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Why We Fight: The Battle of Russia is a american film of genre War directed by Frank Capra released in USA on 13 november 1943 with Walter Huston
Why We Fight: The Battle of Russia (1943)
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Add to a movie listReleased in USA 13 november 1943
Length 1h23
OriginUSA
Themes Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
Rating70%
The Battle of Russia (1943) is the fifth film of Frank Capra's Why We Fight documentary series, and the longest film of the series, consisting of two parts. The film was made in collaboration with Russian-born Anatole Litvak as primary director under Capra's supervision. Litvak gave the film its "shape and orientation," and the film had seven writers with voice narration by Walter Huston. The score was done by Russian-born Hollywood composer, Dimitri Tiomkin, and drew heavily on Tchaikovsky along with traditional Russian folk songs and ballads.
Film historian Christopher Meir notes that the film's popularity "extended beyond the military audience for it was initially intended, and was the second in the series to be nominated for an Academy Award for Best Documentary Feature.
Synopsis
Ce film de propagande américain souligne le besoin d'une alliance russo-américaine contre les nazis.Actors
Why We Fight
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Suggestions of similar film to Why We Fight: The Battle of Russia
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The narrator describes the fall of France, leaving Britain almost defenceless. British forces are vastly outnumbered, but the British people are calm. The narrator explains that this is because in a democracy the people as a whole are involved in the decision to fight. Hitler's masterplan to subjugate Britain is described. Hitler begins by attacking convoys and ports, but fails to destroy them. The RAF are outnumbered "6 - 8 - 10 to one", but knock out far more planes than the Germans do. Bailed out British pilots are also able to return to the air, but German pilots are lost. Unlike the Dutch and Polish airforce Britain does not "make the mistake of bunching its planes on the runways".
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Genres War, Documentary, Historical
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, 53minutesDirected by Frank Capra, Anatole Litvak
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In an edit added to the film before public release, a comment by Henry L. Stimson, the Secretary of War at the time, was quoted to create trust with the audience, “the purpose of these films is to give factual information as to the causes, the events leading up to our entry into the war and the principles for which we are fighting.”
Here Is Germany (1945)
, 1hDirected by Frank Capra
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Genres War, Documentary
Themes Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
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War Comes to America (1945)
, 1h10Directed by Frank Capra, Anatole Litvak
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Face à la menace d’une perte de liberté, les États-Unis entrent en guerre illustre comment l’Amérique est passée de l’isolationnisme à un engagement total.
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Origin United-kingdom
Genres War, Documentary
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Genres War, Documentary
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Rating71%
Ne désirant pas s’engager sur deux fronts à la fois, Hitler s’est concentré jusqu’alors sur le front de l’Est en réfutant toute hostilité envers la France et la Grande-Bretagne. Mais une fois celui-ci stabilisé, il lance l’offensive à l’Ouest contre les Pays-Bas, la Belgique et bientôt la France…
Confessions of a Nazi Spy (1939)
, 1h44Directed by Anatole Litvak
Origin USA
Genres Drama, War, Spy
Themes Spy films, Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
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Rating66%
Dr. Karl Kassel (Paul Lukas) comes to America to rally support for the Nazi cause among German Americans. He instructs his audience at a German restaurant that the Führer has declared war on the evils of democracy and that, as Germans, they should carry out his wishes. Kurt Schneider (Francis Lederer), an unemployed malcontent, joins the cause and eventually becomes a spy for the group. A letter written by Schneider to a liaison in Scotland is intercepted by a British Military Intelligence officer (James Stephenson), leading to the ring's downfall.