Zaritsas: Russian Women in New York is a 2010 documentary film written and directed by Russian-born American filmmaker Elena Beloff. The film was co-produced by American actor Vincent D’Onofrio.
Zaritsas debuted at the Cine Gear Expo at The Studios at Paramount in June 2010. It screened at the Astoria Film Festival. The documentary was also screened at the Tribeca Grand Hotel and the at the Anthology Film Archives. The film also aired several times on RTVi in America, Russia, Poland, the Ukraine beginning on December 26, 2012. The film became available on Amazon.com on June 9, 2012.
After living in New York City for a few years, Beloff made a film about American stereotyping of Russian women as mail-order brides and sex workers which dominated opinion in the early 1990s after the collapse of the Soviet Union. In the film Elena Beloff followed five Russian women for six months, interviewing each one in her environment: A rapper in a Sheepshead Bay Church; a saleswoman at La Perla Madison Avenue Boutique; a model at home; a showgirl at a Brighton Beach Restaurant and an exotic dancer at Scores strip club. Women Around Town noted Zaritsas: Russian Women In New York, by Elena Beloff, once an exchange student and now a New School filmmaker, follows five émigrés’ hopes and dreams in the new country, and an exotic dancer’s journey back from the pit life tossed her into – rebutting the stigmatized image of Russian girls as cold-hearted gold-diggers. According to an article in Voices from the Garage magazine, The film is named Zaritsas (The Queens) because of a Russian song about women locked in a cage of societal judgment much like the medieval Queens were trapped in their castles.
Produced by Elena Beloff, co-produced by Ken Christmas and Vincent D'Onofrio, cinematography by Eun-ah Lee; film editing by Ben Abrams; original music by Oliver James and Robert Eldridge, additional music by Tony Sokol and the song "Budem Vmeste" was written by Elena Beloff and produced by Tony Sokol and Joe Bohmer. The cast included Elena Beloff, Yuri Binder, Katya Chirkina, Michael Gross, Sasha Ignatenko, Irina Isaeva, Tatiana Lissovskaia, Elena Orie and Adnan Sarhan.
Suggestions of similar film to Zaritsas: Russian Women in New York
There are 8965 with the same cinematographic genres, 3050 films with the same themes (including 4 films with the same 3 themes than Zaritsas: Russian Women in New York), to have finally 70 suggestions of similar films.
If you liked Zaritsas: Russian Women in New York, you will probably like those similar films :
, 34minutes OriginUSA GenresDocumentary, Musical ThemesFilms about music and musicians, Documentary films about music and musicians, Documentaire sur une personnalité, Documentary films about cities, Jazz films, Musical films ActorsMelinda Dillon Rating61% The Cry of Jazz is set in Chicago at the meeting of a jazz appreciation club of musicians and intellectuals, both Black and White. It is broken up into seven parts. Parts one, three, five, and seven center around conversations between the jazz club members. Parts two, four, and six are done in a documentary style and utilize footage of life in Chicago as well as of Sun Ra’s band performing the music. Alex, the film’s main character, serves as narrator during these sections. Although the film is nominally about jazz, jazz is utilized primaily as a metaphor through which to understand the African American experience.
, 1h36 OriginSouth africa GenresDocumentary ThemesFilms set in Africa, Films about racism, Documentary films about racism, Documentary films about law, Documentaire sur une personnalité, Documentary films about politics, Documentary films about cities, Political films Rating68% Alongside the southernmost urban centre in Africa, separating city from ocean, lays a very special strip of land. Set against the beautiful backdrop of the Atlantic Ocean on one side and Signal Hill on the other, the Sea Point Promenade – and the public swimming pools in its centre – forms a space unlike any in Cape Town. Once a bastion of Apartheid exclusivity, it is nowadays unique in its apparently easy mix of age, race, gender, religion, wealth status and sexual orientation. Somehow this space has become one where all South Africans feel they have a right to exist, and where the possibility of happiness in a divided world doesn't seem unfeasible. But what is the reality of those coming here? How do people see their past, their present in this space and their future in this country?