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George Glass is a Associate Producer American born on 19 august 1910 at Los Angeles (USA)
George Glass (August 19, 1910 – April 1, 1984) was an American film producer and publicist, best known for his work with Stanley Kramer. In Kramer's 1997 autobiography, describing how he formed his first production company in the late 1940s, he called Glass "one of the best publicity men in town", and remarked "I was fortunate to get Glass, with whom I had worked in the Lewin-Loew partnership before the war. He was a bright man and a very smooth operator." In a 1973 biography of Marlon Brando, Bob Thomas wrote:
George Glass was a veteran of movie publicity, but he was more than a publicist for Kramer. He, Kramer and Carl Foreman were partners in the independent film company, and Glass's brilliant campaigns for Champion and Home of the Brave had been a major part of the company's success. A short, stubby, ebullient man, he performed his craft on the basis of telling the truth.
Glass began his career in the entertainment industry as a radio news commentator and sports broadcaster, but left radio for films in 1936 to work in advertising and publicity capacities for Samuel Goldwyn, United Artists, and others. With Kramer's company, in addition to being the head publicist, Glass often acted as associate producer, sometimes uncredited (as for High Noon), and sometimes with screen credit (as for Cyrano de Bergerac and The Men). Other productions from this period include Death of a Salesman and The Wild One, for which Glass suggested the title.
In January 1952, Glass testified before the House Committee on Un-American Activities. In his testimony, he described attending gatherings at the homes of Ring Lardner, Jr. and other members of the entertainment industry in the mid-1940s, at which he was urged to become a member of the Communist Political Association.
In 1956, Glass and Walter Seltzer started a freelance publicity organization, described in the press as a collaboration of "two of the most experienced and able drum beaters" in Hollywood. After Brando formed his own production company, Pennebaker Productions, Glass and Seltzer joined him as executive producers, and together they turned out a number of films including Shake Hands with the Devil, The Naked Edge, Paris Blues and One-Eyed Jacks.
Glass was elected to the executive board of the Screen Producers Guild in 1960, along with Mervyn LeRoy. He continued to work with Kramer for many years as an associate producer, with additional credits including Guess Who's Coming to Dinner, The Secret of Santa Vittoria, Bless the Beasts and Children and R. P. M.
Glass is credited by several sources with originating the witticism, "An actor is a kind of guy who if you ain't talking about him [, he] ain't listening." (That line has also been attributed to Brando, who reportedly heard it from Glass and quoted it many times.
(1967)
(Associate Producer)
(1952)
(Associate Producer)
(1950)
(Associate Producer)
Source : Wikidata
George Glass
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Nationality USA
Birth 19 august 1910 at Los Angeles (USA)
Death 1 april 1984 (at 73 years) at Ventura (USA)
Birth 19 august 1910 at Los Angeles (USA)
Death 1 april 1984 (at 73 years) at Ventura (USA)
George Glass was a veteran of movie publicity, but he was more than a publicist for Kramer. He, Kramer and Carl Foreman were partners in the independent film company, and Glass's brilliant campaigns for Champion and Home of the Brave had been a major part of the company's success. A short, stubby, ebullient man, he performed his craft on the basis of telling the truth.
Glass began his career in the entertainment industry as a radio news commentator and sports broadcaster, but left radio for films in 1936 to work in advertising and publicity capacities for Samuel Goldwyn, United Artists, and others. With Kramer's company, in addition to being the head publicist, Glass often acted as associate producer, sometimes uncredited (as for High Noon), and sometimes with screen credit (as for Cyrano de Bergerac and The Men). Other productions from this period include Death of a Salesman and The Wild One, for which Glass suggested the title.
In January 1952, Glass testified before the House Committee on Un-American Activities. In his testimony, he described attending gatherings at the homes of Ring Lardner, Jr. and other members of the entertainment industry in the mid-1940s, at which he was urged to become a member of the Communist Political Association.
In 1956, Glass and Walter Seltzer started a freelance publicity organization, described in the press as a collaboration of "two of the most experienced and able drum beaters" in Hollywood. After Brando formed his own production company, Pennebaker Productions, Glass and Seltzer joined him as executive producers, and together they turned out a number of films including Shake Hands with the Devil, The Naked Edge, Paris Blues and One-Eyed Jacks.
Glass was elected to the executive board of the Screen Producers Guild in 1960, along with Mervyn LeRoy. He continued to work with Kramer for many years as an associate producer, with additional credits including Guess Who's Coming to Dinner, The Secret of Santa Vittoria, Bless the Beasts and Children and R. P. M.
Glass is credited by several sources with originating the witticism, "An actor is a kind of guy who if you ain't talking about him [, he] ain't listening." (That line has also been attributed to Brando, who reportedly heard it from Glass and quoted it many times.
