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Apna Ghar (1942)

Apna Ghar
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Apna Ghar is a Bollywood film. It was released in 1942.

Actors

Trailer of Apna Ghar

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Streaming / VOD

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Suggestions of similar film to Apna Ghar

There are 72 films with the same actors, to have finally 70 suggestions of similar films.

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My Light (1936)
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Directed by V. Shantaram
Genres Drama, Action, Adventure, Musical
Actors Durga Khote, Chandra Mohan, Shanta Apte, Vasant Desai, Chandra Mohan
Rating62% 3.1496053.1496053.1496053.1496053.149605
Saudamini (Durga Khote) is denied custody of her son by the Queen (Karuna Devi) and the tyrannical Minister of Justice Durjaya (Chandra Mohan) after she separates from her husband. Durjaya tells her that a woman is the slave of her husband and essentially has no rights. This enrages Saudamini and she vows vengeance and becomes a pirate. She and her pirates capture a ship which is supposed to be carrying the princess Nandini (Shanta Apte). However, she finds her old enemy Durjaya and takes him prisoner cutting off one of his legs. Nandini has been hiding in chest, and when she comes out of it, the imprisoned Durjaya sees her. He falls in love with her and offers her his food. Nandini however falls in love with a young shepherd boy Sudhir (Nandrekar). When she meets Saudamini and her helper Rekha (Vasanti) she joins them as a pirate and tells Sudhir off. Durjaya escapes with the help of Sudhir and arrives to arrest Saudamini. Saudamini is captured but the others along with Nandini and Rekha escape. It is finally revealed that Sudhir is Saudamini's long-lost son. Nandini and Sudhir marry and Rekha carries forward Saudamini's legacy.
Amrit Manthan, 2h35
Directed by V. Shantaram
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Rating56% 2.8344152.8344152.8344152.8344152.834415
Considered a classic Indian film, Amrut Manthan depicts Chandika cult followers who meet in a dungeon. King Krantivarma (Varde) had banned human and animal sacrifices from what he perceived as increasingly fanatical festivals dedicated to the goddess. As a reaction to this, the cult's high priest (Chandra Mohan) orders the unfortunate Vishwagupta (Kelkar) to kill the king. He obeys, but is then betrayed by the priest and caught. His son Madhavgupta (Mane) and his daughter Sumitra (Apte) join forces with the princess (Nalini Tarkhad), and the people finally overthrow the priest.
Amrit Manthan, 2h35
Directed by V. Shantaram
Actors Chandra Mohan, Chandra Mohan, Sureshbabu Mane, Shanta Apte
Rating56% 2.8344152.8344152.8344152.8344152.834415
The story is about a reformist king Kantivarma (Varde) who bans the sacrifice of animals and humans. This angers the fanatical Rajguru (Chandra Mohan), head priest of the Chandika cult. The cult meets secretly and the head priest orders the killing of the king. Yashodharma is chosen and though he hesitates, the priest orders him to do so. Yashodharma writes a note for his son before leaving that night telling him of the deed planned by the Rajguru. After the King is killed, Yashodharma (Kulkarni) is betrayed by the Rajguru in court and ordered to be killed. Yashodharma’s two children, Madhavgupt (Mane) and Sumitra (Shanta Apte), are on the run but Madhav is caught and the letter found on him by one of Rajguru’s men. Sumitra is taken prisoner and Rani Mohini (Nalin Tarkhud) who succeeds to the throne after her father’s death is asked to have Madhav sacrificed in the temple by the Rajguru. There is a storm and Mohini and Madhav escape to the forest. Madhav later goes in search of his sister. Vishwasgupt (Kelkar), a trusted minister tells Mohini and the people of Avanti about Rajguru being the real killer. The temple is thronged by townspeople demanding justice and the Rajguru with his obsessive belief in sacrifices offers himself to the goddess and cuts off his own head as a final sacrifice.
Tarana
Tarana (1951)

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Rating72% 3.6137153.6137153.6137153.6137153.613715
A young doctor returning home from abroad is stranded in a village as his plane develops trouble and crashes. He meets and falls in love with a beautiful local village girl, who happens to be the daughter of his blind host. The romance is not looked upon with favour by the villagers, especially one particular villager who is courting her himself. He hatches a plot to drive the doctor out of the village and in the process defiles the girl's character. The lovers are separated and the doctor, due to a misleading event, believes his sweetheart to be dead and resigns himself to a dejected life and a loveless marriage. The girl, meanwhile, loses her father in a fire, and sets out in search of her separated lover.
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Two Adivasi tribes are in conflict for the local economic rights. The daughter of the Nagi tribe's chief, Mala (Vyjayanthimala) vows to kill the son of the Ragi tribe's chief, Sanatan (Pradeep Kumar) as revenge. Trespassing the enemy territory, she is mesmerized by music of a flute (played by the musician Kalyanji Virji Shah). Coming closer, she finds out that the singer is Sanatan. They fall in love, but find it difficult to appease the enmity between the two tribes and to resist the attempts of the villain Prabir (Jeevan) to marry Mala.
Nau Do Gyarah, 2h50
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The film starts with Madan Gopal (Dev Anand) being thrown out of his house for not paying the rent. He goes to visit his friend, who has been helping him collect his mail, and finds a letter from his uncle, Manoharlal. Manoharlal writes that he is willing eleven lakh rupees (nine lakhs of cash and two lakhs worth of property), to Madan. It was originally willed to his sister-in-law's son, Kuldeep (Krishan Dhawan). After seeing Kuldeep's bad behaviour, though, Manoharlal decides to give the money to Madan.
Naya Daur
Naya Daur (1957)
, 2h53
Directed by Baldev Raj Chopra
Genres Drama
Actors Dilip Kumar, Vyjayanthimala, Ajit Khan, Jeevan, Johnny Walker, Nazir Hussain
Rating78% 3.9419553.9419553.9419553.9419553.941955
The film is set in post-independence India, where industrialization is slowly creeping in. The focus is on tongawallahs who earn their living transporting people on tongas (horse carts). Their livelihood is threatened when the son of a rich landlord (Jeevan) begins operating a bus service in the town, which he subsidizes heavily with the sole intention of first driving the tongawallahs out of the town and then making profits.