Comments
Suggestions of similar film to The Romance of Celluloid
There are 201 films with the same actors, 8969 with the same cinematographic genres, 715 films with the same themes (including 473 films with the same 2 themes than
The Romance of Celluloid), to have finally
70 suggestions of similar films.
If you liked
The Romance of Celluloid, you will probably like those similar films :
![Another Romance of Celluloid](/imagesen/small/82767.jpg)
, 11minutes
Directed by Herman HoffmanOrigin USAGenres DocumentaryThemes Documentary films about business,
Documentary films about the film industry,
Documentary films about citiesActors Freddie Bartholomew,
Frank Capra,
William H. Daniels,
Clark Gable,
Betty Ross Clarke,
Myrna LoyRating60%
![3.04603](/static/star.png)
![3.04603](/static/star.png)
![3.04603](/static/star.png)
![3.04603](/static/star3.png)
The film starts with a brief reprise of the previous film, before cutting to the Metro-Goldwyn-Mayer Studios in Culver City, California where assistant cameraman Bill Reilly picks up the film from the lab for Marie Antoinette (1938) which he passes on to cameraman William H. Daniels. Behind the scenes footage shows W.S. Van Dyke directing a scene between Norma Shearer and Robert Morley before the negative is taken to the lab to be developed, dried and polished by lab technician John M. Nickolaus. The test strips are then read and delivered to the print room for printing. A tram takes the viewer on a quick tour of the studio complete with behind the scenes footage of George B. Seitz directing Judge Hardy's Children (1938), Freddie Bartholomew training with elephants for the then unproduced Kim, Luise Rainer doing a costume test for The Toy Wife (1938), and candid footage of Clark Gable, Myrna Loy and Spencer Tracy. The film concludes with a montage from trailers for coming MGM pictures and footage of Louis B. Mayer, Frank Capra, Luise Rainer and Louise Tracy at the 10th Academy Awards banquet.![The Pervert's Guide to Ideology](/imagesen/small/133066.jpg)
, 2h16
Directed by Sophie FiennesOrigin United-kingdomGenres DocumentaryThemes Films about films,
Medical-themed films,
Documentary films about business,
Documentary films about the film industry,
Documentary films about politics,
Documentary films about health care,
Films about psychiatry,
Political films,
Documentary films about filmsRating75%
![3.795715](/static/star.png)
![3.795715](/static/star.png)
![3.795715](/static/star.png)
![3.795715](/static/star2.png)
Žižek appears transplanted into the scenes of various movies, exploring and exposing how they reinforce prevailing ideologies. As the ideologies undergirding cinematic fantasies are revealed, striking associations emerge: from nuns advising following your desires at The Sound of Music to the political dimensions of Jaws. Taxi Driver, Zabriskie Point, The Searchers, The Dark Knight, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”), Titanic, Kinder Surprise eggs, verité news footage, the emptiness of Beethoven’s "Ode to Joy", and propaganda epics from Nazi Germany and Soviet Russia all inform Žižek’s psychoanalytic-cinematic argument.![Filming Othello](/imagesen/small/101460.jpg)
, 1h24
Directed by Orson WellesOrigin GermanGenres DocumentaryThemes Films about films,
Documentary films about business,
Documentary films about the film industry,
Films based on plays,
Films based on works by William Shakespeare,
Documentary films about filmsActors Orson Welles,
Robert CooteRating73%
![3.68102](/static/star.png)
![3.68102](/static/star.png)
![3.68102](/static/star.png)
![3.68102](/static/star2.png)
Filming Othello begins with Welles standing behind a moviola. He directly addresses the camera and announces: "This is to be a conversation, certainly not anything so formal as a lecture, and what we're going to talk about is Othello, Shakespeare's play and the film I made of it." Welles initially conducts a monologue where he recalls the events that lead up to the creation of Othello and some of the problems that plagued the production. As the film progresses, he switches to a conversation in a restaurant between himself and two of the film’s co-stars, Micheal MacLiammoir (who played Iago) and Hilton Edwards (who played Brabantio). The three men talk at length about the making of Othello. Welles then resumes his monologue from his position behind the moviola. He then runs footage on the moviola of a question and answer session he conducted during a 1977 screening of Othello in Boston. Welles concludes the film in his position as a monologuist, proclaiming: "There are too many regrets, there are too many things I wish I could have done over again. If it wasn't a memory, if it was a project for the future, talking about Othello would have been nothing but delight. After all, promises are more fun than explanations. In all my heart, I wish that I wasn't looking back on Othello, but looking forward to it. That Othello would be one hell of a picture. Goodnight.![This Film Is Not Yet Rated](/imagesen/small/11904.jpg)
, 1h38
Directed by Kirby DickOrigin USAGenres DocumentaryThemes Films about films,
Politique,
Documentary films about business,
Documentary films about the film industry,
Political filmsActors Jack Valenti,
Kimberly Peirce,
Allison Anders,
John Waters,
Wayne Kramer,
Kevin SmithRating73%
![3.697915](/static/star.png)
![3.697915](/static/star.png)
![3.697915](/static/star.png)
![3.697915](/static/star2.png)
Le film enquête sur le système de classement des films aux États-Unis, organisé par la Motion Picture Association of America.![Room 237](/imagesen/small/133132.jpg)
, 1h42
Origin USAGenres DocumentaryThemes Films about films,
Documentary films about business,
Documentary films about the film industry,
Documentary films about filmsActors Tom Cruise,
Jack Nicholson,
Stephen King,
Nicole Kidman,
Liam NeesonRating61%
![3.099945](/static/star.png)
![3.099945](/static/star.png)
![3.099945](/static/star.png)
![3.099945](/static/star3.png)
The film interviews fans of The Shining who, using their own brands of film analysis, connect Kubrick's film with (among others) genocide of Native Americans, the Holocaust, and the Apollo 11 moon landing. The interviewees are not seen in Room 237, but rather, their commentaries and claims about the film are heard over a variety of visual clips (primarily from the film The Shining itself) which loosely connect with their dialogue. ![The Immortals](/imagesen/small/184779.jpg)
, 52minutes
Directed by Shivendra Singh DungarpurGenres Documentary,
HistoricalThemes Documentary films about business,
Documentary films about the film industryThis film is a personal journey travelling through time and space to unravel hidden stories and rediscover objects and images that at one time were an integral part of the lives of these artists through which their creations came into being. It is a visual exploration of physical artifacts, personal spaces and living memories where the image speaks for itself, recreating the impression of each artist whilst telling the story of Indian cinema. The film depicts the paradox of India’s relationship with cinema: the romance and the power, the neglect and the worship.