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Je Tu Il Elle is a french film of genre Drama directed by Chantal Akerman released in USA on 27 december 1985 with Chantal Akerman
Je Tu Il Elle (1974)
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Add to a movie listReleased in USA 27 december 1985
Length 1h22
Directed by Chantal Akerman
OriginFrance
Themes Feminist films, Films about sexuality, LGBT-related films, Political films, LGBT-related films, LGBT-related film, Lesbian-related films
Rating66%
Je Tu Il Elle (English: "I You He She") is a 1976 French-Belgian film by the Belgian film director Chantal Akerman.
Synopsis
Julie, a young woman alone in a room moves her furniture, writes letters, and eats powdered sugar. She leaves her room and finds a driver with whom she stays for a while. Later, she joins a young woman with whom she has sex.Actors
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Suggestions of similar film to Je Tu Il Elle
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, 3h21Directed by Chantal Akerman
Origin Belgique
Genres Drama, Thriller
Themes Feminist films, Films about sexuality, Erotic films, Films about prostitution, Erotic thriller films
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Jeanne Dielman examines a single mother's regimented schedule of cooking, cleaning and mothering over three days. The mother, Jeanne Dielman (whose name is only derived from the title and from a letter she reads to her son), prostitutes herself to a male client daily for her and her son's subsistence. Like her other activities, Jeanne's prostitution is part of the routine she performs every day by rote and is uneventful. But on the second day, Jeanne's routine begins to unravel subtly, as she drops a newly washed spoon and overcooks the potatoes that she's preparing for dinner. These alterations to Jeanne's existence prepare for the climax on the third day.
The Meetings of Anna (1978)
Directed by Chantal Akerman
Origin German
Genres Drama
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Une réalisatrice de trente ans, Anna Silver, est accueillie à Essen en Allemagne pour présenter son dernier film au cinéma le Roxy. Elle termine la soirée dans sa chambre d'hôtel avec l'instituteur qui anime le ciné-club qui l'a invitée. Brusquement, elle lui demande de partir. Elle accepte néanmoins de le revoir chez lui le lendemain. Après cette triste visite, elle prend le chemin du retour. Elle profite d'un changement de train à Cologne pour retrouver une amie de sa mère qui est aussi la mère de son ex-petit ami. Elle converse avec un voyageur pendant le trajet vers Bruxelles. Le train fait une halte en gare de Louvain. La réalisatrice a rendez-vous avec sa mère à la gare de Bruxelles-Midi. Elles boivent un verre à la cafétéria avant de louer une chambre dans un hôtel du quartier. Le lendemain, elle reprend le train pour Paris où son compagnon l'attend.
The Meetings of Anna (1978)
, 2h7Directed by Chantal Akerman
Genres Drama
Themes Feminist films, Political films
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Anne Silver, a Belgian filmmaker, is travelling through West Germany, Belgium, and France to promote her new film. Along the way, she meets with strangers, friends, former lovers, and family members, all the while traversing an isolating and increasingly homogeneous Western Europe.
, 35minutesDirected by Chantal Akerman
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, 13minutesDirected by Chantal Akerman
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Une jeune femme rentre chez elle, s'enferme dans la cuisine, agit de façon de plus en plus incohérente jusqu'à faire sauter l'appartement.
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, 42minutesDirected by Chantal Akerman
Genres Drama, Documentary
Actors Chantal Akerman
Rating66%
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The film tells the story of Sissy Hankshaw, a woman born with a mutation (she would not call it a defect) giving her enormously large thumbs. The film is a transgressive romp, covering topics from homosexuality and free love to drug use and political rebellion to animal rights and body odor and religions. Sissy makes the most of her thumbs by becoming a hitchhiker. Her travels take her to New York, where she becomes a model for a transvestite feminine hygiene products mogul, known as The Countess, who introduces her to the man whom she will marry, an asthmatic, staid Mohawk named Julian Gitche. In her later travels, she encounters, among many others, a sexually open cowgirl named Bonanza Jellybean and an itinerant escapee from the Japanese internment camps happily mislabeled "The Chink".
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The film commences on a sunny summer day in Yorkshire when Tamsin (Emily Blunt) meets Mona (Natalie Press). The former travels on horseback and chances upon Mona, who is resting in the grass. The two girls come from completely opposing background; Tamsin is from an upper-middle-class family and has recently been suspended from boarding school for being a bad influence; drinking alcohol. Mona, on the other hand, comes from a dysfunctional family, and her brother, Phil (Paddy Considine), who has recently been released from prison, is the only remaining member of her family still alive. Both of the girls seem to regard their lives as mundane. The new acquaintances head home together, one on horseback and the other on an engineless scooter.
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