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Suggestions of similar film to Chernobyl.3828
There are 13528 with the same cinematographic genres (including 574 with exactly the same 2 genres than
Chernobyl.3828), 4136 films with the same themes (including 8 films with the same 6 themes than
Chernobyl.3828), to have finally
70 suggestions of similar films.
If you liked
Chernobyl.3828, you will probably like those similar films :
![The Atomic Cafe](/imagesen/small/103593.jpg)
, 1h26
Directed by Kevin RaffertyOrigin USAGenres Documentary,
HistoricalThemes Environmental films,
Documentary films about environmental issues,
Documentary films about war,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Political filmsRating75%
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The film covers the beginnings of the era of nuclear warfare, created from a broad range of archival film from the 1940s, 1950s and early 1960s - including newsreel clips, television news footage, U.S. government-produced films (including military training films), advertisements, television and radio programs. News footage reflected the prevailing understandings of the media and public.![Chernobyl: The Final Warning](/imagesen/small/109202.jpg)
, 1h35
Directed by Anthony PageOrigin USAGenres Drama,
Documentary,
HistoricalThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technologyActors Jon Voight,
Jason Robards,
Sammi Davis,
Annette Crosbie,
Ian McDiarmid,
Vincent RiottaRating61%
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Based on a true account of events, the plot interweaves the stories of a fireman at the nuclear power plant, his pregnant wife, the government officials whose policies helped and hindered rescue efforts and America's Dr. Robert Gale (Jon Voight), who led the international medical team that helped treat survivors of the disaster. Robert Gale published the original account of his experiences under the same title in 1988 with Thomas Hauser; it was adapted by Ernest Kinoy for the screenplay.![The Day the Sun Fell](/imagesen/small/183795.jpg)
, 1h18
Genres Documentary,
HistoricalThemes Environmental films,
Seafaring films,
Transport films,
Aviation films,
Documentary films about environmental issues,
Documentary films about war,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Political films,
Documentary films about World War IIRating75%
![3.7906](/static/star.png)
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![Trinity and Beyond: The Atomic Bomb Movie](/imagesen/small/112279.jpg)
, 1h33
Origin USAGenres War,
Documentary,
HistoricalThemes Environmental films,
Documentary films about environmental issues,
Documentary films about war,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technologyActors William Shatner,
Reed Hadley,
Marilyn MonroeRating78%
![3.9397](/static/star.png)
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"Trinity and Beyond" est un documentaire présentant l'histoire du développement des armes nucléaires et de leurs essais couvrant la période 1945-1963. Le film, accompagné de la voix de William Shatner et d'une musique originale exécutée par l'Orchestre Symphonique de Moscou, révèle des images appartenant au gouvernement.![The Fog of War](/imagesen/small/118742.jpg)
, 1h35
Directed by Errol MorrisOrigin USAGenres War,
Documentary,
HistoricalThemes Environmental films,
Documentary films about environmental issues,
Documentary films about war,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Political filmsActors Errol MorrisRating80%
![4.047245](/static/star.png)
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The overall plot of the film focuses on the interviews of former Secretary of defense, Robert McNamara, who was interviewed for about 20 hours by the director of the documentary, Errol Morris, through a special device called the "Interrotron" which projects images of interviewer and interviewee on two-way mirrors in front of their respective cameras so each appears to be talking directly to the other. Use of this device is intended to convey actual interaction with each other and direct eye contact with the viewer.
Genres DocumentaryThemes Environmental films,
Seafaring films,
Transport films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster films,
Films about earthquakesRating67%
![3.397995](/static/star.png)
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Surviving the Tsunami brings together social, environmental, and personal perspectives of the national catastrophe of the Fukushima nuclear meltdown. In the documentary, Kyoko Miyake travels back to her hometown in Namie, Fukushima, to revisit her old life and assess the trauma still lingering from the disaster. She revisits Namie, her mother's hometown and meets the people who depended on the success of the nuclear plant for their livelihood. The film also follows Bunsei Watanabe and Kyoko Miyake's Aunt Kuniko, two people who hope for the rejuvenation of Namie, despite the disaster that has occurred. Despite having lost family, friends, and jobs due to the meltdown and subsequent fear of the contamination zone, these two individuals are determined to rebuild their towns and neighborhoods and bring back the sense of community they once had. The film follows the residents of Namie, with emphasis on the experiences of Aunt Kuniko, as they come to terms with the reality of living in or near the "radiation zone" left in the wake the plant's nuclear meltdown. Surviving the Tsunami offers a different perspective on Japanese culture, national identity, human adaption, and global nuclear energy and proliferation.![White Horse](/imagesen/small/127050.jpg)
, 18minutes
Origin USAGenres DocumentaryThemes Environmental films,
Documentary films about environmental issues,
Documentary films about historical events,
Documentary films about nuclear technology,
Documentary films about technology,
Disaster filmsRating69%
![3.46014](/static/star.png)
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The beginning of the film starts with DeLeo, Bisson and Surkov driving through Kiev. This is introduced as the beginning of their journey to Pripyat, near the ground zero of Chernobyl. Once they reach the outpost outside the exclusion zone, we see that the area surrounding Pripyat is very deserted and dark. Once in the city, we see Surkov's old home, which he explains has been robbed of almost all its belongings due to looters. Yet there are still some mementos in the old apartment, including the wallpaper he and his mother put up, the training bars his father bought for him, an old rubber ball he claims was his favorite and a white horse poster plastered on the wall of his old bedroom. The pain he feels is evident. When he sees an old calendar on a door, he rips a large portion off, claiming "the year ended on April 26th". Outside the door of the apartment, he remarks how he wishes he could stay forever. He throws his old ball through the door and walks out of the apartment complex. The film ends with Surkov snapping some twigs in an old courtyard and then an image of the car they traveled in leaving the exclusion zone.