country. As the New York Times said in their review of the film, "a handful of young people, black and white, believed they could change history. And did."