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Anastasya Soerip is a Actor Indonesienne born on 22 october 1921
Soerip (Perfected Spelling: Surip; 22 October 1921 – 7 May 1992) was an Indonesian singer and film actress.
In 1940 Soerip made her feature film debut in Zoebaida, directed by Njoo Cheong Seng for Oriental Film. This was followed in 1941 by Panggilan Darah, in which Soerip was cast with Dhalia as orphaned sisters who try to make a living in the colonial capital of Batavia (now Jakarta). When the company folded, unable to recoup its expenses, Soerip migrated to Majestic Film. She completed three productions for the company: Air Mata Iboe, Djantoeng Hati, and Pantjawarna.
After the Japanese occupation of the Indies in March 1942, in which all but one domestic film studio was shut down, Soerip took a thirty-year hiatus from film, only returning to the industry in 1973 for Sopir Taxi. Owing to her age, she took the honorific Mbah (Grandmother), and was billed Mbah Soerip. During the following two decades she completed a further 20 films, including productions by Slamet Rahardjo, Teguh Karya, and Wim Umboh. A retrospective in Apa Siapa Film Indonesia particularly praises her performance in Rahardjo's Rembulan dan Matahari (1979).
In 1990 Soerip made her last film, Cintaku di Way Kambas, and a soap opera, Bayang-Bayang. That year she was recognised by the National Film Council for her dedication to acting. Soerip died on 7 May 1992 in Jakarta.
^ Biran 1979, p. 480.
^ JCG, Soerip, Miss.
^ Filmindonesia.or.id, Panggilan Darah.
^ Biran 2009, p. 229.
^ Filmindonesia.or.id, Soerip.
^ Apa Siapa 1999, p. 403.
Source : Wikidata
Anastasya Soerip
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Biography
Soerip was born in Banyuwangi, East Java, Dutch East Indies, on 22 October 1921. She only completed two years of elementary school before she dropped out. She later became a kroncong singer, often billed as Miss Soerip. Owing to her habit of batting her eyelashes while singing, she was also nicknamed "Si Mata Roda".In 1940 Soerip made her feature film debut in Zoebaida, directed by Njoo Cheong Seng for Oriental Film. This was followed in 1941 by Panggilan Darah, in which Soerip was cast with Dhalia as orphaned sisters who try to make a living in the colonial capital of Batavia (now Jakarta). When the company folded, unable to recoup its expenses, Soerip migrated to Majestic Film. She completed three productions for the company: Air Mata Iboe, Djantoeng Hati, and Pantjawarna.
After the Japanese occupation of the Indies in March 1942, in which all but one domestic film studio was shut down, Soerip took a thirty-year hiatus from film, only returning to the industry in 1973 for Sopir Taxi. Owing to her age, she took the honorific Mbah (Grandmother), and was billed Mbah Soerip. During the following two decades she completed a further 20 films, including productions by Slamet Rahardjo, Teguh Karya, and Wim Umboh. A retrospective in Apa Siapa Film Indonesia particularly praises her performance in Rahardjo's Rembulan dan Matahari (1979).
In 1990 Soerip made her last film, Cintaku di Way Kambas, and a soap opera, Bayang-Bayang. That year she was recognised by the National Film Council for her dedication to acting. Soerip died on 7 May 1992 in Jakarta.
^ Biran 1979, p. 480.
^ JCG, Soerip, Miss.
^ Filmindonesia.or.id, Panggilan Darah.
^ Biran 2009, p. 229.
^ Filmindonesia.or.id, Soerip.
^ Apa Siapa 1999, p. 403.
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Filmography of Anastasya Soerip (2 films)
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Panggilan Darah (1941)
Actors Dhalia, Anastasya Soerip
Orphaned sisters Dhalia and Soerip (themselves) leave their village in an attempt to make a living in the colonial capital of Batavia (now Jakarta). After a long period of misery, they are accepted as housemaids at the home of Hajji Ishak (Mochtar Widjaja). Although initially elated, they find that Iskak's wife (Wolly Sutinah) is a cruel mistress who often beats them. Meanwhile, Ishak's would-be-son-in-law is constantly flirting with Dhalia, much to his fiancée's dismay.
Pantjawarna (1940)
Directed by Njoo Cheong Seng
Actors Fifi Young, Dhalia, Anastasya Soerip
A young woman must raise her two daughters, despite several hardships, while her husband is in prison. She is ultimately taken in by the nobleman Raden Gatot, and the two fall in love. After she divorces her former husband, she and Gatot are married. Her former husband, however, upon release from prison, decides to challenge Gatot. Later in the film the mother must choose a good suitor for her daughters.