Best films
(1967)(Associate Producer)
(1952)(Associate Producer)
(1950)(Associate Producer)
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Filmography of George Glass (13 films)
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Bless the Beasts & Children (1973)
, 1h49Directed by Stanley Kramer
Origin USA
Genres Drama, Comedy, Comedy-drama
Themes Transport films, Road movies
Actors Bill Mumy, Barry Robins, Jesse White, Miles Chapin, Kenneth C. Swofford, Elaine Devry
Roles Associate Producer
Rating66%
The story follows a group of six teenaged boys, who share a cabin at a residential summer camp in the western mountains. Each of the boys is a misfit in one way or another; the group is ostracized by the other boys at the camp, and form a bond based, in part, on this broader social isolation. After being taken on a field trip to see a herd of bison selected for culling by local hunters, the boys resolve to sneak away from the camp and set the penned bison free.
The Secret of Santa Vittoria (1970)
, 2h19Directed by Stanley Kramer
Origin USA
Genres Drama, War, Comedy
Themes Musical films, Political films
Actors Anthony Quinn, Anna Magnani, Virna Lisi, Hardy Krüger, Sergio Franchi, Renato Rascel
Roles Associate Producer
Rating72%
During World War II in the summer of 1943, in the aftermath of the fall of the Fascist government of Benito Mussolini, the German army uses the ensuing political vacuum to occupy most of the peninsula of Italy.
R.P.M. (1970)
, 1h32Directed by Stanley Kramer
Origin USA
Genres Drama
Actors Anthony Quinn, Ann-Margret, Gary Lockwood, Paul Winfield, Graham Jarvis, Alan Hewitt
Roles Associate Producer
Rating53%
Set against the political turmoil of the 1960s, radical student activists occupy a university's administration building with a list of 12 demands. Unable to resolve the situation, President Tyler (John Zaremba) resigns, so the Board of Trustees considers a student-made shortlist of recommended professors to take over the job of university president. The board finalizes the choice of Professor F.W.J. "Paco" Perez (Anthony Quinn), despite his radical beliefs, given his close past relationship with students.
Guess Who's Coming to Dinner (1967)
, 1h48Directed by Stanley Kramer
Origin USA
Genres Drama, Comedy, Comedy-drama, Romantic comedy, Romance
Themes Films about racism
Actors Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway, Beah Richards
Roles Associate Producer
Rating77%
Joanna Drayton's unannounced early return from a Hawaii holiday causes a stir when she brings to her childhood upper-class home her new fiancé, John: a widowed, black physician. Joanna's parents - newspaper publisher Matt Drayton (Spencer Tracy) and his wife, art gallery owner Christina Drayton (Katharine Hepburn) – are liberals who have instilled in her the idea of racial equality. But to her surprise, Joanna's parents are deeply upset that she is planning to marry a black man. The Draytons' black maid, Tille (Isabel Sanford), is just as horrified, suspecting that John is trying to "get above himself" by marrying a white woman. What was intended to be a sit-down steak dinner for two turns into a meet-the-in-laws dinner party, and during the pre-dinner period, John, Joanna and her parents have to work through their differences.
Paris Blues (1961)
, 1h38Directed by Martin Ritt, Bernard Farrel
Origin USA
Genres Drama, Comedy-drama, Musical, Romance
Themes Films about music and musicians, Films about racism, Le blues, Jazz films, Musical films
Actors Paul Newman, Joanne Woodward, Sidney Poitier, Diahann Carroll, André Luguet, Barbara Laage
Roles Executive Producer
Rating66%
On his way to see Wild Man Moore (Louis Armstrong) at the train station, Ram Bowen (Paul Newman), a jazz musician, encounters Connie Lampson, (Diahann Carroll), a newly arrived tourist, and invites her to see him perform that night at Club 33. Connie isn't interested but her friend, Lillian (Joanne Woodward) insists they go to see him. After Ram finishes performing with his friend Eddie (Sidney Poitier) offers to take both women to breakfast. When Ram suggests that he and Connie go off and have a private breakfast together she is offended and Ram is angered at being rejected. However Lillian, undeterred that Ram prefers her friend, pursues him and the two sleep together while Connie and Eddie spend the night walking around Paris.
The Naked Edge (1961)
, 1h37Directed by Michael Anderson
Origin United-kingdom
Genres Thriller
Actors Gary Cooper, Deborah Kerr, Eric Portman, Diane Cilento, Hermione Gingold, Peter Cushing
Roles Producer
Rating65%
In the aftermath of a theft and murder, Martha Radcliffe (Kerr) increasingly suspects her husband George Radcliffe (Cooper), whose testimony in court convicted the main suspect, of being the real culprit.
One-Eyed Jacks (1961)
, 2h21Directed by Marlon Brando, Bernard McEveety, Paul Baxley
Origin USA
Genres Drama, Action, Western
Actors Marlon Brando, Karl Malden, Katy Jurado, Pina Pellicer, Ben Johnson, Slim Pickens
Roles Executive Producer
Rating70%
Rio (Marlon Brando) (also called "The Kid"), a shameless philanderer, his mentor Dad Longworth (Karl Malden), and a third man named Doc rob a bank of two saddlebags of gold in Sonora, Mexico. The robbery is successful, but Mexican Rurales track them and catch them celebrating in a cantina, killing Doc. Dad and Rio manage to escape, followed by the Rurales.
