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Fox Film

Fox Film
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The Fox Film Corporation was an American company that produced motion pictures, formed by William Fox on 1 February 1915. It was the corporate successor to his earlier Greater New York Film Rental Company and Box Office Attractions Film Company.

The company's first film studios were set up in Fort Lee, New Jersey but in 1917, William Fox sent Sol M. Wurtzel to Hollywood, California to oversee the studio's new West Coast production facilities where a more hospitable and cost effective climate existed for filmmaking. On July 23, 1926, the company bought the patents of the Movietone sound system for recording sound on to film.

After the Crash of 1929, William Fox lost control of the company in 1930, during a hostile takeover. Under new president Sidney Kent, the new owners merged the company with Twentieth Century Pictures to form 20th Century Fox in 1935.

Best films

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Filmography of Fox Film (385 films)

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Production

The Black Watch, 1h33
Directed by John Ford
Origin USA
Genres Drama, War, Comedy, Adventure
Themes Children's films
Actors Victor McLaglen, Myrna Loy, Lumsden Hare, David Torrence, Cyril Chadwick, Roy D'Arcy

Le capitaine de l'armée britannique Donald King part en Inde alors que son régiment, la Garde noire, est appelé en France au début de la Première Guerre mondiale. Ses camarades le prennent alors pour un lâche. En réalité, il est en mission secrète dans cette région. Il va trouver de l'aide auprès de Yasmani, une jeune femme que des tribus locales considèrent comme une déesse, mais celle-ci risque de le payer de sa vie...0
Fox Movietone Follies of 1929, 1h20
Directed by David Butler
Origin USA
Genres Musical
Themes Musical films
Actors Sue Carol, Dixie Lee, Lola Lane, Priscilla Lane, Bobby Burns, Rosemary Lane

George Shelby, a southern boy, comes to the city to dissuade Lila, his sweetheart, from embarking on a stage career and finally buys out the controlling interest in the revue so that he can fire her. On the opening night, however, she goes onstage when the prima donna of the show becomes temperamental, and she proves to be a big hit. At this development, George is able to sell the show back to the producer, who had previously lacked confidence in his investment and planned to take advantage of the youth's inexperience.
Happy Days
Happy Days (1929)
, 1h20
Directed by Benjamin Stoloff
Origin USA
Genres Musical
Themes Films about music and musicians, Musical films
Actors Marjorie White, Stuart Erwin, Charles Farrell, Frank Albertson, George MacFarlane, Janet Gaynor

Originally titled New Orleans Frolic, the story centers around Margie (played by Marjorie White), a singer on a showboat who goes to make her fortune in New York City, despite being in love with the boat owner's grandson. Although successful in the city, when she hears that the showboat is in financial trouble she calls all the boat's former stars to perform in a show to rescue it.
Hot for Paris, 1h11
Directed by Raoul Walsh
Origin USA
Genres Comedy, Adventure, Musical
Themes Musical films, Children's films
Actors Victor McLaglen, Fifi D'Orsay, El Brendel, Polly Moran, George Fawcett, Charles Judels

John Patrick Duke, un marin amateur de femmes et d'alcool, croit qu'on le poursuit pour avoir causé une émeute dans un hôtel, alors que c'est en fait parce qu'il a gagné un million de dollars en jouant le cheval gagnant au Grand Prix de Longchamp. Finalement, après diverses péripéties, John et son ami, Axel Olson, toucheront l'argent, ce qui leur permettra de faire la fête avec leurs amis français, et notamment la belle Fifi Dupré.
Married in Hollywood, 1h50
Origin USA
Genres Musical
Themes Musical films
Actors Walter Catlett, John Garrick, Herman Bing, Wallace Ford, Bert Sprotte

A showgirl, part of a troupe, tours Europe where she falls in love with a Balkan prince. The prince's parents disapprove and attempt to put a stop to the romance. A revolution occurs and the prince and the showgirl elope to Hollywood.
Seven Faces, 1h18
Directed by Berthold Viertel
Origin USA
Genres Drama, Romance
Actors Paul Muni, Marguerite Churchill, Gustav von Seyffertitz, Eugenie Besserer, Russell Gleason, Salka Viertel

A common convention in the early decades of newspaper and magazine film reviews was to describe in the write-up the entire storyline including, in a substantial number of instances, the ending, thus unintentionally enabling subsequent generations of readers to reconstruct a lost film's contents. True to form, those who evaluated Seven Faces, such as Mordaunt Hall of The New York Times, did go into considerable detail regarding plot twists, as related herein below.