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María Galiana is a Actor Espagnol born on 31 may 1935 at Seville (Espagne)
María Galiana Medina (born 31 May 1935) is a Spanish actress. She won the 1999 Goya Award for Best Supporting Actress for her portrayal of the mother in Solas.
Source : Wikidata
María Galiana
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Filmography of María Galiana (7 films)
Actress
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Tapas (2006)
Genres Drama, Comedy, Comedy-drama
Actors María Galiana, Elvira Mínguez, Rubén Ochandiano, Alberto de Mendoza
Roles Doña Conchi
Rating66%
The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.
Roma (2004)
, 2h35Directed by Adolfo Aristarain
Genres Drama, Historical, Romance
Actors José Sacristán, Susú Pecoraro, Marcela Kloosterboer, María Galiana, Jane Darwell, Henry Fonda
Roles Portera
Rating73%
Young journalist Manuel Cueto (Juan Diego Botto) is sent by his publisher boss to help solitary novelist Joaquín Góñez (José Sacristán) finish his long-overdue last book.
Alone (1999)
, 1h41Directed by Benito Zambrano
Origin Espagne
Genres Drama
Actors María Galiana, Ana Fernández, Paco Tous, José Manuel Seda
Roles Madre
Rating74%
Freedomfighters (1996)
, 2h2Directed by Vicente Aranda
Origin Espagne
Genres Drama, War, Historical
Themes Films about anarchism, Politique, Documentary films about politics, Documentary films about anarchism, Political films
Actors Ana Belén, Victoria Abril, Ariadna Gil, Miguel Bosé, Jorge Sanz, José Sancho or Pepe Sancho
Roles Superiora
Rating68%
The movie is set in 1936 in Barcelona in the midst of the Spanish Revolution and Spanish Civil War. Militia women Pilar (Ana Belen) and Floren (Victoria Abril) are joined by former prostitute Charo (Loles Leon) and former nun Maria (Ariadna Gil). The film opens with scenes of working class militants demolishing and burning religious icons, as they shout "down with Capitalism!" and "long live the libertarian revolution!"
The Lame Pigeon (1995)
, 1h54Directed by Jaime de Armiñán
Genres Drama, Comedy
Themes Films about sexuality, LGBT-related films, LGBT-related films, LGBT-related film
Actors María Barranco, Francisco Rabal, Carmen Maura, Miguel Ángel Muñoz, Ana Torrent, María Galiana
Roles the grandmother
Rating54%
In 1958, Felipe, a ten year old boy, is sent by his mother to spend the summer with his maternal relatives in Sanlúcar de Barrameda while he recuperates his frail health. His grandparents are wealthy and live in a vast residence that serves as the center that reunites a large family and many visitors. The house is dominated by the frequent howls of the boy's ancient great-grandmother, who is senile and is taken care by Adoración, a strict nurse, who endures the old woman's endlessly repeated recollection of the four bandoleros who killed each other for her love.
King of the River (1995)
, 1h43Directed by Manuel Gutiérrez Aragón
Genres Drama
Actors Alfredo Landa, Carmen Maura, Ana Álvarez, Achero Mañas, Sílvia Munt, Silvia Munt
Roles Cocinera
Rating58%
Belle Époque (1992)
, 1h48Directed by Fernando Trueba
Origin Espagne
Genres Drama, Comedy, Comedy-drama, Romance
Themes Political films
Actors Jorge Sanz, Penélope Cruz, Fernando Fernán Gómez, Michel Galabru, Ariadna Gil, Miriam Díaz-Aroca
Roles La Polonia
Rating70%
The year is 1931. Spain is politically divided between Republicans and Traditionalists and on the verge of the Spanish Second Republic. Fernando, a young soldier, deserts. He befriends Manolo (Fernando Fernán Gómez), an old man with a large house in the country. Fernando meets and is enchanted by Manolo's four daughters. As he meets each of the first three one by one, he falls in love and has sex with each of them, determining to marry but with each one a complication arises: Clara (Miriam Díaz-Aroca), a widow who only recently lost her husband and who seeks solace with Fernando; Violeta (Ariadna Gil), a lesbian who is only attracted to Fernando when he is dressed as a woman for a costume ball and Rocío (Maribel Verdú), a social climber who is about to marry into a royalist family for the security it would provide and who only momentarily succumbs to Fernando's charms. Heartbroken each time, the father of the girls encourages him to have patience. Each of the daughters is beautiful and represents a different aspect of feminine sexuality. The youngest of the family, Luz (Penélope Cruz), represents naïveté. While Fernando is pursuing her sisters, Luz gets progressively angry and jealous but eventually Fernando realizes that she is the best one of the four to marry.