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Tsili is a french film of genre Drama directed by Amos Gitaï with Sara Adler
Tsili (2014)
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Add to a movie listTsili is a 2014 drama film directed by Amos Gitai and based on the novel of the same name by Aharon Appelfeld. It was screened at the 71st Venice International Film Festival in an out of competition slot.
Synopsis
Tsili a 12 ans en 1942. Ses parents ne l'aiment pas beaucoup et quand la guerre atteint leur village ils décident de partir en laissant à Tsili le soin de garder leur maison. Pour survivre, elle cache ses origines juives et sort de son village à la recherche de nourriture. Elle trouve du travail dans des fermes, se fait exploiter en échange de quelques bouts de pain. Battue par certains de ses employeurs, elle décide d'aller vivre dans la montagne en se cachant dans la forêt au sud de Czernowicz. En pleine zone de guerre, elle se construit un refuge dans la nature où elle échappe aux sauvageries qui se déroulent dans la vallée.Actors
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Suggestions of similar film to Tsili
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Rebecca est une Américaine qui vit à Jérusalem depuis quelques mois et qui vient de rompre avec son fiancé. Elle monte dans le taxi d'Hanna, une Israélienne. Mais celle-ci doit aller en Jordanie, dans la zone démilitarisée (en anglais, « free zone »), récupérer une grosse somme d'argent que leur doit l'Américain, l'associé de son mari. Rebecca la convainc de l'emmener avec elle. Quand elles arrivent dans la zone, Leila, une Palestinienne leur explique que l'Américain n'est pas là et que l'argent a disparu…
Alila (2003)
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Instead of written credits at the beginning of the film, Gitai reads out the credits, introduces himself to the viewer, and explains that Alila is based on the novel Returning Lost Love. The rest of the movie is made up of forty individual single shot scenes depicting the lives of several Israelis. The character's lives overlap and collide. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police officer. In each scene the camera moves through walls, over desks, and around rooms in order to keep focused on the character it's following, in moments of drama as well as in moments of mudane daily activity.