Simon (McAvoy), an art auctioneer, becomes an accessory to the theft of a painting–Goya's Witches in the Air–from his own auction house. When a gang attacks during an auction, Simon follows the house emergency protocol by packaging the painting. The gang's leader Franck (Cassel) then takes the package from him at gunpoint. Simon attacks Franck, who delivers him a blow to the head that leaves him with amnesia. When Franck gets home, he discovers that the package contains only an empty frame. After ransacking Simon's apartment and trashing his car, the gang kidnaps and unsuccessfully tortures him. But he has no memory of where he has hidden the painting. Franck decides to hire a hypnotherapist to try to help him remember.
A look at the last quarter century of the great British painter J. M. W. Turner. Profoundly affected by the death of his esteemed father, loved by his housekeeper, Hannah Danby, whom he takes for granted and occasionally exploits sexually, he forms a close and loving relationship with a seaside landlady with whom he eventually lives incognito in Chelsea, where he dies.
The film tells a story of love and deceit, set in Europe (Trieste, Bolzano, Fidenza, Rome, Milan, Merano, Vienna, Prague) in the world of high-end art auctions and antiques. The story revolves around Virgil Oldman (Geoffrey Rush), an aging and esteemed, but somewhat eccentric, managing director of an auction house. Oldman is hired by a reclusive young heiress, Claire Ibbetson (Sylvia Hoeks), to auction off the large collection of art and antiques left to her by her parents. Claire always refuses to be seen in person, obviously suffering from severe agoraphobia and never leaving her room. Soon enough Virgil, a life-long bachelor, understands that he has fallen in love with her.
The film opens with Christy Brown, who has cerebral palsy, being taken to a charity event, where he meets his handler, a nurse named Mary Carr. She begins reading his autobiography. Christy could not walk or talk, but still received love and support from his family, especially his mother. One day, while Christy was still a young boy, he is the only person home to see his mother fall down a flight of stairs while in labor. He is able to get the attention of some neighbors, who come to his mother's rescue. His father, who had never really believed in Christy, becomes a supporter when, one day, when he is about ten, Christy uses his left foot (the only part of his body he can fully control) to write the word "mother" on the floor with a piece of yellow chalk.
The film begins showing the abstract expressionist Jackson Pollock (1912–1956) autographing illustrations in a copy of Life magazine for a woman at an art exhibit in 1950.
In a story loosely based on Fyodor Dostoevsky's short novel The Gambler, Nick Nolte plays Lionel Dobie, an acclaimed abstract artist who finds himself unable to paint during the days before the scheduled beginning of a major gallery exhibition of his new work. Rosanna Arquette is Paulette, his apprentice/assistant and former lover. Lionel is still infatuated with her, but Paulette wants only his tutelage, which makes things difficult since they live in the same studio-loft. Paulette dates other people, including a performance artist (Steve Buscemi) and a painter (Jesse Borrego).
L'histoire se déroule en 1770, sur une île bretonne. Marianne, une artiste peintre, se voit chargée par une comtesse de réaliser le portrait de sa fille Héloïse. Cette dernière est fiancée à un Milanais, et ce portrait doit permettre de conclure l'union. Héloïse, qui ne désire pas se marier, refuse de poser. L'artiste se fait donc passer pour une dame de compagnie pour observer discrètement son modèle, et la peint de mémoire le soir.
As the film opens, Julie Kohler (Jeanne Moreau) tries to throw herself out of an upstairs window, but is stopped by her mother (Luce Fabiole). Julie is dressed in black and is obviously grief-stricken. In the next scene, she is more composed, telling her mother she is going on a long trip, and counting out five piles of money. She gets onto a train, but right afterwards steps down on the opposite side, hidden from onlookers.
In 1792, Spain reels amid the turmoil and upheaval of the French Revolution. Francisco Goya (Stellan Skarsgård) is a renowned painter, who, among others, does portraits for the royal family as the Official Court Painter to the King and Queen.
A 17th century romance in which an artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.
The film follows the life of a middle-aged housekeeper, Séraphine Louis, who has a remarkable talent for painting. Untaught and following what she regards as religious inspiration she finds great appreciation in the beauty found in nature, especially her daily walks to work where she proudly and humbly stops to gaze at trees. In the beginning, it is noted that she stops to collect soil from plants as well as some blood from a dead pig. Later, in her small home lit by candles she is seen using these same ingredients while creating her art. At one point when her art begins to be seen, she is asked how she achieves the unusual effect in her "rouge" (reds). She replies that she prefers to keep that a secret.
The story takes place during a Sunday in the late summer of 1912. Monsieur Ladmiral is a painter without any real genius and in the twilight of his life. Since the death of his wife, he lives alone with Mercedes, his servant. As every Sunday, he invites Gonzague, his son, a steady young man, who likes order and propriety, accompanied by his wife, Marie-Thérèse and their three children, Emile, Lucien and Mireille. That day, Irène, Gonzague's sister, a young non-conformist, liberated and energetic woman, upsets this peaceful ritual and calls into question her father's artistic choices.
It begins with the Korean artist being suspicious of a Japanese art-lover who values his work. The story then goes back to his man's early years. Beginning as a vagabond with a talent for drawing, he has a talent for imitating other people's art, but is urged to go on and develop a style of his own. This process is painful and he often behaves very badly, getting drunk and being hostile to those who care about him and try to help him.
L'histoire vraie du peintre Maud Lewis, une femme de ménage qui, un jour, devient célèbre en Nouvelle-Écosse pour ses peintures et se marie avec Everett Lewis, un vendeur de poissons qui n'est autre que le grand amour de sa vie.
Laura Reynolds (Taylor) is a free-spirited, unwed single mother living with her young son Danny (Morgan Mason) in an isolated California beach house. She makes a modest living as an artist and home-schools her son out of concern that he will be compelled to follow stifling conventional social norms in a regular school. Danny has gotten into some trouble with the law through two minor incidents, which are in his mother's eyes innocent expressions of his natural curiosity and conscience rather than delinquency. Now with a third incident a judge (Torin Thatcher) orders her to send the boy to an Episcopal boarding school where Dr. Edward Hewitt (Burton) is headmaster, and his wife Claire (Eva Marie Saint) teaches. Edward and Claire are happily married with two young sons, but their life has become routine and their youthful idealism has been tamed by the need to raise funds for the school and please wealthy benefactors.