Music Box Films is a distributor of foreign and independent film in theatrical, DVD, and television markets in the United States. Based in Chicago, it is owned and operated by the Southport Music Box Corporation.
Founded in 2007, the company's first releases were Tuya's Marriage, OSS 117: Cairo, Nest of Spies, and Tell No One, the latter of which became a notable foreign-language film success in the United States, grossing over $6,000,000 and becoming the highest-grossing foreign film in the US in 2008.
Other Music Box releases have included the Academy Award–nominated film Monsieur Lazhar (nominated for Best Foreign Language Film), Ida (film) (Best Foreign Language Film),Séraphine (winner of seven César Awards in France), Mozart's Sister, North Face, The Girl with the Dragon Tattoo, and The Names of Love.
In December 2002, Mikael Blomkvist, publisher of Millennium magazine, loses a libel case involving allegations he published about billionaire financier Hans-Erik Wennerström. He is sentenced to three months in prison and a hefty fine. Lisbeth Salander, a brilliant but damaged surveillance agent and hacker, is hired by Henrik Vanger, the patriarch of the wealthy Vanger family, to investigate Blomkvist. Vanger then hires Blomkvist to investigate the disappearance of his niece, Harriet, who vanished on Children's Day in 1966. Vanger believes that Harriet was murdered by a family member.
The film depicts the journey of lawyer Raphael Lemkin and his efforts in lobbying the United Nations to establish the Genocide Convention. The movie also focuses on four people inspired by Lemkin: Samantha Power, United States Ambassador to the United Nations; Benjamin B. Ferencz, Chief Prosecutor in the Einsatzgruppen trial at Nuremberg; Luis Moreno Ocampo, first Prosecutor of the International Criminal Court; and Emmanuel Uwurukundo, head of operations for refugee camps in Chad set up by the United Nations High Commissioner for Refugees in the War in Darfur. The film is based on Power's Pulitzer Prize-winning book, A Problem from Hell.
Ane (played by Nagore Aranburu) is a woman in her early forties who does not feel fulfilled. Her life changes when she starts to receive bouquets of flowers at home anonymously, once a week. The lives of Lourdes (Itziar Ituño) and Tere (Itziar Aizpuru) are also altered by some mysterious flowers. A stranger leaves flowers every week in memory of someone who was important for them.
Jane, who also introduces herself as Tess, is a presumably unemployed young woman who lives in an apartment with her two dysfunctional roommates, Melissa, and Melissa's boyfriend Mikey, and her Chihuahua dog Starlet. Jane decides she wants to personalize her room, but Melissa says the room cannot be painted because Mikey needs it for "shoots". Jane decides to buy new furniture at neighborhood yard sales. After picking up items from other yard sales that day, she comes across an old woman named Sadie, from whom she buys a thermos.
En découvrant le film The Notorious Bettie Page, produit par la chaîne HBO en 2006, la principale intéressée avait réagi sans équivoque : "Mensonges ! Mensonges !" Dans une longue interview enregistrée peu avant sa mort, celle qui est entrée dans l'inconscient collectif comme la pin-up par excellence a livré sa version des faits au réalisateur Mark Mori. D'une voix rocailleuse, Bettie Page raconte sa propre histoire et lève le voile sur des zones souvent masquées par des images qui ont fait fantasmer tant d'hommes et de femmes depuis les années 1950 : son enfance maltraitée, une éclipse qui dura quarante ans, sa maladie mentale. À travers des témoignages et des archives inédites, ce documentaire fait revivre un corps et un visage déclinés à l'infini sous nos yeux, ainsi que Bettie le souhaitait : "Je voudrais que les gens se souviennent de moi comme j'étais sur les photos.
In southwestern Germany during the immediate aftermath of World War II, five destitute siblings must travel 900 km to their grandmother's home in Husum Bay near Hamburg after their high-level Nazi parents disappear in the face of certain arrest by Allied Forces. Along the way, they encounter a variety of other Germans, some of whom are helpful while others are antagonistic. Eventually they meet up with a young man who has been pretending to be Thomas, a young Jewish concentration camp survivor, who joins their group and becomes their unofficial guardian.
Rudy Donatello (Alan Cumming) is a struggling musician and drag performer in a gay nightclub in 1979 West Hollywood, where he meets Paul Fleiger (Garret Dillahunt) , a closeted district attorney. Returning home to his apartment, Rudy finds Marco (Isaac Leyva), a 14-year-old with Down syndrome, left alone after his mother, Marianna (Jamie Ann Allman), had been arrested. Rudy takes in the abandoned boy, but Family Services intervenes and takes Marco to foster care. Rudy enlists Paul to help him gain custody of Marco; and the two visit Marianna in prison to coax her into signing the temporary guardianship papers, which she does. All is well as Rudy and Paul become Marco's guardians; but, when Rudy and Paul's relationship is called into question by the court system, the two men find themselves spiraling into a legal battle to become the legal and permanent guardians of the fascinating boy who showed them both the real joy of what it means to be a parent. After having their home (Marco's living environment) evaluated, the men are put in front of a judge (Frances Fisher) who is to decide what's best for the child. The evaluation comes back positive, and it is decided that Rudy and Paul are great parents for Marco. However, just as the court is about to rule in favor of the men, Marco's mother is released from prison. She takes back custody of Marco, leaving Rudy and Paul without their son. Marco is heard saying as he is taken back to his mother's apartment, "this is not my home, this is not my home." As expected, Marianna returns to her old ways (using drugs, sleeping around, etc.) and fails to take care of Marco. One night as she is having sex, Marianna tells Marco to step outside of the apartment. Marco begins to wander the streets in search of Paul's house (his true home). However, Marco is unable to find the house and dies outside, alone. The movie ends with a letter/monologue from Paul. The letter, which contained Marco's obituary, was sent to all who doubted the couple as Marco's parents. The hope was for them to realize the mistake they made that ended in this boy's untimely death.
