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Perdigão Queiroga is a Camera Operator and Cinematography Portugais born on 12 june 1916 at Évora (Portugal)

Perdigão Queiroga

Perdigão Queiroga
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Nationality Portugal
Birth 12 june 1916 at Évora (Portugal)
Death 8 may 1980 (at 63 years) at Alcoentre (Portugal)

José Manuel Nobre Perdigão Queiroga, né à Évora le 12 juin 1916 et mort à Azambuja le 8 mai 1980, est un cinéaste portugais.

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Source : Wikidata

Filmography of Perdigão Queiroga (2 films)

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Cameraman

The Courtyard of the Ballads, 1h45
Directed by Ribeirinho
Genres Comedy, Musical theatre, Musical
Actors Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Roles Camera Operator
Rating77% 3.899453.899453.899453.899453.89945
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.

Team

The Tyrannical Father, 1h54
Directed by António Lopes Ribeiro
Genres Comedy, Romance
Actors Ribeirinho, Leonor Maia, Arthur Duarte
Roles Cinematography
Rating77% 3.8832053.8832053.8832053.8832053.883205
Francisco Mega (Ribeirinho), a clerk at the then leading department stores of Lisbon, "Grandes Armazéns do Grandella", is in love with Tatão (Leonor Maia), who works in front at "Perfumaria da Moda". Tatão, however, is a cinephile who largely ignores him, whereas Francisco is also an amateur theatre player; so his amateur theatre company, the Grandellinhas, uses its rehearsals of the play O Pai Tirano (ou O Último dos Almeidas) to present Francisco as a son who split from his tyrant father for love, and woo Tatão.