Dark Circle is a 1982 American documentary film directed and produced by Judy Irving, Christopher Beaver and Ruth Landy that focuses on the connections between the nuclear weapons and the nuclear power industries, with a strong emphasis on the individual human and protracted U.S. environmental costs involved. A clear point made by the film is that while only two bombs were dropped on Japan, many hundreds were exploded in the United States.
The film won the Grand Prize for documentary at the Sundance Film Festival and received a national Emmy Award for "Outstanding individual achievement in news and documentary."
For the opening scenes and about half of its length, the film focuses on the Rocky Flats Plant and its plutonium contamination of the area's environment. The remainder of the film covers the development, wartime usage and prolonged testing of U.S. nuclear weapons, including the creation of plutonium-239 in commercial nuclear power plants such as Diablo Canyon Power Plant. The documentary is unrated. Highly dramatic World War II film footage of a Nagasaki bombing survivor whose back and left arm were stripped of skin is shown; scar-covered, he tells his story in the present day as well. Testing of nuclear weapons on live hogs at skin-searing distances, the Priscilla Test, and U.S. military troops at safer ranges are also featured.
The film closes by highlighting anti-nuclear protest activities directed at the Diablo Canyon Power Plant on the California coast in the USA. The protesters contend, and the movie supports, the assertion that the protests were responsible for delaying the licensing of the Diablo Canyon Power Plant and, as a result of the delay, the uncovering of serious construction errors was made public just before the plant went online and started producing power. Discovered by a 25-year-old engineer prior to initial criticality, earthquake supports for nuclear piping had been installed backwards. The film documents the protests with substantial up close footage including the moment that this information became known.
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GenresDocumentary ThemesEnvironmental films, Seafaring films, Transport films, Documentary films about environmental issues, Documentary films about historical events, Documentary films about nuclear technology, Documentary films about technology, Disaster films, Films about earthquakes Rating67% Surviving the Tsunami brings together social, environmental, and personal perspectives of the national catastrophe of the Fukushima nuclear meltdown. In the documentary, Kyoko Miyake travels back to her hometown in Namie, Fukushima, to revisit her old life and assess the trauma still lingering from the disaster. She revisits Namie, her mother's hometown and meets the people who depended on the success of the nuclear plant for their livelihood. The film also follows Bunsei Watanabe and Kyoko Miyake's Aunt Kuniko, two people who hope for the rejuvenation of Namie, despite the disaster that has occurred. Despite having lost family, friends, and jobs due to the meltdown and subsequent fear of the contamination zone, these two individuals are determined to rebuild their towns and neighborhoods and bring back the sense of community they once had. The film follows the residents of Namie, with emphasis on the experiences of Aunt Kuniko, as they come to terms with the reality of living in or near the "radiation zone" left in the wake the plant's nuclear meltdown. Surviving the Tsunami offers a different perspective on Japanese culture, national identity, human adaption, and global nuclear energy and proliferation.