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Paul Groesse is a Art Direction American born on 28 february 1906 at Austria-Hungary

Paul Groesse

Paul Groesse
Paul Groesse participated to 37 films (as actor, director or script writer).
Among those, 7 have good markets following the box office.

Here are the best films classified by number of entries :

Art

In the Heat of the Night, 1h49
Directed by Norman Jewison
Origin USA
Genres Drama, Thriller, Crime
Themes Films about racism
Actors Sidney Poitier, Rod Steiger, Warren Oates, Lee Grant, James Patterson, William Schallert
Roles Art Direction
Rating78% 3.947953.947953.947953.947953.94795
Mr. Colbert, a wealthy man from Chicago who was planning to build a factory in Sparta, Mississippi, is found murdered. White police Chief Bill Gillespie (Rod Steiger) comes under pressure to quickly find his killer. African-American northerner Virgil Tibbs (Sidney Poitier), passing through town, is picked up at the train station between trains with a substantial amount of cash in his wallet. Gillespie, prejudiced against blacks, jumps to the conclusion that he has his culprit but is embarrassed to learn that Tibbs is an experienced Philadelphia homicide detective who is simply passing through town after visiting his mother. After the racist treatment that he receives, Tibbs wants nothing more than to leave as quickly as possible, but his own chief, after questioning whether Tibbs himself is prejudiced, has him stay and help. Leslie Colbert (Lee Grant), the victim's widow, already frustrated by the ineptitude of the local police, is impressed by Tibbs's expertise when he clears another wrongly accused suspect whom Gillespie has arrested on circumstantial evidence. She threatens to stop construction on the much needed factory unless Tibbs leads the investigation. Unwilling to accept help, but under orders from the town's mayor, Gillespie talks a reluctant Tibbs into working on the case.
King Solomon's Mines, 1h43
Directed by Andrew Marton, Compton Bennett
Origin USA
Genres Action, Adventure, Romance
Themes Films set in Africa
Actors Deborah Kerr, Stewart Granger, Richard Carlson, Lowell Gilmore, Hugo Haas, John Banner
Roles Art Direction
Rating67% 3.3968153.3968153.3968153.3968153.396815
Allan Quatermain (Stewart Granger), an experienced hunter and guide, reluctantly agrees to help Elizabeth Curtis (Deborah Kerr) and her brother John Goode (Richard Carlson) search for her husband, who disappeared in the unexplored African interior while searching for the legendary mines. They have a copy of the map he used. A tall, mysterious native, Umbopa (Siriaque), joins the safari. Quartermain has no use for women on a safari, but during the long and grueling journey, they begin falling in love.
Annie Get Your Gun, 1h47
Directed by Busby Berkeley, George Sidney, Charles Walters, John Waters
Origin USA
Genres Comedy, Musical theatre, Action, Musical, Romance, Western
Themes Circus films, Films about music and musicians, Théâtre, Musical films, Films based on plays, Films based on musicals
Actors Betty Hutton, Howard Keel, Benay Venuta, Louis Calhern, Edward Arnold, Keenan Wynn
Roles Art Direction
Rating68% 3.4473553.4473553.4473553.4473553.447355
Annie Oakley (Betty Hutton), jeune fille extrêmement douée avec sa carabine est remarqué par Buffalo Bill (Louis Calhern) et intègre le Wild West Show. Pour le spectacle elle est confrontée à Frank E. Butler (Howard Keel), la star du tir à qui elle vole rapidement la vedette. Malgré la rivalité professionnelle, une histoire d'amour naît entre les deux tireurs.
The Yearling, 2h8
Directed by Clarence Brown
Origin USA
Genres Drama, Western
Themes Films about animals, Films about families, Children's films
Actors Gregory Peck, Jane Wyman, Claude Jarman Jr., Henry Travers, Clem Bevans, Margaret Wycherly
Roles Art Direction
Rating71% 3.594053.594053.594053.594053.59405
Ezra "Penny" Baxter (Gregory Peck), once a Confederate soldier, and his wife Ora (Jane Wyman), are pioneer farmers near Lake George, Florida in 1878. Their son, Jody (Claude Jarman, Jr.), a boy in his pre-teen years, is their only surviving child. Jody has a wonderful relationship with his warm and loving father. Ora, however, is still haunted by the deaths of the three other children of the family. She is very somber, and is afraid that Jody will end up dying if she shows her parental love to him. Jody finds her somewhat unloving and unreasonable.
