The film depicts the journey of lawyer Raphael Lemkin and his efforts in lobbying the United Nations to establish the Genocide Convention. The movie also focuses on four people inspired by Lemkin: Samantha Power, United States Ambassador to the United Nations; Benjamin B. Ferencz, Chief Prosecutor in the Einsatzgruppen trial at Nuremberg; Luis Moreno Ocampo, first Prosecutor of the International Criminal Court; and Emmanuel Uwurukundo, head of operations for refugee camps in Chad set up by the United Nations High Commissioner for Refugees in the War in Darfur. The film is based on Power's Pulitzer Prize-winning book, A Problem from Hell.
The film narrates the events of the 1964 Mississippi Freedom Summer, when more than 700 student activists took segregated Mississippi by storm because of underscored by the systematic exclusion of African Americans from the political process. Robert Parris Moses of the Student Nonviolent Coordinating Committee developed a campaign to bring a thousand volunteers to canvassed for voter registration, creating freedom schools and establishing the Mississippi Freedom Democratic Party.
Les homosexuels ont été comme tant d'autres les victimes du régime hitlérien. Ils étaient persécutés en vertu du paragraphe 175 du code pénal allemand. Ce paragraphe, datant de 1871, condamnait à la prison "les actes contre nature" entre hommes.
En 1955, l’assassinat au Mississippi d’un jeune Noir accusé d’avoir sifflé une femme blanche secoue les États-Unis, et joue un rôle primordial dans le déclenchement du mouvement pour les droits civiques. Portrait glaçant d’une Amérique capable de tous les extrêmes.
The Uncondemned recounts the 1997 trial of Jean-Paul Akayesu for his alleged knowledge of the rapes and other war crimes during the Rwandan Genocide in 1994. The film features three women, who were victims of rape and anonymously testified in the trial, as well as American prosecutors Pierre-Richard Prosper and Sara Darehshori recalling their building the case against Akayesu.
The film tells its story by relating the accounts of Jewish survivors "who return to Italy in their late adulthood to revisit the scenes of their worst nightmares: hidden in terror, fleeing in desperation, separated from loved ones, saying final goodbyes without knowing they were final."