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Robert Fuest is a Actor, Director, Scriptwriter and Production Design British born on 30 september 1927 at London (United-kingdom)

Robert Fuest

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Nationality United-kingdom
Birth 30 september 1927 at London (United-kingdom)
Death 21 march 2012 (at 84 years) at London (United-kingdom)

Robert Fuest (30 September 1927 – 21 March 2012) was an English film director, screenwriter, and production designer who worked mostly in the horror, fantasy and suspense genres.

Born in London, he served a period of time in post-war Germany with the Royal Air Force in National Service air-lifting coal over the Berlin Wall, after which he attended Wimbledon and Hornsey Schools of Art. For a time he lectured at Southampton College of Art. Fuest also spent time as a drummer in a warm-up band for Chris Barber and George Melly.

In the early sixties he designed sets for a variety of different TV programmes including ITV Play of the Week and Armchair Theatre. It was whilst working on the first season of the new spy series The Avengers for director Peter Hammond that Fuest developed the directing bug. Fuest later admitted on a DVD commentary for The Avengers episode Game that Hammond's visual style proved a major influence and opened him up to all the stylistic possibilities of film and TV.

In 1965, he contributed material to the Peter Cook and Dudley Moore comedy sketch show Not Only... But Also.

His first film was Just Like a Woman made in 1967, starring Wendy Craig. Not only did he direct the film but he also wrote it. It was due to this film that he came to the attention of The Avengers producer Albert Fennell who offered him the chance to direct episodes. He would go on to direct seven episodes in total, including My Wildest Dream, Game, They Keep Killing Steed, The Rotters, Take Me to Your Leader, Pandora and Take Over. When the series was later revived as The New Avengers, Fuest was invited back to direct two more episode, namely The Midas Touch and The Tale of The Big Why.

Further television work involved saw Fuest handle productions on both sides of the Atlantic including Revenge of the Stepford Wives, ABC Weekend Special, ABC Afterschool Specials, The Doombolt Chase, C.A.T.S. Eyes and Worlds Beyond.

Fuest's most highly praised and popular films, which feature strong black comedy undertones, include perennial cult favorites The Abominable Dr. Phibes (1971), Dr. Phibes Rises Again (1972) (which he co-wrote), and The Final Programme (aka The Last Days of Man on Earth) (1973). As well as directing The Final Programme, he also wrote the screenplay and designed the impressive sets.

Other films include And Soon the Darkness (1970), a straightforward suspense thriller which received considerable critical acclaim but little commercial success written by Avengers writers Brian Clemens and Terry Nation, and The Devil's Rain (1975), a horror film shot in Mexico. The latter movie received such scathing reviews it may arguably have killed off his once promising career, as Fuest immediately thereafter found himself relegated to directing fairly anonymous television work. His only subsequent theatrical release was Aphrodite (1982), a softcore sex movie filmed in Greece.

During his retirement years, he focused on his passion for painting (He had exhibited at the Royal Academy since 1951) and also lectured at the London International Film School.