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Identity Theft is a canadien film of genre Drama directed by Robert Dornhelm released in USA on 1 november 2004 with Kimberly Williams-Paisley
Identity Theft (2004)
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Add to a movie listMa vie volée (Identity Theft : The Michelle Brown Story) est un téléfilm canadien réalisé par Robert Dornhelm et diffusé le 1er novembre 2004 sur Lifetime.
Le scénario, qui traite de l'usurpation d'identité, est fondé sur une histoire vraie. Cette histoire fit jurisprudence en la matière et poussa le législateur américain à renforcer sa position : Michelle Brown se présenta devant une commission parlementaire, soutenue par l'association Privacy Rights Clearinghouse, afin de parler de l'expérience traumatisante qu'elle venait de vivre. Grâce à son témoignage, les lois contre l'usurpation d'identité, qui concerne 7 millions de personnes par an aux États-Unis, furent renforcées.
Synopsis
Michelle Brown s'apprête à acheter la maison de ses rêves ; un jour, elle apprend qu'une femme, Connie Volkos, a usurpé son identité pour mieux dilapider son argent et mener une vie qu'elle ne pourrait pas s'offrir ; Connie développe également une fascination malsaine pour sa victime. Un combat commence alors pour Michelle où elle doit sans cesse se justifier et prouver qu'elle est la véritable Michelle Brown. Un jour, à court d'argent, Connie est arrêtée pour trafic de drogue, puis relâchée sous caution, mais c'est Michelle qui risque d'aller en prison à sa place.Actors
Kimberly Williams-Paisley
(Michelle Brown)
Annabella Sciorra
(Connie Volkos)
Jason London
(Justin)
John Kapelos
(Ray De Lucci)
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Suggestions of similar film to Identity Theft
There are 80 films with the same actors, 19 films with the same director, 66966 with the same cinematographic genres (including 8667 with exactly the same 2 genres than Identity Theft), 433 films with the same themes (including 64 films with the same 2 themes than Identity Theft), to have finally 70 suggestions of similar films.If you liked Identity Theft, you will probably like those similar films :
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Gentlemen of Fortune (1971)
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The movie follows the story of an amiable kindergarten director named Troshkin who looks exactly like a cruel criminal nicknamed Docent (Доцент, literally associate professor) that has stolen Alexander the Great's helmet at an archaeological excavation. Docent and his gang are caught by police, but Docent is imprisoned in a different jail than his mates. Since Troshkin looks identical to Docent, the police send him undercover to prison with the real criminals to get information about the stolen helmet. He must pretend to be the real felon Docent, so in order to be convincing, Troshkin, a well-educated and good-natured man, has to learn slang and manners of criminals.
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Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel The Cyclist; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.
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Paris, January 1942. France is occupied by the Nazis. Robert Klein, apparently apolitical, is a well-to-do art dealer, Roman Catholic and Alsatian by birth, who takes advantage of French Jews who need to sell artworks to raise cash to leave the country. One day, the local Jewish newspaper, addressed to him, is delivered to his home. He learns that another Robert Klein who has been living in Paris, a Jew sought by the police, has had his mail forwarded to him in an apparent attempt to destroy his social reputation and make him a target of official anti-Semitism. He reports this to the police who remain suspicious that he may be reporting this scheme to disguise his own true identity. His own investigations lead him in contradictory directions, to Klein who lives in a slum while having an affair with his concierge and to Klein who visits a palatial country estate where he has seduced an apparently Jewish married woman. When the art dealer cannot locate the other Klein, authorities require him to offer proof of his French heritage. While waiting for the documentation to arrive, he struggles to track down his namesake and learn his motivation. Before he can resolve the situation by either means, he is caught up in the July 1942 roundup of Parisian Jews. He is reunited with Jews who once were his clients as they board boxcars for Germany.
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Louis Mahé (Jean-Paul Belmondo), a wealthy tobacco plantation owner on Réunion island in the Indian Ocean, is awaiting the arrival of his bride to be, Julie Roussel (Catherine Deneuve), whom he's never met. They became acquainted through the personals column of a French newspaper and have been corresponding by mail. At the Hotel Mascarin he meets his partner Jardine who accompanies him to pick up the ring. Louis drives to the dock to greet Julie who is arriving on the steamer Mississipi (spelled with one p according to the French spelling of the river at the time)from Nouméa, the capital of New Caledonia. When they meet he is surprised by her beauty and does not recognize her; she is not the woman in the photo she'd sent him. She explains that she sent the photo of a neighbor to assure the sincerity of his intentions. He confesses that he too has not told the complete truth, having hidden the fact that he was wealthy.
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