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Fidelio is a autrichien film of genre Musical released in USA on 12 may 1961 with Claude Nollier
Fidelio (1956)
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Add to a movie listFidelio est un film autrichien réalisé par Walter Felsenstein sorti en 1956.
Il s'agit d'une adaptation de l'opéra de Ludwig van Beethoven.
Actors
Claude Nollier
(Leonore / Fidelio)
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Suggestions of similar film to Fidelio
There are 8 films with the same actors, 6364 with the same cinematographic genres, 6745 films with the same themes (including 110 films with the same 3 themes than Fidelio), to have finally 70 suggestions of similar films.If you liked Fidelio, you will probably like those similar films :
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Origin USA
Genres Drama, Biography, Comedy-drama, Musical, Romance
Themes Films about music and musicians, Peinture, Musical films
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Rating69%
In 1890 Paris, as crowds pour into the Moulin Rouge nightclub, young artist Henri de Toulouse-Lautrec finishes a bottle of cognac and sketches the dancers as they perform. The nightclub's regulars each stop by: singer Jane Avril teases Henri charmingly, dancers La Goulue and Aicha fight, and owner Maurice Joyant offers Henri free drinks for a month in exchange for painting a promotional poster. At closing time, Henri waits for the crowds to disperse before standing to reveal his four-foot six-inch body. As he walks to his Montmartre apartment, he recalls the events that led to his disfigurement. It is learned Lautrec falls down a flight of stairs, where his legs fail to heal due to a genetic weakness resulting from his parents being first cousins. His legs stunted and pained, Henri loses himself in his art, while his father leaves his mother, the countess, to ensure they have no more children. Henri is a bright, happy child, revered by his father, the Count de Toulouse-Lautrec. As a young adult he proposes to the woman he loves, but when she tells him no woman will ever love him, he leaves his childhood home in despair to begin a new life as a painter in Paris.
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Rating56%
Kathrin, Sylvio et Pierre étudient la musique à Paris. En raison de leurs difficultés financières, l'huissier de justice Fogar doit même saisir leurs instruments de musique. Mais il leur laisse finalement. Le trio rencontre le compositeur Duval, lui aussi en difficultés financières. Duval propose aux trois musiciens de participer à sa nouvelle revue. Mais la jalousie de M. Columbus, qui doit financer la revue, annule ce plan. En raison d'une infidélité de la diva Denise, pour laquelle il voulait prendre en charge le financement de la revue, Columbus se retire et donne l'ordre de convertir le théâtre en garage.
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Hansel et Gretel sont les deux enfants d'une famille pauvre. Leur mère, inquiète de leur pauvreté, et leur père, continuellement malmené par l'inquiétant boulanger du village, apprennent que les enfants des environs disparaissent mystérieusement depuis quelque temps, sans laisser de traces. Ils reçoivent de la part de leur voisin du lait et des œufs. Pendant que les deux enfants s'amusent dans la cuisine, l'âne s'échappe de son enclos, fait tomber la cruche de lait et mange le gâteau qu'a préparé leur mère avec les œufs. Très fâchée, elle les envoie chercher des baies sauvages. Bravant l'interdiction de leur père, Hansel et Gretel décident d'aller chercher ces baies sauvages dans la forêt mystérieuse.
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En 1820 à Séville en Andalousie, l'histoire devenue célèbre de Don José (Jean Marais), brigadier des dragons, amoureux fou de Carmen (Viviane Romance), une belle et provocante gitane qui l'a séduit au point qu'il déserte pour elle. Dans un excès de jalousie, Don José tue son commandant et s'enfuit avec elle dans les montagnes, devenant lui-même le chef d'une bande de contrebandiers. Carmen parvient à aider certains de ses amis contrebandiers dont Garcia (Lucien Coëdel). Mais Carmen se lasse vite de cet amant qu'elle estime un peu trop transi et s'échappe avec le séduisant toréador Lucas (Julien Bertheau). Don José parvient à la retrouver et, une fois de plus aveuglé par la jalousie, commet l'irréparable en tuant Carmen.
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With only a few exceptions, the film follows the same plot as the opera. Iago plots and brings about Otello's downfall by convincing him that his wife Desdemona is engaged in an affair with the young lieutenant Cassio, provoking Otello to murder her in a blind rage. However, in a major change from the opera, Otello kills Iago at the end by throwing a spear at him, while in the stage version he only wounds him with his sword.
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Téléfilm inspiré de l'opéra Le Château de Barbe-Bleue de Béla Bartók.