In 1950, Hester Collyer, the younger wife of High Court judge Sir William Collyer, has embarked on a passionate affair with Freddie Page, a handsome young former RAF pilot troubled by his memories of the Second World War. Freddie throws Hester's life in turmoil, as their erotic relationship leaves her emotionally stranded and physically isolated. For Freddie, that tumultuous mix of fear and excitement that was once in his life seems to be no longer present.
In Montreal, an elementary school teacher hangs herself. Bashir Lazhar, an Algerian immigrant, then offers his services to replace her, claiming to have taught in his home country. Desperate to fill the position, the principal takes him at his word and gives him the job. He gets to know his students despite the cultural gap evident from the very first day of class and despite his difficulty adapting to the school system's constraints. As the children try to move on from their former teacher's suicide, nobody at the school is aware of Bashir's painful past, or his precarious status as a refugee. His wife, who was a teacher and writer, died along with the couple's daughter and son in an arson attack. The murderers were angered by her last book, in which she pointed a finger at those responsible for the country's reconciliation, which had led to the liberation of many perpetrators of huge crimes. The film goes on to explore Bashir's relationships with the students and faculty, and how the students come to grips with their former teacher's suicide. One student, Alice, writes an assignment on the death of their teacher, revealing the deep pain and confusion felt by each of the students.
The film follows notorious musician Serge Gainsbourg's exploits from his upbringing in Nazi occupied France through his rise to fame and love affairs with Juliette Gréco, Brigitte Bardot and marriage to Jane Birkin to his later experimentation with reggae in Jamaica. It also incorporates multiple elements of fantasy, most significantly with the character called "The Mug", an animated exaggeration of Gainsbourg that acts as his conscience (or anti-conscience) at crucial moments in Gainsbourg's life. The film also includes many of Gainsbourg's more famous songs, which serve as the soundtrack to the film and often serve as plot elements themselves.
The film initially focuses on João (João Arrais), an orphan boy at a school run by the priest Father Dinis (Adriano Luz) during Portugal's Revolução Liberal. João becomes ill after being bullied by another boy who tells him he is a criminal’s child and awakens in a delirium to find a lovely woman watching over his bed. After recovering, Dinis takes João to see the woman who is indeed João’s mother, Countess Ângela de Lima (Maria João Bastos). For João's entire life, she had been imprisoned in her own home by her husband, the Count of Santa Bárbara (Albano Jerónimo). Dinis helps Ângela flee from her husband’s house when he’s away fighting the revolutionaries.
The film is semi-biographical, documenting the life of a young woman who uses sex as a weapon to influence right-wing individuals and conservative Muslims. Baya Benmahmoud (Sara Forestier), a scatter-brained, free-spirited, young left-wing activist, sleeps with her political opposites in order to manipulate them to her cause, until she finds her match in Arthur Martin (Jacques Gamblin).
The film follows the life of a middle-aged housekeeper, Séraphine Louis, who has a remarkable talent for painting. Untaught and following what she regards as religious inspiration she finds great appreciation in the beauty found in nature, especially her daily walks to work where she proudly and humbly stops to gaze at trees. In the beginning, it is noted that she stops to collect soil from plants as well as some blood from a dead pig. Later, in her small home lit by candles she is seen using these same ingredients while creating her art. At one point when her art begins to be seen, she is asked how she achieves the unusual effect in her "rouge" (reds). She replies that she prefers to keep that a secret.
Alexandre Beck is a doctor who has slowly been putting his life back together after his wife Margot was murdered by a serial killer. Eight years on, Alex is doing well, until he finds himself implicated in a double homicide, which has plenty of evidence pointing to him as the killer – though he knows nothing of the crimes. The same day, Alex receives an email that appears to be from Margot, which includes a link to a surveillance video clip that features his late wife looking alive and well. The message warns Alex that they are both being watched. He struggles to stay one step ahead of the law, while henchmen intimidate Alex's friends into telling them whatever they might know about him – the henchmen eventually kill one of them, Charlotte. In the meantime, Alex's sister Anne persuades her well-off wife Hélène to hire a respected attorney, Élisabeth Feldman, to handle Alex's case.