Little Women, 2h1
Directed by Mervyn LeRoy
Origin USA
Genres Drama, Comedy-drama, Romance
Themes Films about writers, Films about families, Political films, Children's films
Actors Elizabeth Taylor, June Allyson, Janet Leigh, Margaret O'Brien, Mary Astor, Peter Lawford
Roles Art Direction
Rating72% 3.601023.601023.601023.601023.60102
In the small town of Concord, Massachusetts, during the Civil War, the March sisters — Meg (Janet Leigh), Jo (June Allyson), Amy (Elizabeth Taylor) and Beth (Margaret O'Brien) — live with their mother in a state of genteel poverty, their father having lost the family's fortune to an unscrupulous businessman several years earlier. While Mr. March (Leon Ames) serves in the Union Army, Mrs. March (Mary Astor), affectionately referred to as "Marmee" by her daughters, holds the family together and teaches the girls the importance of giving to those less fortunate than themselves, especially during the upcoming Christmas season. Though the spoiled and vain Amy often bemoans the family's lack of material wealth and social status, Jo, an aspiring writer, keeps everyone entertained with her stories and plays, while the youngest March, the shy and sensitive Beth, accompanies Jo's productions on an out-of-tune piano.
Lili
Lili (1953)
, 1h21
Directed by Charles Walters
Origin USA
Genres Drama, Comedy-drama, Musical, Romance
Themes Circus films, Films about children, Films about music and musicians, Musical films
Actors Leslie Caron, Mel Ferrer, Jean-Pierre Aumont, Zsa Zsa Gabor, Kurt Kasznar, Amanda Blake
Roles Art Direction
Rating72% 3.6438653.6438653.6438653.6438653.643865
Naive country girl Lili (Leslie Caron) arrives in a provincial town in hopes of locating an old friend of her late father's, only to find that he has died. A local shopkeeper offers her employment, then tries to take advantage of her. She is rescued by a handsome, smooth-talking, womanizing carnival magician, Marc, whose stage name is Marcus the Magnificent (Jean-Pierre Aumont). Lili is infatuated with him and follows him to the carnival where, on learning that she is 16, he helps her get a job as waitress. Lili is fired on her first night when she spends her time watching the magic act instead of waiting tables. When Lili consults the magician for advice, he tells her to go back to where she came from. Homeless and heartbroken, she contemplates suicide, unaware that she is being watched by the carnival's puppeteer Paul (Mel Ferrer). He strikes up a conversation with her through his puppets — a brash red-haired boy named Carrot Top, a sly fox, Reynardo, a vain ballerina, Marguerite, and a cowardly giant, Golo. Soon a large group of carnival workers is enthralled watching Lili's interaction with the puppets, as she is seemingly unaware that there is a puppeteer behind the curtain. Afterwards, Paul and his partner Jacquot (Kurt Kasznar) offer Lili a job in the act, talking with the puppets. She accepts, and her natural manner of interacting with the puppets becomes the most valuable part of the act.
Pride and Prejudice, 1h57
Directed by Robert Z. Leonard
Origin USA
Genres Drama, Romantic comedy, Romance
Themes Films about families, Théâtre, Films based on plays
Actors Greer Garson, Laurence Olivier, Maureen O'Sullivan, Edna May Oliver, Mary Boland, Edmund Gwenn
Roles Assistant Art Director
Rating73% 3.6952553.6952553.6952553.6952553.695255
Mrs. Bennet (Mary Boland) and her two eldest daughters, Jane (Maureen O'Sullivan) and Elizabeth (Greer Garson), are shopping for new dresses when they see two gentlemen and a lady alight from a very expensive carriage outside. They learn that the men are Mr. Bingley (Bruce Lester), who has just rented the local estate of Netherfield, and Mr. Darcy (Laurence Olivier), both wealthy, eligible bachelors, which excites Mrs. Bennet. Collecting her other daughters, Mrs Bennet returns home, where she tries to make Mr. Bennet see Mr. Bingley, but he refuses, having already made his acquaintance.