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Mojtaba Mirtahmasb is a Actor and Director Iranien born on 1971 at Kerman (Iran)
Mojtaba Mirtahmasb (Persian: مجتبی میرطهماسب ; born in 1971 in Kerman, Iran) is an Iranian filmmaker and film producer. He is most famous for co-directing the illegal 2011 film This Is Not a Film with Jafar Panahi.
Entre 1996 et 1997, il publie une série de 9 documentaires cofinancés par la chaîne de télévision iranienne sur « l'art islamique et la culture matérielle du chiisme iranien », où il traite dans un but de transmission aux jeunes générations des sujets tels que les bannières, le travail du calicot, l'art du vitrage et des émaux, le travail à base de miroirs dans l'architecture islamique, la sculpture sur chaux, le carrelage islamique, la gravure du métal, les travaux d'aiguille islamique et le travail du cuivre.
En 1997, lors de son service militaire, il réalise trois clips sur « la guerre et ses martyrs », qui lui valent plusieurs prix nationaux.
À partir de 1998, ses films s'orientent vers des sujets plus sociologiques, traitant de l'art, de la jeunesse et des femmes.
Source : Wikidata
Mojtaba Mirtahmasb
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Biography
Mojtaba Mirtahmasb effectue ses études supérieures lors des années 1992 à 1995 à l'Université des arts « Mojtame’-e Daneshgahiyeh Honar » à Téhéran, où il obtient un Bachelor of Arts dans le domaine des arts visuels et de l'artisanat, avec une préférence pour le cinéma et la photographie.Entre 1996 et 1997, il publie une série de 9 documentaires cofinancés par la chaîne de télévision iranienne sur « l'art islamique et la culture matérielle du chiisme iranien », où il traite dans un but de transmission aux jeunes générations des sujets tels que les bannières, le travail du calicot, l'art du vitrage et des émaux, le travail à base de miroirs dans l'architecture islamique, la sculpture sur chaux, le carrelage islamique, la gravure du métal, les travaux d'aiguille islamique et le travail du cuivre.
En 1997, lors de son service militaire, il réalise trois clips sur « la guerre et ses martyrs », qui lui valent plusieurs prix nationaux.
À partir de 1998, ses films s'orientent vers des sujets plus sociologiques, traitant de l'art, de la jeunesse et des femmes.
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Filmography of Mojtaba Mirtahmasb (1 films)
Actor
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This Is Not a Film (2011)
, 1h15Directed by Jafar Panahi, Mojtaba Mirtahmasb
Origin Iran
Genres Documentary
Themes Films about films, Documentary films about law, Documentaire sur une personnalité
Actors Jafar Panahi, Mojtaba Mirtahmasb
Roles lui-même
Rating73%
Panahi is under house arrest, awaiting the result of his appeal of a six-year prison sentence and twenty-year ban on film-making, leaving the country or giving media interviews for "propaganda against the regime". Bored and desperate that this verdict may mean his artistic death, he starts documenting his life. He begins filming himself in his apartment, then calls his friend and collaborator, Mirtahmasb, who arrives at the apartment and takes over the camera. Banned from film making and determined to save at least some of his artistic visions, Panahi reads some of the scenario from the movie he was planning to make. Upon hearing fireworks marking the ancient Iranian festival Chaharshanbe Suri that precedes the Persian new year, Nouruz, and other suspicious noises resembling gunshots, he gets scared and quickly stops this project. He turns on the TV to hear the news. We see news about the tsunami in Japan and later it is announced that Iran's president has banned any fireworks and bonfires that used to mark Chaharshanbe Suri.
Director
This Is Not a Film (2011)
, 1h15Directed by Jafar Panahi, Mojtaba Mirtahmasb
Origin Iran
Genres Documentary
Themes Films about films, Documentary films about law, Documentaire sur une personnalité
Actors Jafar Panahi, Mojtaba Mirtahmasb
Rating73%
Panahi is under house arrest, awaiting the result of his appeal of a six-year prison sentence and twenty-year ban on film-making, leaving the country or giving media interviews for "propaganda against the regime". Bored and desperate that this verdict may mean his artistic death, he starts documenting his life. He begins filming himself in his apartment, then calls his friend and collaborator, Mirtahmasb, who arrives at the apartment and takes over the camera. Banned from film making and determined to save at least some of his artistic visions, Panahi reads some of the scenario from the movie he was planning to make. Upon hearing fireworks marking the ancient Iranian festival Chaharshanbe Suri that precedes the Persian new year, Nouruz, and other suspicious noises resembling gunshots, he gets scared and quickly stops this project. He turns on the TV to hear the news. We see news about the tsunami in Japan and later it is announced that Iran's president has banned any fireworks and bonfires that used to mark Chaharshanbe Suri.