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Vernon Stallings is a Director and Scriptwriter American born on 9 september 1891
Vernon Stallings, aussi crédité sous le pseudonyme de George Stallings, est un réalisateur et scénariste américain né le 9 septembre 1891 en Californie (États-Unis), décédé le 9 avril 1963 à Los Angeles (États-Unis).
En 1931, il rejoint les Van Beuren Studios, créés l'année précédente, et dans lequel il reste jusqu'à l'été 1934.
En 1938 près avoir travaillé sur une Silly Symphony, il rejoint les studios Disney et poursuit sur des longs métrages. Il fait partie des animateurs débauchés des studios newyorkais par Disney dans les années 1920 et 1930 comme Dick Huemer, Ben Sharpsteen, Ted Sears, Burton Gillett et Bill Tytla.
Source : Wikidata
Vernon Stallings
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Biography
En 1916, il rejoint les J.R. Bray Studios et débute sur la série Colonel Heeza Liar. Après la fin de la série en 1924, son activité n'est pas connue.En 1931, il rejoint les Van Beuren Studios, créés l'année précédente, et dans lequel il reste jusqu'à l'été 1934.
En 1938 près avoir travaillé sur une Silly Symphony, il rejoint les studios Disney et poursuit sur des longs métrages. Il fait partie des animateurs débauchés des studios newyorkais par Disney dans les années 1920 et 1930 comme Dick Huemer, Ben Sharpsteen, Ted Sears, Burton Gillett et Bill Tytla.
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Filmography of Vernon Stallings (22 films)
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Merbabies (1938)
, 8minutesDirected by Wilfred Jackson, Rudolf Ising, Vernon Stallings
Origin USA
Genres Comedy, Fantasy, Musical, Animation
Themes Circus films, Films about magic and magicians, Seafaring films, Transport films, Mermaids in film, Musical films, Children's films
Actors Pinto Colvig, George Magrill, Marcellite Garner
Rating61%
Les bulles et les algues à la surface de l'océan donnent naissance à des bébés d'eau, de petites sirènes. Elles jouent à la surface jusqu'à ce qu'elles entendent passer une fanfare, annonçant l'arrivée d'un cirque composé d'animaux marins. Le cirque comprend entre autres des clowns et un escargot-girafe.
The Lion Tamer (1934)
Directed by Vernon Stallings
Genres Comedy, Animation
Actors Charles Correll, Freeman Gosden
Rating52%
Wot a Night (1931)
Directed by Vernon Stallings
Genres Comedy, Animation
Rating61%
In their first film, Tom and Jerry are taxi drivers at the train station on a stormy day, waiting for a fare. A train comes up, and two identical-looking men come out. They both try to get them in the taxi. After the men are settled, Tom drives the men. It rained so much, a frog jumped in to taxi and went back again.
Scriptwriter
Song of the South (1946)
, 1h34Directed by Wilfred Jackson, Harve Foster
Origin USA
Genres Musical, Animation
Themes Films about animals, Films about magic and magicians, Films about music and musicians, Mise en scène d'un lapin ou d'un lièvre, Musical films, Children's films, Mise en scène d'un mammifère
Actors James Baskett, Bobby Driscoll, Luana Patten, Ruth Warrick, Lucile Watson, Hattie McDaniel
Roles Story
Rating68%
Seven-year-old Johnny is excited about what he believes to be a vacation at his grandmother's Georgia plantation with his parents, John Sr. and Sally. When they arrive at the plantation, he discovers that his parents will be living apart for a while, and he is to live in the country with his mother and grandmother while his father returns to Atlanta to continue his controversial editorship in the city's newspaper. Johnny, distraught because his father has never left him or his mother before, leaves that night under cover of darkness and sets off for Atlanta with only a bindle. As Johnny sneaks away from the plantation, he is attracted by the voice of Uncle Remus telling tales "in his old-timey way" of a character named Br'er Rabbit. Curious, Johnny hides behind a nearby tree to spy on the group of people sitting around the fire. By this time, word has gotten out that Johnny is gone and some plantation residents, who are sent out to find him, ask if Uncle Remus has seen the boy. Uncle Remus replies that he's with him. Shortly afterwards, he catches up with Johnny, who sits crying on a nearby log. He befriends the young boy and offers him some food for the journey, taking him back to his cabin.
