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A Wedding Suit is a iranien film of genre Drama directed by Abbas Kiarostami
A Wedding Suit (1976)
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Add to a movie listA Wedding Suit (Persian: لباسی برای عروسی, Lebāsī Barā-ye Arūsī) is a 1976 Iranian comedy film directed by Abbas Kiarostami.
Synopsis
Une riche bourgeoise commande un costume à son fils pour le mariage de sa fille. En parallèle, de jeunes garçons se battent pour obtenir de l'apprenti du tailleur le privilège clandestin de porter ce costume avant sa livraison...Comments
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Suggestions of similar film to A Wedding Suit
There are 37 films with the same director, 61698 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked A Wedding Suit, you will probably like those similar films :
The Traveler (1992)
, 1h10Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Comedy-drama
Themes Films about children, Sports films, Association football films
Rating74%
Qassem Julayi (Ghāsem Jolā'i), played by Hassan Darabi, is a football-obsessed 12-year-old in the small city of Malayer, who would rather compete in the alley of his impoverished neighborhood after school than do his homework. His illiterate mother constantly berates him, but Qassem has long since learned to invent excuses for his poor school performance. In one early scene, we see him arriving late to school after going out of his way to purchase a football fan magazine. He appears with a bandage around his head, feigning a toothache. A few moments later, Qassam's skeptical teacher spots the magazine and snatches it away (only to start reading it himself). The boy resolves to travel by himself to Tehran, a 150-mile bus ride away, to attend an important game. Bus fare, however, is 10 tomans. The penniless Qassem pilfers 5 tomans that his mother has hidden, but the next day she discovers the theft and promptly reports it to the school principal, who not only berates her for raising a "monster" but canes Qassem's hands for refusing to admit guilt. That afternoon, Qassem and his friend Akbar roam the storefront vendors, attempting to sell small items to raise funds, but find no takers. The friend suggests selling an uncle's old box camera, but Qassem rejects one offer and instead hatches the scheme of pretending to take pictures of younger kids after school, collecting 5 rials for each "sitting." In a famous sequence, he issues directions to his "subjects" while snapping photo after photo with the empty camera. Onscreen, we see a succession of children posing for portraits that will never materialize. Still lacking sufficient cash, Qassem resolves to sell his team's soccer ball and goals, even though they are group property. Finally he has collected enough for his journey.
Where Is The Friend's House? (1987)
, 1h19Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Comedy-drama
Themes Films about education, Films about children
Rating80%
As he prepares to do his homework, Ahmed realizes that he accidentally brought home a notebook belonging to one of his classmates. Knowing that his friend may be expelled if he does not have the notebook in order to complete his homework, Ahmed goes looking for his classmate.
24 Frames (2018)
, 2hDirected by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary
Rating67%
Le film est constitué de 24 plans fixes, souvent en noir et blanc, mettant en scène des animaux sauvages ou domestiques : oiseaux, loups, cerfs, vaches, moutons, chevaux... La première séquence est une animation numérique du tableau de Brueghel l’Ancien, Chasseurs dans la neige.
Shirin (2008)
, 1h32Directed by Abbas Kiarostami
Origin Iran
Genres Drama, War, Documentary, Historical
Themes Films about films, Documentary films about the film industry, Documentary films about films
Actors Niki Karimi, Taraneh Allidousti, Golshifteh Farahani, Mahnāz Afshār, Juliette Binoche, Zahra Amir Ebrahimi
Rating66%
Cent-quatorze spectateurs, essentiellement féminins, assistent à la projection de l'adaptation cinématographique d'un classique de la littérature perse du XII siècle. Ces spectateurs s'émeuvent de l'histoire d'amour qui se déroulent sous leurs yeux : le film n'apparaît dans la mise en abyme qu'à travers sa bande son et les réactions du public. Néanmoins, le réalisateur trompe le spectateur puisque les actrices n'assistent pas réellement à une représentation filmique.
Five Dedicated to Ozu (2003)
, 1h14Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary
Actors Jafar Panahi
Rating64%
The film consists of five long takes set by the ocean. As in a typical Ozu film, the camera never moves, zooms or pans. There is no dialogue, and only one shot includes people.
Lumière & Company (1995)
, 1h28Directed by Gabriel Axel, Cédric Klapisch, Patrice Leconte, Claude Lelouch, Abbas Kiarostami, Andreï Kontchalovski, Youssef Chahine, Liv Ullmann, Wim Wenders, Costa-Gavras, Jacques Rivette, Theo Angelopoulos, Alain Corneau, Michael Haneke, Claude Miller, John Boorman, David Lynch, Francis Girod, Merzak Allouache, James Ivory, Spike Lee, Arthur Penn, Jerry Schatzberg, Jaco Van Dormael, Peter Greenaway, Gaston Kaboré, Idrissa Ouédraogo, Bigas Luna, Zhang Yimou, Régis Wargnier, Yoshishige Yoshida, Lucian Pintilie, Lasse Hallström, Helma Sanders-Brahms, Nadine Trintignant, Raymond Depardon, Vicente Aranda, Fernando Trueba, Ismail Merchant, Hugh Hudson
Origin Danemark
Genres Drama, Comedy, Documentary, Action
Actors Isabelle Huppert, Romane Bohringer, Bruno Ganz, Géraldine Pailhas, Ticky Holgado, Zinedine Soualem
Rating68%
40 réalisateurs ont tourné 52 secondes de leur choix sans son et en trois prises maximum avec la caméra originelle des frères Lumière.
Close-Up (1990)
, 1h34Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary, Crime
Themes L'usurpation d'identité, Escroquerie
Actors Mohsen Makhmalbaf, Abbas Kiarostami, Abolfazl Ahankhah
Rating81%
Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel The Cyclist; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.
Fellow Citizen (1983)
, 52minutesDirected by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary
Rating63%
Pris dans le flux des embouteillages invraisemblables de Téhéran, un agent de la circulation tente tant bien que mal de faire respecter une interdiction de circulation.
The Chorus (1982)
, 17minutesDirected by Abbas Kiarostami
Genres Drama
Themes Films about children, Vieillesse
Rating71%
Un vieil homme sourd se promène. Il n’hésite pas à couper le son de son appareil auditif lorsque l’environnement s’avère trop bruyant. Arrivé chez lui, il attend ses petites-filles qui doivent rentrer de l’école, mais il ne les entend pas sonner…
