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Suggestions of similar film to Brihonnola
There are 26 films with the same actors, to have finally
26 suggestions of similar films.
If you liked
Brihonnola, you will probably like those similar films :
Genres RomanceActors Rituparna Sengupta,
Ferdous Ahmed,
Rati Agnihotri,
Soumitra Chatterjee,
Deepankar De,
Gita DeyThe story about Malini (Rituparna Sengupta) who recapitulating her childhood memories while recollecting her family attachments she remembers the detachment from her inner self grounded by the molestation in her teenage.Malini is now a well-versed photographer working in some magazine. Her photographic skills explores through the various special expressions of the people when they are dead and seeks to find out the emotions of the pale and white faces. During these ongoing course of actions she comes in contact with Urmila Sanyal (Rati Agnihotri), the leading social activist who has dedicated her life to the service of the exploited and distressed women of the society. The story then takes a turn to her romantic journey with her boyfriend, Rajat (Firdous Ahmed) who is the lavish brat of a big businessman.On one hand there is the family expectations tied to her and on the other there is urge for preserving her self-identity. Though she gets romantically involved with Rajat along with her family support but then nobody is ready to bear its outcomes. It is then when she becomes pregnant, she realizes the real faces of the people whom she has been respecting and admiring so much. In a moment she is being out cast and constantly pressurized to surrender to the patriarchal will. But revolting against it she comes to discover the illegitimacy of her own birth and finds Urmila Sanyal as her escapist mother, who was scared of the social accusations. Actors Ferdous Ahmed,
Rachna Banerjee,
Biplab Chatterjee,
Tapas Paul,
Abdur RazzakRating65%
The story begins with a lovestruck Firdaus — he desperately needed to lose a few kilos to look a dapper lover boy — landing up at Rachana’s door only to turn into a match-maker for her elder sister (Satabdi) and his elder brother (Tapas). Once Tapas and Satabdi tie the knot, Firdaus and Rachana spend their time singing around trees in Bengal and Bangladesh.Things go from bad to worse in the second half. Tragedy strikes Tapas-Satabdi’s haven as her in-laws think the new bride is evil personified, shattering the rosy dreams of the newlyweds as well as the lovebirds. Well, that’s reason enough for the sisters to start sobbing non-stop. When they need a break, they mouth pathetic dialogues.The brothers, meanwhile, drown their sorrows in vodka bottles at night, singing sad songs (Jodi na paro bhalobashte amay tobe morey jabo aami!). By day though, Firdaus is fighting fit to beat the baddies to pulp.And just when you thought it was curtain call time with an all’s-well-that-ends-well scene, there’s more melodrama and more tears in store.In true 70’s style, a pregnant Satabdi is then kidnapped by the villain’s men and tied to a revolving bed! More fights follow before the family gets together for the final photo op. Unfortunately, it comes two hours and 45 minutes too late. Origin BangladeshActors Shakib Khan,
Ferdous Ahmed,
MoushumiShakib Khan is a young landlord in an area. One day he saw Moushumi and fell love with her. But Moushumi loves a simple village man named Ferdous. Shakib Khan really desires Moshuimi. Moushumi tried to understand that he is junior to her and she loves another. But Shakib Khan is determined to get her. , 2h20
Origin BangladeshGenres Drama,
War,
HistoricalActors Joya Ahsan,
Ferdous Ahmed,
Shampa Reza,
Ahmed Rubel,
ATM ShamsuzzamanRating80%
On the ominous night of 25 March 1971, a heinous military operation, the Operation Searchlight an operation designed to kill indiscriminately the innocent democracy loving millions, was initiated by the Pakistan Army. The hated operation was just the beginning of the worst genocide to follow, a brutal crime against humanity after the Second World War. On that very night, Hasan Ahmed, a veteran journalist of the country, husband of Bilkis (Joya Ahsan), simply vanished while on his way to his newspaper office to perform his journalistic duty. He is untraceable till date. Bilkis was in banking profession. She started a desperate search for her husband and at the same time got herself engaged as a collaborator to the guerrilla operations which were gradually gaining momentum. She was not affected by her personal loss and pain, rather, undaunted; she chose the hazardous path to carry on the fight for our liberation. With the guerrilla fighters like Shahadat, Alam, Maya, Kazi Kamal, Fateh Ali and others operating in Dhaka, she started participating directly in many dangerous and successful operations. She was in constant touch with Altaf Mahmud, the legendary personality of Bengali Nation's musical arena and scorer of many revolutionary songs. She thus became the central character in the movie, also a target to the enemy. Bilkis, Shahin and many others got involved in the publication of a secret English News bulletin The GUERRILLA, obviously from the underground. Incidentally, at a particular point of time, Taslim Ali Sardar, a traditional Chieftain of the old Dhaka's subsector (Moholla), who courageously sheltered ill-fated Bilkis, got brutally killed by the Pakistani Army and their lackeys--- the hated rajakars. At one point, Altaf Mahmud, Rumi, Bodi along with some other freedom fighters were captured. Altaf and few others like him did never return, could never be traced, a tragic fact well known to us today. Bilkis, a lonely character now, could evade the worse, and tactfully leave the labyrinth- like barriers and traps set by the occupational army around Dhaka. She could get into a train to her home, Joleswari, a remote village at Rangpur. The metallic train transforms into a character, a symbolic one, a moving replica designed to depict a catastrophic journey. The parents of Bilkis were killed in the communal riots of the Bengalis and the Biharis in January '71 earlier.. She just was desperately longing to meet her own brother: Khokon at Joleawari. Khokon was then a commander of the local freedom fighters. Pakistan Army units were on the verge of collapse due to consistent fierce attacks initiated by those fighters. Khokon dynamited a vital railway bridge near Joleswari, interrupting all train movements. . She had to reach her brother. Nothing could deter her. She opted to walk. On her way, she got a young vibrant male companion, Siraj, a member of Khokon's fighting group. At one point Khokon was captured by the Pak Army. The brutal Army and Rajakar predators SLAUGHTERED him along with other captured freedom fighters. Bilkis wanted to have a glimpse of her dead brother, wanted to touch his apparently cold, inert body to feel the warmth of a loving brother, the heat of the fire inside him which no killer could extinguish. Khokon was a living, pulsating symbol of our ongoing freedom fight. She, risking her life, could enter the 'killing fields' of the occupants but was captured immediately by them. Bilkis was captured but she did never surrender to the heinous forces. For her country, for the entire freedom loving humanity, she did set up an example, a glorious one. She does not allow her body, the body of the fledgling Bangladesh, to be molested by the vultures of Pakistan. She blew herself up with explosives, destroying the surrounding mocking dogs in the process.