Victory Through Air Power (1943)
, 1h5Directed by Hal Roach, H. C. Potter, Charles Monroe Schulz, Clyde Geronimi, Fred Moore, Franklin Thomas, James Algar, Perce Pearce, Jack Kinney
Origin USA
Genres War, Documentary, Animation
Themes Politique, Transport films, Aviation films, Documentary films about war, Documentary films about historical events, Documentary films about technology, Political films, Documentary films about World War II, Children's films
Actors Art Baker
Rating64%
Le fait débute par un rappel historique. Il évoque les controverses liées au Général William Mitchell, pionnier de l'aviation militaire entre 1919 et 1936, année de sa mort. Il militait pour le développement d'une aviation ayant des bombardiers, mais sa hiérarchie croyait en la supériorité de la marine de guerre. En 1925, il fut même rétrogradé comme colonel.
Bambi (1942)
, 1h8Directed by Paul Satterfield, Dave Hand, James Algar, Graham Heid, Samuel Armstrong, Bill Roberts
Origin USA
Genres Drama, Musical, Animation
Themes Films about animals, Films about magic and magicians, Films about music and musicians, Film d'animation mettant en scène un animal, Musical films, Children's films
Actors Donnie Dunagan, Hardie Albright, Paula Winslowe, Jonathan Sutherland I, Peter Behn, Sam Edwards
Roles Story
Rating72%
A doe gives birth to a fawn named Bambi, who will one day take over the position of Great Prince of the Forest, a title currently held by Bambi's father, who guards the woodland creatures from the dangers of hunters. The fawn is quickly befriended by an eager, energetic rabbit named Thumper, who helps to teach him to walk and speak. Bambi grows up very attached to his mother, with whom he spends most of his time. He soon makes other friends, including a young skunk named Flower and a female fawn named Faline. Curious and inquisitive, Bambi frequently asks about the world around him and is cautioned about the dangers of life as a forest creature by his loving mother.
Dumbo (1941)
, 1h4Directed by Norman Ferguson, Wilfred Jackson, Ben Sharpsteen, Samuel Armstrong, Jack Kinney, Bill Roberts
Origin USA
Genres Musical theatre, Musical, Animation
Themes Films about animals, Circus films, Transport films, Rail transport films, Film d'animation mettant en scène un animal, Mise en scène d'un éléphant, Musical films, Buddy films, Children's films, Mise en scène d'un mammifère
Actors Edward Brophy, Herman Bing, Margaret Wright, Sterling Holloway, John McLeish, Cliff Edwards
Roles Story Developer
Rating71%
A flock of storks deliver babies while circus animals are being transported by train from their winter quarters. Mrs. Jumbo, one of the elephants, receives her baby who is soon taunted by the other (female) elephants because of his large ears, and they nickname him "Dumbo".
The Ugly Duckling (1939)
, 8minutesDirected by Clyde Geronimi, Hamilton Luske, Jack Cutting
Origin USA
Genres Comedy, Animation
Themes Films about animals, Films about birds, Mise en scène d'un canard, Children's films
Actors Jim Cummings, Clarence Nash, Frank Welker, Tara Sands, Rob Paulsen, Tony Anselmo
Roles Story
Rating75%
Un petit canard différent et rejeté par sa famille essaie tant bien que mal de se trouver un ami.
Wynken, Blynken & Nod (1938)
, 8minutesDirected by Graham Heid
Origin USA
Genres Animation
Themes Children's films
Roles Story
Rating65%
Trois bébés nommés Wynken, Blynken et Nod s'envolent dans la nuit étoilée dans leur sabot-voilier. Amarrés à un nuage, ils essayent d'attraper une étoile-poisson mais s'accrochent eux-mêmes avec les hameçons de leur canne à pêche. Une comète les approche de très près et en revenant les percute. Le bateau-sabot fonce dans un énorme nuage endormi qui, en se réveillant, le pousse d'une douce brise vers un autre nuage. Ainsi de suite, la brise devient tempête qui renvoie les bébés sur terre, le voilier devenant un berceau. Les bébés redeviennent alors un seul bébé endormi dans son berceau.
