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Suggestions of similar film to Dr. Morelle: The Case of the Missing Heiress
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, 1h34
Directed by Peter BrookOrigin United-kingdomGenres Historical,
Musical,
CrimeThemes Films about music and musicians,
Théâtre,
Musical films,
Films about capital punishment,
Films based on plays,
Films based on operasActors Laurence Olivier,
Dorothy Tutin,
Hugh Griffith,
George Rose,
Stuart Burge,
Stanley HollowayRating60%
In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera., 1h26
Directed by Richard Quiney,
Alexander MackendrickOrigin USAGenres ComedyThemes Seafaring films,
Transport films,
Films based on playsActors Rosalind Russell,
Robert Morse,
Barbara Harris,
Hugh Griffith,
Jonathan Winters,
Lionel JeffriesRating49%
Described by the author as a "farce in three scenes", the story involves an overbearing mother who travels to a luxury resort in the Caribbean, bringing along her son and her deceased husband, preserved and in his casket., 1h51
Directed by Guy GreenOrigin USAGenres DramaThemes Films about religion,
Films based on playsActors Stacy Keach,
Julian Glover,
Maurice Denham,
Judi Dench,
Patrick Magee,
Hugh GriffithRating64%
The time span covered by the film is 1506–1526: from Luther's completion of his novitiate in the Order of Eremites of St. Augustine in Erfurt to a time just after the birth of his first son Hans (b. June 7, 1526). It is narrated by Julian Glover, who portrays a young knight in the tradition of Ulrich von Hutten and Franz von Sickingen. He takes Luther to task for failing to complete his "revolution" by supporting the peasants in their uprising: "You could have done it, Martin." Luther is confronted in the course of the film six other times, giving him the opportunity to defend himself in his own words. The metaphor of constipation and flatulence is employed to indicate Luther's progression from insecurity to confidence in life., 1h19
Directed by Mitchell LeisenOrigin USAGenres Drama,
Science fiction,
Fantastic,
Fantasy,
RomanceThemes Théâtre,
Films based on playsActors Fredric March,
Evelyn Venable,
Guy Standing,
Kent Taylor,
Katharine Alexander,
Helen WestleyRating68%
After years of questioning why people fear him, Death takes on human form (March) for three days so that he can mingle among mortals and find an answer. He finds a host in Duke Lambert (Standing) after revealing himself and his intentions to the Duke, and takes up temporary residence in the Duke's villa. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, Duke Lambert, who is also the father of Grazia's mortal lover Corrado (Taylor), begs him to give Grazia up and leave her among the living. Death must decide whether to seek his own happiness, or sacrifice it so that Grazia may live., 1h30
Directed by Victor SavilleOrigin United-kingdomGenres Comedy,
Musical,
RomanceThemes Films about music and musicians,
Théâtre,
Musical films,
Films based on playsActors Jessie Matthews,
Sonnie Hale,
Betty Balfour,
Barry MacKay,
Hartley Power,
Norma VardenRating65%
Set in the Edwardian era music halls of London, the popular singing star Harriet Green (Jessie Matthews) delights audiences with her coy rendition of Daddy Wouldn't Buy Me a Bow Wow; however she has an illegitimate baby daughter that she keeps secret from the public. Blackmailed into leaving the stage she moves to South Africa to raise her daughter quietly. Years later her daughter, Harriet Hawkes (played by Matthews again), looking remarkably like her mother, returns to London as a young show-biz hopeful. A handsome young publicity man Tommy Thompson (Barry MacKay), convinces a theater producer (Sonnie Hale) to star her in a new revue as the "remarkably preserved" original Harriet Green. The ruse works; however Harriet and Tommy have fallen in love, but the public believes Harriet is a well-preserved 60-year-old and Tommy is her son. The masquerade is revealed when Harriet does a strip-dance to the Harry M. Woods song Over My Shoulder.