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Pantjawarna is a film directed by Njoo Cheong Seng with Fifi Young
Pantjawarna (1940)
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Add to a movie listDirected by Njoo Cheong Seng
Pantjawarna (Perfected Spelling: Pancawarna; Indonesian for Five Colours) is a 1941 film from the Dutch East Indies (now Indonesia).
Synopsis
A young woman must raise her two daughters, despite several hardships, while her husband is in prison. She is ultimately taken in by the nobleman Raden Gatot, and the two fall in love. After she divorces her former husband, she and Gatot are married. Her former husband, however, upon release from prison, decides to challenge Gatot. Later in the film the mother must choose a good suitor for her daughters.Actors
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Suggestions of similar film to Pantjawarna
There are 9 films with the same actors, 4 films with the same director, to have finally 10 suggestions of similar films.If you liked Pantjawarna, you will probably like those similar films :
Air Mata Iboe (1941)
Directed by Njoo Cheong Seng
Actors Fifi Young, Ali Joego
Soegiati (Fifi Young) is the loving mother of four children: sons Achmad (Rd Ismail), Idris (S Poniman) and Soemadi (Ali Sarosa), and a daughter named Soepinah (Soelami). She loves them all, but Soemadi receives the most of her attention because he receives little from his father, the merchant Soebagio (Ali Joego). As the children grow, they marry and move away, and eventually only Soemadi is left. Although he begins a relationship with a young woman named Noormala (Soerip), he does not marry her as his income is not enough to support them.
Zoebaida (1940)
Directed by Njoo Cheong Seng
Actors Fifi Young
A love story set in Timor, in which Zoebaida and her lover are forbidden from marrying by those in power. They can eventually unite as husband and wife.
Kris Mataram (1940)
Directed by Njoo Cheong Seng
Actors Fifi Young
A young noblewoman from Kartasura, R. A. Roosmini (Fifi Young), falls in love with a commoner named Bachtiar (Omar Rodriga). She wants to be with him, but her father R. M. Hadikusumo insists that she marry a man from a similar background. The two run away together, but Bachtiar is recalled by his family and forced to marry a woman he does not love. Roosmini, rather than marry a man she does not love or live alone, stabs herself with her sacred kris and dies.
Djantoeng Hati (1941)
Directed by Njoo Cheong Seng
Two students – the traditional Karina (Rr Anggraini) and metropolitan Roesdjana (Ariati) – are in competition for Karina's husband Sobari (Chatir Harro). Eventually Karina wins out.
Panggilan Darah (1941)
Actors Dhalia, Anastasya Soerip
Orphaned sisters Dhalia and Soerip (themselves) leave their village in an attempt to make a living in the colonial capital of Batavia (now Jakarta). After a long period of misery, they are accepted as housemaids at the home of Hajji Ishak (Mochtar Widjaja). Although initially elated, they find that Iskak's wife (Wolly Sutinah) is a cruel mistress who often beats them. Meanwhile, Ishak's would-be-son-in-law is constantly flirting with Dhalia, much to his fiancée's dismay.
Tarmina (1954)
Directed by Lilik Soedjio
Genres Drama
Actors Fifi Young
After her husband Hadi loses all of his money, Tarmina divorces him and abandons their family, including a young daughter. She quickly remarries, taking a rich tycoon as her second husband, but when he has an accident when Hadi is nearby she accuses her former husband of the deed. Ultimately Tarmina's second husband leaves her, despising her cruelty. When Hadi is released from jail and returns to their daughter, Tarmina wants to ask him to take her back. However, she realises that she has ruined her own life and commits suicide, throwing herself into a river.
Salah Asuhan (1972)
, 1h38Directed by Asrul Sani
Actors Dicky Zulkarnaen, Fifi Young, Mohamad Mochtar
The Minangkabau Muslim Hanafi (Dicky Zulkarnaen) returns to West Sumatra after spending several years studying in Europe, paid for by his maternal uncle. In return, the uncle expects Hanafi to marry his cousin, Rapiah (Rima Melati). Hanafi, however, has become westernised and explicitly denounces the traditions his mother (Fifi Young) holds dear. He is also in love with his friend Corrie du Bussee (Ruth Pelupessy), who is half-French. Corrie's father (E. Draculic) tells her to go to Jakarta, as he fears that she will be unable to refuse Hanafi's advances. She does so, and Hanafi is married to Rapiah, although he soon shows himself to be an abusive husband.
Malin Kundang (1971)
, 1h48Directed by Djadoeg Djajakusuma
Themes Films based on mythology
Actors Putu Wijaya, Fifi Young, Rd Mochtar
Rating2%
Malin (Rano Karno) is a young boy who lives in Sumatra with his mother (Fifi Young) and sister; his father had disappeared at sea several years earlier. When a group of pirates land at the village, Malin catches the eye of their leader, Nakoda Langkap, who takes the boy as his own. As they are leaving the village, they pass the ship of another pirate, the slaverunner Nakoda Hitam. Nakoda Langkap and his men take the ship, wounding (evil pirate captain) and freeing the slaves. One, a boy named Lalang, is orphaned when his mother is killed in the battle; Nakoda Langkap takes him in as a son too.
After the Curfew (1954)
, 1h41Directed by Usmar Ismail
Genres Drama
Actors Dhalia
Rating70%
Shortly after the Dutch recognise Indonesia's independence in 1949, the military in Bandung, West Java, establishes a curfew. Iskandar (A.N. Alcaff) has been released from the Indonesian Armed Forces and is almost shot when he arrives in Bandung. He stays at the home of his fiancée Norma (Netty Herawaty) and her family. The following day, Norma's father sets Iskandar up with a job at the governor's office while Norma and her brother go shopping for a welcome-home party. The job goes poorly, and Iskandar is quickly fired.
Berdjoang (1943)
Directed by Ariffien
Themes Documentary films about war, Documentary films about historical events, Political films, Documentary films about World War II
Actors Kartolo, Dhalia, Mohamad Mochtar
In Legok, a Japanese spokesman gives a speech regarding the formation of military units for native Indonesians. Two village boys, the best friends Saman (Sambas) and Anang (Mohamad Mochtar), try to join the army. Saman is not accepted owing to a lame leg, but Anang begins training. Saman, meanwhile, begins working indirectly for the Japanese occupation government by taking up work at a food company.