Moth and the Flame (1938)
, 7minutesDirected by Burton Gillett, Dave Hand, Dick Huemer
Origin USA
Genres Animation
Themes Films about animals, Films about insects, Children's films
Roles Story
Rating66%
Un groupe de mites pénètrent dans une boutique de vêtements...
Mother Goose Goes Hollywood (1938)
, 7minutesDirected by Wilfred Jackson
Origin USA
Genres Comedy, Musical theatre, Animation
Themes Films about animals, Films about birds, Mise en scène d'un canard, Children's films
Actors Kenny Baker, Richard Conte, Sara Berner, James Cagney, Dave Barry, Clarence Nash
Roles Storyboard
Rating62%
The film begins with a nursery book that opens by itself. Mother Goose appears on the title of the Leo the Lion from the MGM title cards. Underneath the goose is written, in Pig Latin, "Nertz to You". The opening disclaimer states that "any resemblance to characters herein portrayed to persons living or dead, is purely coincidental." Little Bo Peep (Katharine Hepburn) claims she "lost her sheep, really I have". After performing a few ballet steps she looks behind the next page of the book, which is turned around.
Farmyard Symphony (1938)
, 8minutesDirected by Jack Cutting
Origin USA
Genres Musical, Animation
Themes Films about animals, Film d'animation mettant en scène un animal, Children's films
Actors Billy Bletcher, Florence Gill, Lee Millar, Clarence Nash, Max Terhune, Adriana Caselotti
Roles Storyboard
Rating64%
La cour de la ferme s'agite et prend vie sur plusieurs airs de musique classique. Le coq fait ainsi une sérénade à une poule, rejoint par d'autres animaux. Tous s'associent à l'arrivée du fermier et de la fermière qui viennent leur donner à manger.
Farmyard Symphony (1938)
Directed by Jack Cutting
Genres Musical, Animation
Themes Films about animals, Children's films
Actors Billy Bletcher, Lee Millar, Florence Gill, Max Terhune, Clarence Nash, Mae Questel
Roles Storyboard
Rating64%
Set to various classical pieces, the animals of a farmyard go about their daily business. The highlight is a rooster wooing a white hen, with the other animals joining in until they hear a sound more welcoming to them: the call of feeding time.
Ferdinand the Bull (1938)
, 7minutesDirected by Ford Beebe, Dick Rickard
Origin USA
Genres Comedy, Animation
Themes Films about animals, Sports films, Bullfighting films, Children's films
Actors Don Wilson, Walt Disney, Milt Kahl
Roles Storyboard
Rating70%
In the beginning, there are a lot of bulls, romping around together and butting their heads. There was only one bull who wasn't doing that, and that was Ferdinand. All he wanted to do was go under a shady tree and smell the flowers all day. Then one day his mother noticed that he wasn't playing with the other bulls. His mom asked him why he wasn't butting his head with the other bulls. He replied that all he wanted to do was to sit and smell the flowers. Luckily, his mother was very understanding. Over the years, Ferdinand grew and grew until he was as big as the tree. The other bulls wanted to accomplish one goal in life: to be in the bullfights in Madrid, Spain, but not Ferdinand. Then one day, five strange-looking men were here to see the bulls. When the bulls noticed them, they fought as rough as possible, hoping that they would get picked, but not Ferdinand who went back to smell the flowers. Just as Ferdinand was sitting, he accidentally sat on a bumblebee. That made him go crazy and on a rampage, knocking the other bulls out and crashed into a tree, making it fall down. The five men cheered as they took Ferdinand to Madrid. There was a lot of excitement when the day of the bullfight came. On posters, they called him Ferdinand the Fierce. At the ring came out banderilleros, picadores and the matador who was being cheered on. When he was bowing, a woman in the audience gave him a bouquet of flowers which landed in his hand. Then the moment came where Ferdinand came out. He was wondering what was he doing there. The banderilleros and picadores were scared and hid, but the matador was scared stiff because Ferdinand was so big and strong. But Ferdinand looked up in the stands and saw all of the beautiful hats that the women were wearing, each decorated with lovely, fragrant flowers. He couldn't stop staring at all the beautiful hats. The matador was very angry that Ferdinand wasn't charging at him. But Ferdinand was not interested in fighting; he was only interested in admiring the beautiful flowers. Eventually, he was led out of the arena smelling the flowers and taken back home where he continued to sit under the tree and smell the flowers.