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Usha Kiran is a Actor Indian born on 22 april 1929
Usha Kiran (22 April 1929 – 9 March 2000) was a Hindi and Marathi film actress. In a career spanning over four decades she acted in over 50 Hindi and Marathi films, notably Daag (1952), Patita (1953), Baadbaan (1954), Chupke Chupke (1975), Mili (1975) and Bawarchi (1972). She was also the Sheriff of Mumbai during 1996–97.
Source : Wikidata
Usha Kiran
Nationality Inde
Birth 22 april 1929
Death 9 march 2000 (at 70 years) at Nashik (Inde)
Awards Filmfare Awards
Birth 22 april 1929
Death 9 march 2000 (at 70 years) at Nashik (Inde)
Awards Filmfare Awards
Biography
Her father's name was Balkrishna Vishnu Marathe and mother's name was Radha. She was second amongst 5 daughters. She was married to Dr. Manohar Kher, who was Dean of LTMMG (Sion) hospital, Mumbai, and very good bridge player. Her son Adwait Kher was a former model, now settled in Nashik with his wife Uttara Mhatre Kher, a Miss World representative after the Femina Miss India 1982, and two daughter, Saunskruti Kher and Saiyami Kher. Her daughter, Tanvi Azmi is a well known television and film actress, married to cinematographer, Baba Azmi, brother of Shabana Azmi, thus connected with the The_Akhtar-Azmi_family.Usually with
Filmography of Usha Kiran (17 films)
Actress
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Bahurani (1989)
Genres Drama
Actors Rekha, Rakesh Bedi, Utpal Dutt, Aruna Irani, Deven Varma, Rakesh Roshan
Roles Laxmi Chaudhary
Rating62%
Amit (Rakesh Roshan) was a modern guy, raised in Bombay (present day Mumbai) and educated in USA. He wants to marry a compatible woman who was educated and could share his views. To contrary his parents fix his marriage with a beautiful, intelligent and traditional village girl Madhuri (Rekha). Amit tries to reject but his father (Utpal Dutt)adamantly demands that he should marry Madhuri or leave the house. Having no choice, Amit waits for an opportunity.
Samraat (1982)
Genres Adventure, Romance
Actors Dharmendra, Jeetendra, Dr. Shriram Lagoo, Hema Malini, Shashikala, Zeenat Aman
Roles Mrs. Chawla
Rating60%
Chupke Chupke (1975)
, 2h7Directed by Hrishikesh Mukherjee
Genres Drama, Comedy, Romance
Actors Dharmendra, Sharmila Tagore, Amitabh Bachchan, Jaya Bachchan, Om Prakash, Asrani
Roles Sumitra Sharma
Rating82%
Professor Parimal Tripathi (Dharmendra) is a botany professor who falls in love with Sulekha Chaturvedi (Sharmila Tagore) during a women's college botany excursion. Prof. Parimal Tripathi helps the bungalow watchman to get to his village downhill to enable him to see his grandson who's fallen ill. Meanwhile he disguises himself as the bungalow watchman to protect the old man's job. Sulekha finds out one day about the cover-up and is charmed on seeing Parimal's real personality. They both get married. Parimal loves playing pranks and is the antithesis of regular professors. Sulekha, on the other hand is in awe of her jijaji (brother-in-law) Raghavendra (Om Prakash). She considers her jijaji to be highly intellectual and looks upon him as her idol. Parimal develops an inferiority complex thanks to Sulekha's excessive praise of her jijaji and decides to prove that he is in no way a lesser mortal. Jijaji, meanwhile, has written a letter to Haripad bhaiyya (David Abraham Cheulkar) asking him to send a driver who can speak good Hindi because his present driver James D'costa (Keshto Mukherjee) uses improper grammar. This provides the perfect opportunity for Parimal to get to see and interact with jijaji. Parimal becomes Pyaremohan Ilahabadi, a motor-mouth driver who pretends to hate the English language and so speaks only Hindi. So begins the comedy of errors, as Parimal and Sulekha play prank after prank on the unsuspecting jijaji.
Mili (1975)
, 2h4Directed by Hrishikesh Mukherjee
Genres Drama, Romance
Actors Ashok Kumar, Amitabh Bachchan, Jaya Bachchan, Asrani, Aruna Irani, Usha Kiran
Roles Sharda Khanna
Rating73%
Mili (Jaya Bhaduri) is a story about a girl who suffers from pernicious anemia, a disease considered untreatable during the period the film was produced. Her lively, inquisitive and cheerful demeanour spreads happiness in everyone's life. She becomes an inspiration to her new neighbour Shekhar (Amitabh Bachchan) who is a drunkard and always depressed. With her cheerful ways she changes Shekhar and he falls in love with her, unaware of her ailment. When he comes to know about it, he thinks of going away as he cannot bear to see her die. A reproach from a neighbour makes him reconsider his decision. As he loves the girl, he offers to marry her and take her abroad for her treatment. The film begins and ends with a scene of a jet aircraft taking off, ostensibly carrying the couple to Switzerland where they hope to find a cure.
