Her Third (German: Der Dritte) is a 1972 East German (then GDR) film directed by Egon Günther and starring Jutta Hoffmann, Barbara Dittus, Rolf Ludwig and Armin Mueller-Stahl. The film is based on the short story Unter den Bäumen regnet es zweimal by Eberhard Panitz and tells the story of the single mother Margit looking for a new partner. The film was produced in 1971 by the DEFA film studio and premiered on 16 March, 1972 in East Berlin.
Synopsis
Margit Fließer (Jutta Hoffmann) is in her mid-thirties, has two children and has been divorced twice. She works as a mathematician in a medium-sized company where she is well respected by her colleagues. Margit has a shy and repressed personality due to her past and her childhood. Margit became a nurse in a Protestant order following the early death of her mother. Realizing that this vocation is not really for her she starts her studies at a university preparatory school. She falls in love with the lecturer Bachmann (Peter Köhncke), who becomes her first husband. The marriage fails, and she enters a second marriage with a blind man (Armin Mueller-Stahl). But her new husband is a disappointment and this second marriage also fails. She now decides to find "her third" husband herself and not leaving it up to fate. She chooses Hrdlitschka (Rolf Ludwig), a colleague, but only after some efforts and with the help of her friend Lucie (Barbara Dittus) she is successful and wins Hrdlitschka as her third husband.
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, 1h45 Directed byAgnieszka Holland OriginGerman GenresDrama, War, Romance ThemesFilms about religion, Political films, Films about Jews and Judaism ActorsArmin Mueller-Stahl, Elisabeth Trissenaar, Wojciech Pszoniak, Gerd Baltus, Tilly Lauenstein, Margit Carstensen Rating70% In the winter of 1942-43, a Jewish family leaps from a train going through Silesia. They are separated in the woods, and Leon, a local peasant who's now a farmer of some wealth, discovers the woman, Rosa, and hides her in his cellar. Leon's a middle-aged Catholic bachelor, tormented by his sexual drive. He doesn't tell Rosa he's seen signs her husband is alive, and he begs her to love him. Rosa offers herself to Leon if he'll help a local Jew in hiding who needs money. Leon pays, and love between Rosa and him does develop, but then Leon's peasant subservience and his limited empathy lead to tragedy.