Notes Towards an African Orestes (Italian: Appunti per un'Orestiade Africana) is a 1970 Italian film by director Pier Paolo Pasolini about Pasolini's preparations for making a film version of the Oresteia set in Africa.
The film starts as a cinematic notebook of Pasolini scouting locations and actors with a voice-over of his thoughts -- "perhaps this will be my Electra". Back in Rome, there is a sequence with a jazz group playing. He then invites a group of African students at the University of Rome to review his notes and comment. They politely but clearly tell Pasolini that the primeval Africa he imagined had little to do with the complex, diverse reality and that treating it as a primal setting for an ancient European story was foolish. They appear to be amusedly patronised by Pasolini's implication that social progress in Africa via the adoption of Western education systems should be distrusted in favour of his romanticised ideals of communal tribal systems and the dignity of labour.
The African Orestes was never made. It is implied towards the end of the documentary that Pasolini himself was having doubts concerning his own idea.
The film was screened at the 1976 Cannes Film Festival, but was not entered into the main competition.
^ "Festival de Cannes: Notes Towards an African Orestes". festival-cannes.com. Retrieved 2009-05-10.Synopsis
En 1969, Pasolini voyage à travers la Tanzanie et l’Ouganda à la recherche des décors et des personnages de son prochain film : une adaptation de L'Orestie" d’Eschyle dans l’Afrique contemporaine. Il commente à voix haute, interroge les visages, les paysages, les situations et lit de larges et significatifs passages d’Eschyle.
Il confronte ses idées, ses notes de voyage avec un groupe d’étudiants africains installés à l’université de Rome. Le film ne verra jamais le jour, mais ces notes filmées (et montées) par le cinéaste offrent une médiation sur l’indépendance, les promesses de la démocratie et le passage de l’âge archaïque à la civilisation moderne.
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