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Babette Bardot is a Actor Suédoise born on 1 january 1940
Babette Bardot (born 1940) is the stage name of a Swedish actress who appeared in Russ Meyer's films, including Common Law Cabin and Mondo Topless.
After attracting attention for her roles in Russ Meyer's films, Babette Bardot began touring the United States in 1968 as a burlesque dancer under the guidance of her husband and manager, Bob Baker. With the seductive coif of platinum blonde hair and the billing caption "44-24-38 World's Most Sensational Exotic Entertainer" her appearances included the Gayety Theatre in New York, the Town Theatre in Chicago and the Colony Club in Dallas. While covering the burlesque circuit, she became a frequent guest on TV and radio programs, including the Wally Phillips Show (WGN-Chicago), The Steve Allen Show and The Phil Donahue Show.
She toured in a number of countries, and later found a home at the Majestic Inn (on MacLeod Trail and 50th Ave South) in Calgary, Alberta. The liberal stripping laws in Alberta allowed her to fully strip; however Babette would only remove her tops while retaining a thong. She was the headliner for the hotel bar, the Majic Stik, opening during the Calgary Exhibition and Stampede to a packed house nightly for six months before departing for Las Vegas.
Although unconfirmed, Babette claimed that she was a distant relative of Brigitte Bardot and had once modeled for Pablo Picasso while in her late teens. During the Vietnam War, her popularity and public notoriety resulted in a photo insertion in the GI newspaper Stars and Stripes.
Source : Wikidata
Babette Bardot
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Babette Bardot (born 1940) is the stage name of a Swedish actress who appeared in Russ Meyer's films, including Common Law Cabin and Mondo Topless.
After attracting attention for her roles in Russ Meyer's films, Babette Bardot began touring the United States in 1968 as a burlesque dancer under the guidance of her husband and manager, Bob Baker. With the seductive coif of platinum blonde hair and the billing caption "44-24-38 World's Most Sensational Exotic Entertainer" her appearances included the Gayety Theatre in New York, the Town Theatre in Chicago and the Colony Club in Dallas. While covering the burlesque circuit, she became a frequent guest on TV and radio programs, including the Wally Phillips Show (WGN-Chicago), The Steve Allen Show and The Phil Donahue Show.
She toured in a number of countries, and later found a home at the Majestic Inn (on MacLeod Trail and 50th Ave South) in Calgary, Alberta. The liberal stripping laws in Alberta allowed her to fully strip; however Babette would only remove her tops while retaining a thong. She was the headliner for the hotel bar, the Majic Stik, opening during the Calgary Exhibition and Stampede to a packed house nightly for six months before departing for Las Vegas.
Although unconfirmed, Babette claimed that she was a distant relative of Brigitte Bardot and had once modeled for Pablo Picasso while in her late teens. During the Vietnam War, her popularity and public notoriety resulted in a photo insertion in the GI newspaper Stars and Stripes.
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Filmography of Babette Bardot (2 films)
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Common Law Cabin (1967)
, 1h10Directed by Russ Meyer
Origin USA
Genres Drama, Comedy
Themes Films about families, Films about sexuality
Actors Alaina Capri, Babette Bardot, Jackie Moran, John Furlong, Kenneth C. Swofford
Roles Babette
Rating48%
Dewey Hoople (Jack Moran) runs a broken down tourist trap along the Colorado River along with his French wife Babette (Babette Bardot) and his daughter Coral (Adele Rein). Business is so bad that Hoople must pay a local alcoholic (Frank Bolger as "Cracker") to entice tourists, called "suckers", to spend some time and money there.
Mondo Topless (1966)
, 1hDirected by Russ Meyer
Origin USA
Genres Erotic, Documentary
Actors Babette Bardot, Pat Barrington, Darlene Gray, Lorna Maitland, John Furlong
Roles Self - Bouncy Dancer
Rating48%
The film presents a snapshot of '60s San Francisco before shifting its focus to strippers. The strippers' lives are earnestly portrayed as they reveal the day-to-day realities of sex work, talk bra sizes, relate their preferences in men, all voiced over while dancing topless to a 60s instrumental rock soundtrack. Throughout a large portion of the film, the narrator talks about the women as if they are a sub-genre of the counter culture movement, somewhat similar to the beatnik or hippie movements that were highly prevalent during the same era. The "Topless" movement as it is called by the narrator could also be perceived as an allegorical subset of the Sexual Revolution of the 1960s.