Bawarchi (1972)
Directed by Hrishikesh Mukherjee
Genres Drama, Comedy, Musical theatre
Themes Films about families
Actors Rajesh Khanna, Jaya Bachchan, Asrani, Usha Kiran, A. K. Hangal, Durga Khote
Roles Shobha
Rating80%
The story is centered around the squabbling Sharma family, headed by their eccentric Daduji (Harindranath Chattopadhyay), which has a dubious reputation of the inability to retain a cook for more than a few months due to their ill treatment of their servants. The family's disrepute spreads to such an extent that no person wants to be employed as a cook in their home, ironically named Shanti Niwas (abode of peace).
Gehra Daag (1963)
Genres Drama, Crime, Romance
Actors Usha Kiran, Manmohan Krishna Chadha, Rajendra Kumar Tuli, Mumtaz, Lalita Pawar, Madan Puri
Rating74%
Kabuliwala (1961)
, 2h14Genres Drama
Actors Balraj Sahni, Usha Kiran, Asit Sen, Tarun Bose, Satyen Kappu, Asit Sen
Roles Rama, Mini's Mother
Rating79%
Abdur Rehman Khan (Balraj Sahni), a middle-aged dry fruit seller from Afghanistan, comes to Calcutta to hawk his merchandise and befriends a small Bengali girl called Mini (Sonu) who reminds him of his own daughter Amina back in Afghanistan. He puts up at a boarding house along with his countrymen. Since he is short of money he decides to sell his goods on credit for increasing his business. Later, when he goes to collect his money, one of his customers abuses him and in the fight that ensues Rehman warns that he will not tolerate abuse and stabs the man when he does not stop the abuse. In the court Rehman's lawyer tries to obfuscate the facts but in his characteristic and simple fashion Rehman states the truth in a matter of fact way. The judge, pleased with Rehman's honesty, gives him 10 years' rigorous imprisonment instead of the death sentence. On the day of his release, he goes to meet Mini but discovers that she has grown up into a woman and is about to get married. Mini does not recognize Rehman, who realises that his own daughter must have forgotten him too. Mini's father gives Rehman the money for travelling back to Afghanistan out of Mini's wedding budget to which Mini agrees; she also sends a gift for Rehman's daughter. The film ends with Rehman travelling back to his homeland.
Nazrana (1961)
, 2h10Directed by C. V. Sridhar
Actors Raj Kapoor, Vyjayanthimala, Usha Kiran, Gemini Ganesan, Agha, Achala Sachdev
Roles Geetha
Rating67%
Raj (Raj Kapoor) and Vasanti (Vyjayanthimala) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Usha Kiron), supports the family by stitching clothes. Raj rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for her the sake of her sister and convinces Raj to marry Geeta. Raj initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Raj relents and Geeta and he have a son. Vasanti joins them and Geeta suspects that there is something on between Raj and Vasanti and makes Vasanti leave the house. A few years later Geeta, having found out that Raj and Vasanti loved each other, dies in guilt leaving Raj alone to bring up their child making him promise that he will make Vasanti the child's mother. Raj learns of Vasanti's impanding marriage to her former boss (Gemini Ganesh). By the time he reaches there, Vasanti is already married. He hands over his child to Vasanti as a wedding gift and walks away.
Dil Bhi Tera Hum Bhi Tere (1960)
Actors Balraj Sahni, Dharmendra, Kumkum, Tun tun (Uma Devi Khatri), Mohan Choti, Usha Kiran
Rating67%
Panchu Kumtekar lives a near-destitute lifestyle in Bombay along with his school-going brother, Shiri. He makes a living as a con-man, gambling and picking pockets with the assistant of another poverty-stricken male, Choti. He has a friend in Ashok who sells Cavendar cigarettes on busy streets by wearing stilts. One day Ashok meets with a maidservant, Sonu Mangeshkar, and both fall in love with each. Shiri is unable to pay his fees and is expelled from school but a local prostitute, Prema, comes to his assistance, much to the initial displeasure of Panchu. But he does change his mind, accepts her help, they fall in love and get married. Ashok then gets employed as a boxer with Sonu's employer, starts earning enough money to support them all, and even moves into a 3 room apartment, while Panchu decides to go honest and finds work as a Peon. Then their lives are shattered when Sonu's Goa-based dad falls ill, she goes to visit him via a ship, which sinks, killing everyone on board; Ashok, depressed and devastated, decides not to box anymore; Panchu decides to back to stealing, unknowingly extorts money from the mother of Police Inspector Moti, is subsequently arrested, and jailed; Prema gets run over by a horse-carriage; Shiri takes to selling candy on trains, tries to escape from a ticket-checker and falls off a running train.
