Boogie Woogie is a comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players. Dealers, collectors, artists, and wannabes vie with each other in a world in which success and downfall rest on a thin edge.
Set in New York City, the film focuses on the relationship between two people as they await the end of all life on Earth. Scientists and theologians alike have predicted that by the next morning at 4:44 a.m. Eastern Standard Time deadly solar and cosmic radiation will destroy the Earth's protective ozone layer, and along with it, all life on the planet. Mixed in throughout the film are news clips of various reporters, commentators and celebrities who contemplate what the end of the world will be like.
For mysterious reasons, a Painter has left a work incomplete - causing conflict between the Toupins (Allduns), who are entirely painted, the Pafinis (Halfies), who lack a few colors, and the Reufs (Sketchies), who are only sketches. Toupins occupy the chateau, Pafinis are out in the gardens, and Reufs are treated as outcasts and hunted by the Toupins. Three friends, one of each class, go on a quest to find the artist so he can finish the piece and hopefully unite the people.
Lars est un peintre danois en panne d'inspiration. Son manager l'envoie au fin fond du Canada pour enseigner l'art dans une école afin qu'il retrouve sa créativité. Il rencontre Lesley et afin de lui plaire, il accepte d'héberger Eddie, un élève muet et retardé. Après quelque temps de cohabitation, les deux hommes développent une amitié. Mais Lars se rend vite compte, que son pensionnaire souffre de somnambulisme et commet des atrocités pendant la nuit. Il se rend compte que ces faits lui redonne sa créativité et se remet à peindre.
Stefano (Lino Capolicchio) arrives in a village of the Valli di Comacchio area where he has been employed to restore a fresco depicting what appears to be the martyring of Saint Sebastian, which has been painted on a rotting wall of the local church by a mysterious, long-dead artist. While temporarily taking up residence in the house that had been previously owned by the two sisters of the deceased painter, Stefano begins a romance with a new, beautiful schoolteacher, Francesca (Francesca Marciano), meanwhile learning from various townspeople that the painter had been a madman who had derived his art from real life. Specifically, Stefano learns that the artist — assisted by his two equally-insane sisters — had been a killer who brutally tortured people through to death as inspiration for his horrific paintings — a practice that had likely been used for the very painting he is in process of restoring. As Stefano is discouraged for his task throughout the town, some of the villagers are brutally killed — including his employer — and he comes to suspect that their murderer is trying to deter him from discovering the full truth behind the artist and his ominous legacy within the sleepy community.
The film consists of four episodes in the relationship of two young women: Reinette, a country girl, and Mirabelle, a Parisian. The first episode is entitled The Blue Hour and recounts their meeting. The second centers on a café and a difficult waiter. In the third, the girls discuss their differing views on society's margins: beggars, thieves and swindlers. In the fourth episode, Reinette and Mirabelle succeed in selling one of Reinette's paintings to an art dealer while Reinette pretends to be mute and Mirabelle, acting as if she does not know Reinette, does all the talking.
Scotland Yard Detective Frank Webber (John Longden) escorts his girlfriend Alice White (Anny Ondra) to a tea house. They have an argument and Frank storms out. While reconsidering his action, he sees Alice leave with Mr. Crewe (Cyril Ritchard), an artist she had earlier agreed to meet.
Cherchant à percer le mystère de la création, le cinéaste se dit : «Pour savoir ce qui se passe dans la tête d'un peintre, il suffit de suivre sa main». Un habile stratagème lui permet de réaliser son projet insensé : par transparence, chaque trait tracé par la main du célèbre artiste apparaît dans l'espace. Mais l'exécution, par Pablo Picasso, de dessins et de tableaux, ne fait que gonfler davantage le mystère qui plane autour de lui : en effet, chacun des traits qu'il effectue étonne et déconcerte. Des toreros blessés et des nus sont ainsi créés, comme par magie, fruits d'un travail acharné qui connaît parfois quelques échecs.
Action takes place in Paris during WWII in 1942. Unemployed Taxi-Driver, Marcel Martin makes his living delivering parcels on the black market. One day, he must carry by foot, to the other side of the capital, four suitcases containing pork meat. He goes to the basement of a grocer named Jambier and plays the accordion while the animal is butchered.
Le film, comme le titre l'indique, est une biographie du peintre hollandais du XVII siècle, qualifié de « plus grand peintre de tous les temps » dans le texte qui défile à l'écran en guise de préambule. Rembrandt, au moment où l'histoire commence, est un peintre adulé, sollicité par les plus riches, mais dont le plus grand plaisir consiste à réaliser des portraits de son épouse Saskia. Celle-ci, cependant, tombe brusquement malade et meurt, laissant le peintre désemparé. Plutôt que d'assister aux funérailles de sa femme, il tâche de peindre d'elle au moins un dernier portrait, tant que son image ne s'est pas encore tout à fait éteinte dans son souvenir ; à partir de cet événement tragique, la vie du peintre, progressivement, va se désagréger…
The guests at an isolated hotel cut off by an avalanche are surprised when Roland Brissot, a man missing his left hand, shows up, carrying only a small casket. He asks the innkeeper if there is a cemetery adjoining the ruined nearby abbey and is disappointed when the answer is no. Then two shots ring out. The police arrive, looking for a little man carrying a coffin. The news frightens Brissot. While he is called to the telephone, his casket is stolen during a temporary blackout. Disconsolate, he gives in to the curiosity of the other guests and tells his story. A flashback ensues.
The story is set in Edo (now Tōkyō) in Japan.
The film starts with a parade of samurai and their concubines (oiran, distinguished by their high shoes) along an avenue of cherry trees. Koide, called Seinosuke by his woman (Kotaro Bando), an artist/samurai apprenticed to a Kanō master, leaves the parade and visits a print shop where he sees a woodcut print by Utamaro that boasts of ukiyo-e 's superiority to the official style. Enraged, he goes to a tea-house to find Tsutaya Jūzaburō, the owner of the print shop, to express his displeasure. Word is leaked to Utamaro to avoid the tea-shop, but instead he goes there directly to investigate. Koide then challenges him to a duel. Utamaro counter-challenges him with a different kind of duel––a painting contest.
Fin du XIX siècle. Après avoir distribué ses maigres biens aux miséreux, le peintre naïf géorgien Niko Pirosmanichvili (1862-1918) erre dans les rues de Tiflis (Tbilissi), troquant son talent pour le prix d'un repas. Ses tableaux sont remarqués par deux artistes de passage qui organisent une exposition de ses œuvres. Mais la critique officielle les boude ou les raille. Seuls de très rares connaisseurs auront détecté son génie. Pirosmani meurt dans le dénuement et fort incompris.