Shake Hands with the Devil (1959)
, 1h51Directed by Michael Anderson
Origin USA
Genres Drama, Action
Themes Films about terrorism, Political films
Actors James Cagney, Don Murray, Dana Wynter, Glynis Johns, Michael Redgrave, Sybil Thorndike
Roles Executive Producer
Rating69%
Irish-American Kerry O'Shea (Don Murray) is studying at the College of Surgeons in 1921 Dublin, Ireland, during a guerrilla war - the Irish War of Independence. Apolitical and sick of killing after fighting in World War I, he is drawn into the struggle between the Irish Republican Army (IRA) and the British Black and Tans.
Port of Desire (1958)
, 1h26Directed by Yves Allégret
Origin France
Genres Drama
Actors Hildegard Knef, Daniel Gélin, Jean Lefebvre, Daniel Sorano, Günther Jerschke
Roles Producer
Rating62%
Pierre, un marin français, est de retour à Hambourg où il avait passé trois ans comme prisonnier de guerre. En bordée en ville avec deux amis, il est obsédé par l'idée de retrouver Maria, une femme dont il était amoureux en 1943. C'est dans une boite de nuit qu'il se trouve soudain face à elle.
High Noon (1952)
, 1h25Directed by Fred Zinnemann
Origin USA
Genres Drama, Thriller, Action, Western
Themes Films about religion
Actors Gary Cooper, Grace Kelly, Katy Jurado, Eve McVeagh, Thomas Mitchell, Lloyd Bridges
Roles Associate Producer
Rating78%
Will Kane (Gary Cooper), the longtime marshal of Hadleyville, New Mexico Territory, has just married pacifist Quaker Amy Fowler (Grace Kelly) and turned in his badge. He intends to become a storekeeper elsewhere. Suddenly, the town learns that Frank Miller (Ian MacDonald), a criminal whom Kane brought to justice, is due to arrive on the noon train.
Death of a Salesman (1951)
, 1h55Directed by László Benedek
Origin USA
Genres Drama
Themes Théâtre, Films based on plays
Actors Fredric March, Mildred Dunnock, Kevin McCarthy, Cameron Mitchell, Howard Smith, Jesse White
Roles Associate Producer
Rating71%
Willy Loman has led a life consisting of sixty years of failure. Loman's wife supports him, but he soon begins to lose his grip on reality and slips between the past and the present, frantically trying to find where he went wrong.
The Men (1950)
, 1h25Directed by Fred Zinnemann
Origin USA
Genres Drama, War, Romance
Themes Medical-themed films, Films about disabilities
Actors Marlon Brando, Teresa Wright, Everett Sloane, Jack Webb, Richard Erdman, Dorothy Tree
Roles Associate Producer
Rating70%
Ken is a young infantry lieutenant who leads his platoon through an embattled European town, and advances into an open square and a shot rings out. He is hit in the lower back and in an instant a robust young man is made paraplegic for the rest of his life. In the hospital, Ken is a sullen and resentful patient, and in feeling sorry for himself he finds no sympathy from his fellow paraplegics, including Norm, a bitter and caustic man, and Leo, a happy go lucky patient who smokes cigars and bets on horses. Ken's reluctance to respond to treatment begins to diminish through the persistence of his fiancée, Ellen, who refuses to give up, despite his wish that she do so. With the support too, of Brock, a sympathetic doctor, Ken begins to tackle the program of adjustment. He decides to go through with the wedding, determined to take the vows standing up at the altar. The wedding night however is painful for him and he returns to the hospital. Later, he is involved in a drunk driving accident and is disciplined by his fellow patients. Eventually Ken comes to appreciate that he has responsibilities, especially to his wife, who is also faced with the problems of being married to a paraplegic, a course she has accepted with full knowledge and considerable courage.
Cyrano de Bergerac (1950)
, 1h52Directed by Michael Gordon
Origin USA
Genres Drama, Comedy-drama, Swashbuckler, Adventure, Historical, Romance
Themes Théâtre, Films based on plays
Actors José Ferrer, Mala Powers, William Prince, Don Beddoe, Morris Carnovsky, Lloyd Corrigan
Roles Associate Producer
Rating73%
In seventeenth century Paris, poet and supreme swordsman Cyrano de Bergerac (José Ferrer) stops a play from being shown because he cannot stand the bombastic style of the principal actor, Montfleury (Arthur Blake). An annoyed aristocratic fop, the Vicomte de Valvert (Albert Cavens), provokes him into a duel by tritely insulting Cyrano's enormous nose. Cyrano first mocks his lack of wit, improvising numerous inventive ways in which Valvert could have phrased it (much to the amusement of the audience). He then composes a ballade for the occasion on the spot and recites it during the swordfight. With the last line, he stabs his opponent.