Hang Up Your Brightest Colours is a 1973 film by Welsh actor and filmmaker Kenneth Griffith, about the life and death of Irish Republican leader Michael Collins. It was directed by Antony Thomas.
Although usually classed as a documentary, the film more closely resembles a dramatic monologue, with Griffith frequently delivering quotes by key figures such as David Lloyd George, Winston Churchill, and Collins himself "in character."
The film was commissioned by media mogul Lew Grade for transmission by ATV, the ITV region covering the Midlands he controlled at the time. Grade had, in fact, offered to fund whatever subject Griffith wanted to make, but when he viewed the finished film, he refused to show it. In his memoirs, Griffith claimed that Grade was unofficially instructed not to offer the film to the IBA for network transmission, so that the Association would not have to reject it and therefore could be accused of political censorship. Griffith took legal action, received an out-of-court settlement and built his home - Michael Collins House - in Islington with the proceeds.
The film has been described as, "finest of all (of Griffith's) drama-docs," and, "more courageous and incendiary than the later Neil Jordan movie." It was first broadcast on BBC One in Wales only in 1993, and networked across the United Kingdom by BBC Two the following year.
Suggestions of similar film to Hang Up Your Brightest Colours
There are 18 films with the same actors, 1 films with the same director, 8959 with the same cinematographic genres, 2422 films with the same themes, to have finally 70 suggestions of similar films.
If you liked Hang Up Your Brightest Colours, you will probably like those similar films :
, 1h18 GenresComedy, Documentary ThemesDocumentaire sur une personnalité ActorsLenny Clarke, Janeane Garofalo, Bobcat Goldthwait, Denis Leary, Colin Quinn, Steven Wright Rating63% Produced by Chad Sahley,the film portrays the smart yet gritty comedy of Boston, a veritable melting pot of people of very different backgrounds: the multi-ethnic working class and the hip, learned college crowd. In an interview for the film, Solimita commented that "Those two things right next to each other created an odd vibe - really smart people who also understand a dollar earned. The comedy just sort of percolated."