The Weapons of Youth (German: Die Waffen der Jugend) is a 1913 German silent film directed by Friedrich Müller and starring Gertrud Gräbner, Curt Maler and Hans Staufen.
The screenplay was written by the Austrian Robert Wiene his first known involvement with films. Wiene later went on to become a leading film director. Some reports suggest that Wiene may have served as a co-director on the film. The film is now a lost film, and virtually nothing is known of its plot or genre.
, 1h11 Directed byRobert Wiene OriginGerman GenresDrama, Thriller, Fantastic, Horror, Crime ThemesCircus films, Medical-themed films, Psychologie, Serial killer films, Films about psychiatry, Films set in psychiatric hospitals ActorsWerner Krauss, Conrad Veidt, Lil Dagover, Hans Heinrich von Twardowski, Friedrich Feher, Rudolf Klein-Rogge Rating79% As Francis (Friedrich Feher) sits on a bench with an older man who complains that spirits have driven him away from his family and home, a dazed woman named Jane (Lil Dagover) passes them. Francis explains she is his "fiancée" and that they have suffered a great ordeal. Most of the rest of the film is a flashback of Francis' story, which takes place in Holstenwall, a shadowy village of twisted buildings and spiraling streets. Francis and his friend Alan (Hans Heinrich von Twardowski), who are good-naturedly competing for Jane's affections, plan to visit the town fair. Meanwhile, a mysterious man named Dr. Caligari (Werner Krauss) seeks a permit from the rude town clerk to present a spectacle at the fair, which features a somnambulist named Cesare (Conrad Veidt). The clerk mocks and berates Dr. Caligari, but ultimately approves the permit. That night, the clerk is found stabbed to death in his bed.
, 1h53 Directed byRobert Wiene OriginAustria GenresDrama, Science fiction, Thriller, Fantasy, Horror, Crime ThemesFilms about music and musicians, Piano ActorsConrad Veidt, Fritz Kortner Rating69% Concert pianist Paul Orlac (Conrad Veidt) loses his hands in a horrible railway accident. His wife Yvonne (Alexandra Sorina) pleads with a surgeon to try and save Orlac’s hands. The surgeon transplants the hands of a recently executed murderer named Vasseur. When Orlac learns this, horror obsesses him. He is tortured by the presence of a knife he finds at his house, just like that used by Vasseur, and the desire to kill. He believes that along with the hands he has acquired the murderer's predisposition to violence. He confronts the surgeon, telling him to remove the hands, but the surgeon tries to convince him that a person’s acts are not governed by hands, but by the head and heart.