Search a film or person :
FacebookConnectionRegistration
Home > All films > Films Drama > It Was Not Useless
It Was Not Useless is a film of genre Drama directed by Nikola Tanhofer with Mia Oremović

It Was Not Useless (1957)

It Was Not Useless
If you like this film, let us know!
  • Infos
  • Casting
  • Technical infos
  • Photos
  • Videos
  • Film quotes
  • Characters
  • Music
  • Awards
Length 1h37
Directed by
Genres Drama
Rating68% 3.4218253.4218253.4218253.4218253.421825

It Was Not in Vain (Croatian: Nije bilo uzalud, Serbian Cyrillic: Није било узалуд) is a 1957 Yugoslavian drama film directed by Nikola Tanhofer. It was entered into the 7th Berlin International Film Festival.

Actors

Mia Oremović

(Mrs. Vidas)Zvonimir Rogoz

(Đuka)Ljuba Tadić

(Radak)Antun Vrdoljak

(Mijo)
Trailer of It Was Not Useless

Bluray, DVD

Streaming / VOD

Source : Wikidata

Comments


Leave comment :

Suggestions of similar film to It Was Not Useless

There are 16 films with the same actors, 5 films with the same director, 61578 with the same cinematographic genres, to have finally 70 suggestions of similar films.

If you liked It Was Not Useless, you will probably like those similar films :
H-8
H-8 (1958)
, 1h45
Directed by Nikola Tanhofer
Genres Drama
Actors Antun Vrdoljak, Đurđa Ivezić, Vanja Drach, Stane Sever, Marija Kohn, Mia Oremović
Rating82% 4.1338454.1338454.1338454.1338454.133845
"A bus and a truck are moving towards each other along a two-way traffic highway on a rainy day. At the very beginning we learn that a reckless driver of another car will cause them to collide while trying to pass the bus; we even learn what seats will spell doom for their occupants. The rest of the movie follows two streams of events on the bus and on the truck, getting us to know and like a wide variety of characters, wondering which ones will end up being casualties and holding (our) breath for our favourites." (IMDb)
Ecstasy
Ecstasy (1933)
, 1h22
Directed by Gustav Machatý
Origin Tchecoslovaquie
Genres Drama, Romance
Actors Hedy Lamarr, Aribert Mog, Pierre Nay, Zvonimir Rogoz, Jiřina Steimarová, Jan Sviták
Rating65% 3.2957253.2957253.2957253.2957253.295725
Emil (Zvonimir Rogoz), a precise, orderly older man, carries his happy new bride Eva (Hedy Lamarr) over the threshold of their home. (He has great difficulty opening the lock on the front door, trying key after key.) She is greatly disappointed on her wedding night; he does not even come to bed. After living in the unconsummated marriage for a while, she cannot bear it any longer and runs back to her father (Leopold Kramer), a horse breeder. A divorce is issued.
Son of Samson
Son of Samson (1960)
, 1h31
Directed by Mario Bava, Romolo Guerrieri, Carlo Campogalliani
Origin Italie
Genres Drama, Action, Adventure, Peplum, Romance
Actors Zvonimir Rogoz, Vira Silenti, Carlo Tamberlani, Ignazio Dolce
Rating51% 2.588862.588862.588862.588862.58886
Au temps de la domination persane en Égypte, Kenamun, fils du pharaon Amirtee n'est pas insensible aux conditions misérables de vie de son peuple.
The Glembays
The Glembays (1988)
, 2h
Directed by Antun Vrdoljak
Genres Drama
Themes Films based on plays
Actors Mustafa Nadarević, Ena Begović, Žarko Potočnjak, Zvonimir Rogoz, Ksenija Pajic, Emil Glad
Rating76% 3.8343253.8343253.8343253.8343253.834325
It is a period piece set in 1913 in Zagreb (which was at the time part of Austria-Hungary) and follows members of the fictional Glembay family, headed by Ignjat Glembay (Tonko Lonza), a prominent banker, and his second wife baroness Castelli (Ena Begović). Eleven years after his mother's suicide, Leone Glembay (Mustafa Nadarević) returns from abroad to his family home in Zagreb. He is haunted by depressing memories, particularly by thoughts of his deceased mother, his sister who committed suicide, and the Baroness Castelli, his father's second wife. The only member of his family that Leone confides in is Beatrice (Bernarda Oman), his brother Ivan's widow, who in the meantime became a nun and renamed herself Angelika. Leone witnesses omnipresent hypocrisy in the family and is repulsed by the criminal means through which his family became rich. Ultimately, Leone confronts his father and the baroness.