We Were Children is a 2012 Canadian documentary film about the experiences of First Nations children in the Canadian Indian residential school system. Directed by Tim Wolochatiuk and written by Jason Sherman, the film recounts the experiences of two resident school survivors: Lyna Hart, who was sent to the Guy Hill Residential School in Manitoba at age four, and Glen Anaquod, who was sent to the Lebret Indian Residential School in Saskatchewan. We Were Children combines interviews with the two with dramatic recreations of their experiences.
According to Hart, her participation in the film marked the first time she had shared the full story of her time in the school. She has stated she regards her involvement in We Were Children as a key step in her healing process. Anaquod died in 2011 before the film’s completion; a private screening of the film was held for his family.
There are 6 films with the same actors, 8954 with the same cinematographic genres, 4854 films with the same themes (including 33 films with the same 5 themes than We Were Children), to have finally 70 suggestions of similar films.
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, 1h36 Directed byBenjamin Nolot OriginUSA GenresDocumentary, Crime ThemesFilms about children, Films about slavery, Films about sexuality, Erotic films, Films about pedophilia, Films about prostitution, Documentary films about law, Documentaire sur une personnalité, Documentary films about prostitution, Documentary films about child abuse, Films about child abuse ActorsBill Oberst Jr. Rating73% The first scene of the film is a reenactment of a kidnapping. A girl is kidnapped and brought to the apartment of a criminal organization, where she is confined with other girls in a room with a creaky ceiling lit by a flickering lightbulb. The girls are naked and cry from fear as men examine them and shout commands and threats at them. One girl is dragged away into another room. The girls are then brutally abused until they become sexually submissive. These events take place in a small European town, possibly in Moldova. The film asserts that 10% of the population of Moldova has been sexually trafficked. From there, the film tracks the girls through Serbia and Croatia to Amsterdam's red-light district and markets in Berlin and Las Vegas. Among legal prostitution in cities, the slavery goes undetected. Slaves are depicted in confinement, at their places of work, and as they are sold. Many of the girls are orphans and all are either initially kidnapped or tricked into forced prostitution. The methods that the traffickers use to keep the girls include hard drugs, mind control, and both sexual and physical abuse.