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Marik Vos-Lundh is a Production Design and Costume Design Suédoise born on 3 june 1923 at Saint Petersburg (Russie)

Marik Vos-Lundh

Marik Vos-Lundh
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Birth name Marie-Anne Ericsson
Nationality Suede
Birth 3 june 1923 at Saint Petersburg (Russie)
Death 13 july 1994 (at 71 years) at Gotland (Suede)

Marik Vos-Lundh (June 3, 1923 - July 13, 1994) was a Swedish costume designer and production designer who won the Academy Award for Costume Design in 1983 for Fanny & Alexander.

Biography

Durant sa carrière, Marik Vos-Lundh (des noms de ses deux maris successifs) est très active au théâtre dramatique royal de Stockholm (Kungliga Dramatiska Teatern en suédois, abrégé Dramaten), où sa première pièce — comme costumière — est La Maison de Bernarda Alba de Federico García Lorca, mise en scène par Alf Sjöberg (1947, avec Mai Zetterling et Mimi Pollak).

Parmi ses nombreuses autres pièces au Dramaten, citons Antoine et Cléopâtre de William Shakespeare (costumière, 1952, avec Inga Tidblad, Jarl Kulle et Allan Edwall), Ornifle ou le Courant d'air de Jean Anouilh, mise en scène par Mimi Pollak (costumière et décoratrice, 1956, avec Mona Malm), La Mouette d'Anton Tchekhov, mise en scène par Ingmar Bergman (costumière et décoratrice, 1961, avec Eva Dahlbeck, Christina Schollin et Ulf Palme), Le Canard sauvage d'Henrik Ibsen, également mise en scène par Bergman (décoratrice, 1972, avec Max von Sydow, Erland Josephson et Harriet Andersson), ainsi que Les Corbeaux d'Henry Becque, mise en scène par Alf Sjöberg (décoratrice, 1978, avec Allan Edwall et Gunn Wållgren).

Sa dernière pièce au Dramaten — comme décoratrice — est Le Songe d'August Strindberg (1986, avec Lena Olin), à nouveau aux côtés du metteur en scène Ingmar Bergman.

Au cinéma, elle collabore avec ce réalisateur sur cinq films, le premier étant La Source (costumière, 1960, avec Gunnel Lindblom et Max von Sydow). Le cinquième, ultime réalisation de Bergman pour le grand écran, est Fanny et Alexandre (costumière, 1982, avec Erland Josephson et Gunn Wållgren).

Trois de ces films valent à Marik Vos-Lundh autant de nominations à l'Oscar de la meilleure création de costumes, dont un gagné en 1984 pour Fanny et Alexandre (film qui lui vaut de surcroît une nomination au British Academy Film Award des meilleurs costumes).

Et notons qu'une de ses pièces au Dramaten, Hughie d'Eugene O'Neill (décoratrice, 1958, avec Allan Edwall), fait l'objet d'une diffusion téléfilmée la même année.

Best films

Fanny and Alexander (1982)
(Costume Designer)
Cries and Whispers (1972)
(Production Design)

Usually with

Sven Nykvist
Sven Nykvist
(5 films)
Ingrid Thulin
Ingrid Thulin
(3 films)
Allan Edwall
Allan Edwall
(3 films)
Source : Wikidata

Filmography of Marik Vos-Lundh (5 films)

Display filmography as list

Art

Cries and Whispers, 1h31
Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Roles Production Design
Rating78% 3.9495253.9495253.9495253.9495253.949525
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.
Hour of the Wolf, 1h30
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Horror
Themes Films about sexuality, LGBT-related films, LGBT-related film
Actors Max von Sydow, Liv Ullmann, Georg Rydeberg, Gertrud Fridh, Erland Josephson, Ingrid Thulin
Roles Production Design
Rating74% 3.7483853.7483853.7483853.7483853.748385
During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot.

Costume and makup

Fanny and Alexander, 3h8
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Films about children, Films about families, Christmas films, Films about religion, Films about Jews and Judaism
Actors Börje Ahlstedt, Anna Bergman, Lena Olin, Harriet Andersson, Gunn Wållgren, Bertil Guve
Roles Costume Designer
Rating80% 4.047934.047934.047934.047934.04793
The story is set during 1907–09 (with an epilogue in 1910), in the Swedish town of Uppsala where Alexander (Bertil Guve), his sister Fanny (Pernilla Allwin) and their well-to-do family, the Ekdahls, live. The siblings' parents are both involved in theater and are happily married until their father, Oscar (Allan Edwall), suddenly dies from a stroke. Shortly thereafter, their mother, Emilie (Ewa Fröling), marries Edvard Vergérus (Jan Malmsjö), the local bishop and a widower, and moves into his ascetic home where he lives with his mother, sister, aunt and maids.
Cries and Whispers, 1h31
Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Roles Costume Design
Rating78% 3.9495253.9495253.9495253.9495253.949525
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.
The Silence, 1h36
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Romance
Themes Monde imaginaire
Actors Ingrid Thulin, Gunnel Lindblom, Birger Malmsten
Roles Costume Design
Rating76% 3.8476753.8476753.8476753.8476753.847675
Two emotionally estranged sisters, Ester (Ingrid Thulin) and Anna (Gunnel Lindblom), and Anna's son, Johan (Jörgen Lindström), a boy of 10, are on a night train journey back home. Ester, the older sister and a literary translator, is seriously ill. Anna coldly assists her, seemingly resenting the burden. They decide to interrupt the journey in the next town called "Timoka", settled in a fictitious Central European country with an incomprehensible language and on the brink of war.
The Virgin Spring, 1h29
Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Fantasy, Horror, Historical, Crime
Themes Seafaring films, Films based on mythology, Films about sexuality, Transport films, Rape in fiction, Erotic films, Films set in the Viking Age, Rape and revenge films, Films based on Norse mythology, Auto-justice
Actors Max von Sydow, Birgitta Valberg, Gunnel Lindblom, Birgitta Pettersson, Axel Düberg, Allan Edwall
Roles Costume Design
Rating79% 3.9975953.9975953.9975953.9975953.997595
The Virgin Spring tells the story, set in the late medieval Sweden, of a prosperous Christian whose daughter, Karin (Birgitta Pettersson), is appointed to take candles to the church. Karin is accompanied by her pregnant servant Ingeri (Gunnel Lindblom), who secretly worships the Norse deity Odin. Along their way through the forest on horseback, Ingeri becomes frightened when they come to a stream-side mill and the two part and Karin sets out on her own.