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Ribeirinho is a Actor, Director and Scriptwriter Portugais born on 21 september 1911 at Lisbon (Portugal)
Ribeirinho, stage name of Francisco Carlos Lopes Ribeiro (Lisbon, 21 September 1911 – Lisbon, 7 February 1984) was a Portuguese actor and director.
He started his career in theatre in 1929, and kept the connection all his life, both as an actor and as a manager. However, he is best known today for his comic roles in several films of the 1930s and 1940s, namely O Pai Tirano (The Tyrant Father, 1941) and O Pátio das Cantigas (Songs' Yard or Courtyard of Songs, 1942), which he also directed.
Son of Manuel Henrique Correia da Silva Ribeiro and wife Ester da Nazaré Lopes, he was the younger brother of António Lopes Ribeiro, one of the most famous directors of the Golden Age of Portuguese cinema, who directed him in several films.
He married actress Maria Adelaide da Silva Lalande (Castelo Branco, Salgueiro do Campo, 7 November 1913 - Lisbon, 21 March 1968), daughter of José Inocêncio Lalande (born Castelo Branco, Salgueiro do Campo) and Virgínia Carma da Silva (born Vila Franca de Xira, Vila Franca de Xira), and had an only daughter, Maria Manuel Lalande Lopes Ribeiro. His wife had a natural daughter by Clotário Luís Ribeiro Supico Pinto (1909–1986, son of Liberato Damião Ribeiro Pinto and Maria Augusta Supico).
Source : Wikidata
Ribeirinho
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Birth name Francisco Carlos Lopes Ribeiro
Nationality Portugal
Birth 21 september 1911 at Lisbon (Portugal)
Death 7 february 1984 (at 72 years) at Lisbon (Portugal)
Nationality Portugal
Birth 21 september 1911 at Lisbon (Portugal)
Death 7 february 1984 (at 72 years) at Lisbon (Portugal)
He started his career in theatre in 1929, and kept the connection all his life, both as an actor and as a manager. However, he is best known today for his comic roles in several films of the 1930s and 1940s, namely O Pai Tirano (The Tyrant Father, 1941) and O Pátio das Cantigas (Songs' Yard or Courtyard of Songs, 1942), which he also directed.
Son of Manuel Henrique Correia da Silva Ribeiro and wife Ester da Nazaré Lopes, he was the younger brother of António Lopes Ribeiro, one of the most famous directors of the Golden Age of Portuguese cinema, who directed him in several films.
He married actress Maria Adelaide da Silva Lalande (Castelo Branco, Salgueiro do Campo, 7 November 1913 - Lisbon, 21 March 1968), daughter of José Inocêncio Lalande (born Castelo Branco, Salgueiro do Campo) and Virgínia Carma da Silva (born Vila Franca de Xira, Vila Franca de Xira), and had an only daughter, Maria Manuel Lalande Lopes Ribeiro. His wife had a natural daughter by Clotário Luís Ribeiro Supico Pinto (1909–1986, son of Liberato Damião Ribeiro Pinto and Maria Augusta Supico).
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Filmography of Ribeirinho (4 films)
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Trilogy of Terror (1968)
, 1h41Directed by José Mojica Marins, Luis Sérgio Person
Origin Bresil
Genres Horror
Actors Ribeirinho, Lima Duarte
Roles Procession of the Dead
Rating60%
The Agreement (O Acordo) A mother becomes involved with black magic and offers a virgin woman to the devil in exchange for curing the illness of her only son. (40 minutes) Procession of Dead (A Procissão dos Mortos) A poor laborer is the only man in one village with courage to face a group of guerrilheiros ("guerrilla ghosts") that haunt the minds of the local villagers. (28 minutes) Macabre Nightmare (Pesadelo Macabro) A young man named Claudio (Mário Lima) is obsessed by fear of reptiles and spiders and the fear of being buried alive. When he undergoes a shocking event, he becomes unresponsive and is mistakenly buried, only to revive in the coffin after burial. His screams of terror from underground go unheard by the villagers (31 minutes)
A Menina da Rádio (1944)
Directed by Arthur Duarte
Origin Portugal
Genres Comedy, Musical, Romance
Themes Musical films
Actors Maria Matos, António Silva, Maria Eugénia, Ribeirinho
Roles Fortunato
Rating63%
The Courtyard of the Ballads (1942)
, 1h45Directed by Ribeirinho
Genres Comedy, Musical theatre, Musical
Actors Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Roles Rufino
Rating77%
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.
The Tyrannical Father (1941)
, 1h54Directed by António Lopes Ribeiro
Genres Comedy, Romance
Actors Ribeirinho, Leonor Maia, Arthur Duarte
Roles Francisco Mega (as Ribeirinho)
Rating77%
Francisco Mega (Ribeirinho), a clerk at the then leading department stores of Lisbon, "Grandes Armazéns do Grandella", is in love with Tatão (Leonor Maia), who works in front at "Perfumaria da Moda". Tatão, however, is a cinephile who largely ignores him, whereas Francisco is also an amateur theatre player; so his amateur theatre company, the Grandellinhas, uses its rehearsals of the play O Pai Tirano (ou O Último dos Almeidas) to present Francisco as a son who split from his tyrant father for love, and woo Tatão.
Director
The Courtyard of the Ballads (1942)
, 1h45Directed by Ribeirinho
Genres Comedy, Musical theatre, Musical
Actors Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Rating77%
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.
Scriptwriter
The Courtyard of the Ballads (1942)
, 1h45Directed by Ribeirinho
Genres Comedy, Musical theatre, Musical
Actors Antonio Vilar, António Silva, Ribeirinho, Carlos Otero
Roles Lyricist
Rating77%
In a typical Lisbon "pátio", or courtyard, by the Popular Saints festivals, a handful of plain people live their day-to-day, their dreams, disappointments, passions, jealousies and joys in an almost enchanted atmosphere. Alfredo is a good lad whose brother Carlos, flirts with frivolous Amália. Her sister, Suzana, is in turn in love with Alfredo. Narciso, Rufino's father and his partner in the neighbourhoods café, is a chronic drunkard and a guitar virtuoso. Rosa, a merry widow that sells flowers, is in turn courted by Narciso and by the unpleasant and arrogant Evaristo, the grocer, father to envious and spoiled Celeste. The rivalry between Narciso and Evaristo reaches its height in a dance night at the courtyard that ends in a veritable camp battle. At long last all is settled between the several loving couples and life goes on serenelly in the courtyard.
The Tyrannical Father (1941)
, 1h54Directed by António Lopes Ribeiro
Genres Comedy, Romance
Actors Ribeirinho, Leonor Maia, Arthur Duarte
Roles Dialogue
Rating77%
Francisco Mega (Ribeirinho), a clerk at the then leading department stores of Lisbon, "Grandes Armazéns do Grandella", is in love with Tatão (Leonor Maia), who works in front at "Perfumaria da Moda". Tatão, however, is a cinephile who largely ignores him, whereas Francisco is also an amateur theatre player; so his amateur theatre company, the Grandellinhas, uses its rehearsals of the play O Pai Tirano (ou O Último dos Almeidas) to present Francisco as a son who split from his tyrant father for love, and woo Tatão.