Mendi Rang Lagyo (1960)
, 2h31Genres Romance
Actors Usha Kiran, Rajendra Kumar Tuli, Jaya Bhattacharya, Upendra Trivedi
Roles Alka
Musafir (1957)
Directed by Hrishikesh Mukherjee
Genres Drama
Actors Dilip Kumar, Kishore Kumar, Suchitra Sen, Bipin Gupta, Durga Khote, Nirupa Roy
Roles Uma
Rating76%
For any young married couple, moving into their new house is a very special feeling. The feeling gets more special if the young couple has eloped and married. Something similar happened with Shakuntala (Suchitra Sen) and her husband. The landlord (David) helps the couple move to the rented house. The young couple moves to this house which incidentally is the main protagonist of the film. While Shakuntala makes the house into a beautiful home, her husband gets busy with work. She meets the neighboring tea vendor (Mohan Choti) and meets the next door auntie whose favourite pastime is to gossip about developments in others' homes. The couple experiences the sound of violin in the night and ask the tea-stall-owner about it in the morning, who tells that it is being played by a mad man-Pagla Babu.Since, the couple had eloped Shakuntala wanted that her parents-in-law accept her as their daughter-in-law. This is what happens and her in laws somehow search the young couple and they are more than happy to meet Shakuntala. Finally, Shakuntala and her husband go with them and vacate the house. In between Shakuntala grows some seeds in the garden.
Baadbaan (1954)
Directed by Phani Majumdar
Actors Dev Anand, Meena Kumari, Ashok Kumar, Usha Kiran, Mehmood Ali, Bipin Gupta
Rating62%
Patita (1953)
Directed by Amiya Chakravarty
Actors Dev Anand, Usha Kiran, Lalita Pawar, Agha
Rating79%
Radha (Usha Kiran) is a 19-year-old poor girl living in a one-room shanty with her handicapped and bed-ridden father Sadhu Ram (Krishnakant). She is reduced to begging for providing food for the two of them and is hounded almost daily by Bhiku Chacha (C.S.Dubey), the right hand man of their shanty's owner Manohar (Shivraj), who is a rich and unscrupulous businessman as they owe almost one hundred and fifty rupees in rent for over a year to him.One day whilst begging she meets the young and charming Nirmal Chander (Dev Anand) who chastises her for begging and hands her a visiting card of his friend who he informs her is a kind man and will provide her with work.In fact, Nirmal himself is the owner of a textile mill and the contact he provides Radha with is that of his factory manager. She goes to the said person and is hired as a daily labourer in Nirmal's mill. Nirmal visits the shanty of Sadhu Ram, where both father and daughter are overjoyed with happiness and gratitude at his kindness.Eventually, Nirmal falls in love with the simple,pretty Radha and proposes marriage to her. She readily accepts and her happiness knows no bounds,but in a cruel twist of fate,she comes home to find Bhiku Chacha and his men aided with orders from Manohar, about to throw them and their few belongings from the shanty for not being able to repay the entire rent in time. She goes to Manohar to beg for some more time and mercy but he overcome with lust at the sight of the helpless young girl, traps her in his room and forcibly rapes her, and then lets her know that he forgives all the amount they owe him in return.
Daag (1952)
, 2h29Directed by Amiya Chakravarty
Actors Dilip Kumar, Nimmi, Usha Kiran, Lalita Pawar, Leela Mishra
Roles Pushpa 'Pushpi'
Rating66%
Shankar (played by Dilip Kumar) and his mother live a poor lifestyle. To earn money he makes and sells mud toys. Being the lone bread winner of the family, he is unable to meet the needs. His debt starts rising higher and higher when he gets addicted to alcohol. He is attracted to Parvati (Nimmi), who also lives a poor lifestyle along with her step-brother, Jagat Narayan, his wife, and their daughter, Pushpa. After an argument with his mother, Shankar departs to the city, gives up drinking, earns a lot of money. He then returns home and pays off his mortgage. With new confidence he proposes to marry Parvati. But he is then told that Parvati's marriage has been arranged elsewhere. Broken, he starts drinking again and his mother also dies at this stage. Now he again starts drinking heavily and start walking on the path of self-destruction. Only thing which can save his life is Parvati's love. But her parents are the only obstacle who are in the view that drunken Shankar can never become a good man in life. In a dramatic turns of events, the film finally finishes with a happy ending.