The Virgin, the Copts and Me is a french film of genre Comedy directed by Namir Abdel Messeeh with Namir Abdel Messeeh
The Virgin, the Copts and Me (2011)
La Vierge, les Coptes et moi...
If you like this film, let us know!
The Virgin, the Copts and Me is a 2011 documentary film directed by Namir Abdel Messeeh.Synopsis
Namir is Egyptian, a Copt and now lives in France. When there is a family reunion, he buys an old video cassette recorded many years earlier at a religious holiday in his home village, when his mother said she had had a vision of the Blessed Virgin Mary. Namir realizes he has in his hands a very interesting subject for a documentary: he convinces his producer that it is a good idea and sets off on a journey that takes him back to his origins and puts his profession as a director to the test. However, he has not reckoned with his mother, the real protagonist of the story. Eventually, in her hometown, they recreate an apparition with the help of the other villagers.Actors
Trailer of The Virgin, the Copts and Me
Source : Wikidata
Comments
Suggestions of similar film to The Virgin, the Copts and Me
There are 0 films with the same actors, 0 films with the same director, 45761 with the same cinematographic genres (including 420 with exactly the same 2 genres than
The Virgin, the Copts and Me), 3314 films with the same themes (including 478 films with the same 2 themes than
The Virgin, the Copts and Me), to have finally
70 suggestions of similar films.
If you liked
The Virgin, the Copts and Me, you will probably like those similar films :
, 2h7
Directed by Michael MooreOrigin USAGenres Comedy,
DocumentaryThemes Films about religion,
Films about the labor movement,
Documentary films about business,
Documentary films about historical events,
Documentaire sur une personnalité,
Documentary films about politics,
Documentary films about religion,
Documentaire sur le monde du travail,
Political filmsActors Thora Birch,
Michael Moore,
Robert Powell,
Wallace Shawn,
Ronald Reagan,
Arnold SchwarzeneggerRating73%
The film begins with a series of security footages of armed bank robberies (one of the robbers was on a crutch) accompanied by the song Louie, Louie. Moore then uses an Encyclopædia Britannica archive video to compare and view modern-day America with the Roman Empire, by juxtaposing depictions of the fall of the Roman Empire with similar modern-day American issues. The film then depicts home videos of families being evicted from their homes, as well as the "Condo Vultures," a Florida real estate agency whose business flourished with the increasing number of foreclosures., 1h21
Directed by Negin FarsadOrigin USAGenres Comedy,
DocumentaryThemes Films about religion,
Documentaire sur une personnalité,
Documentary films about religion,
Films about IslamActors Lewis Black,
David Cross,
Negin Farsad,
Janeane Garofalo,
Aron Kader,
Aasif MandviRating63%
The film opens with a montage of television and radio clips of comments from figures such as Frank Gaffney, Herman Cain, Ann Coulter, Bryan Fischer, Pat Robertson, Glenn Beck, Bill O'Reilly, Bill Maher, and Donald Trump expressing fear of Islam, or mistrust of Muslims., 1h38
Origin USAGenres DocumentaryThemes Films about religion,
Films about terrorism,
Documentary films about law,
Documentary films about war,
Documentary films about historical events,
Documentary films about politics,
Documentary films about religion,
Documentary films about terrorism,
Political films,
Films about IslamRating64%
Islam: What the West Needs to Know argues that Islam is a violent religion bent on world domination. The documentary uses passages from the canonical texts of Islam as its source material. It is presented in six parts:, 1h20
Origin IsraelGenres DocumentaryThemes Films set in Africa,
Films about religion,
Documentary films about law,
Documentary films about war,
Documentary films about historical events,
Documentaire sur une personnalité,
Documentary films about politics,
Documentary films about religion,
Political films,
Films about Jews and JudaismRating77%
Checkpoint is shot in cinéma vérité style with no narration and very little context. Shamir himself is absent from the film except for one scene in which a border guard asks him to try to make him "look good," and Shamir asks how he should do that.