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The Personality Kid is a american film of genre Drama directed by Alan Crosland released in USA on 31 july 1934 with Pat O'Brien

The Personality Kid (1934)

The Personality Kid
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Released in USA 31 july 1934
Directed by
OriginUSA
Genres Drama,    Comedy,    Crime,    Romance
Rating58% 2.9022652.9022652.9022652.9022652.902265

The Personality Kid is a 1934 film starring Pat O'Brien as a flamboyant boxer, Glenda Farrell as his bride, and Claire Dodd as the other woman. The movie was directed by Alan Crosland.

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Suggestions of similar film to The Personality Kid

There are 261 films with the same actors, 44 films with the same director, 91877 with the same cinematographic genres (including 225 with exactly the same 4 genres than The Personality Kid), to have finally 70 suggestions of similar films.

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Chief Joe Thunderhorse (Barthelmess) is the star of a wild west show at the Century of Progress in Chicago. Though he is the authentic son of a Native American chief, he has lived away from the reservation so long that he has lost all personal connection to them. His ethnic authenticity and physical prowess are exploited by white showmen. His rich white girlfriend (Dodd) flaunts him in front of her curious friends. Joe and his valet (Muse) travel to the reservation where he grew up upon hearing that his father Black Pony is on his death bed. His dying father no longer recognizes him. The terrible living conditions to which Joe's people are subjected to at the hands of white government agents are also revealed to him. Upon the death of his father, Joe's sister Jennie is raped by a government agent and, with the assistance of a college-educated reservation resident named Lydia (Dvorak), Joe decides to take action.
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Chris Buckwell, cruel and greedy czar of San Francisco's tenderloin, is heartless in his persecution of the Chinese, though he himself is secretly a half-caste. Buckwell, eager to possess the land of Don Hernández Vásquez, sends Michael Brandon, an unscrupulous attorney, to make an offer. Brandon's nephew, Terrence, meets the grandee's beautiful daughter, Dolores, while Vásquez refuses the offer. Terry tries to save the Vásquez land grants, but when Chris causes the grandee's death, Dolores takes an oath to avenge her father. Learning that Chris is a half-caste, Dolores induces his feeble-minded dwarf brother to denounce him; he captures her and Terry, but they are saved from torture and death by the great earthquake of 1906 that kills the villain.
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Cantor Rabinowitz wants his son to carry on the generations-old family tradition and become a cantor at the synagogue in the Jewish ghetto of Manhattan's Lower East Side. But down at the beer garden, thirteen-year-old Jakie Rabinowitz is performing so-called jazz tunes. Moisha Yudelson spots the boy and tells Jakie's father, who drags him home. Jakie clings to his mother, Sara, as his father declares, "I'll teach him better than to debase the voice God gave him!" Jakie threatens: "If you whip me again, I'll run away — and never come back!" After the whipping, Jakie kisses his mother goodbye and, true to his word, runs away. At the Yom Kippur service, Rabinowitz mournfully tells a fellow celebrant, "My son was to stand at my side and sing tonight – but now I have no son." As the sacred Kol Nidre is sung, Jakie sneaks back home to retrieve a picture of his loving mother.
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The film takes place in the 18th century Austria and revolves around Prince Christian, commonly known as General Crack (John Barrymore). His father had been a respectable member of the nobility but his mother was a gypsy. General Crack, as a soldier of fortune, spent his adult life selling his services to the highest bidder. He espouses the doubtful cause of Leopold II of Austria (Lowell Sherman) after demanding the sister of the emperor in marriage as well as half of gold of the Empire. Before he has finished his work, however, he meets a gypsy dancer (Armida) and weds her. Complications arise when he takes his gypsy wife to the Austrian court and falls desperately in love with the emperor's sister (Marian Nixon). The court sequence was originally in Technicolor and proved to be Barrymore's last appearance in color.